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Big Fun [Extra tracks, Original recording remastered]

Miles DavisAudio CD
4.5 out of 5 stars  See all reviews (28 customer reviews)

Price: $16.47 & FREE Shipping on orders over $35. Details
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Product Details

  • Audio CD (August 1, 2000)
  • Number of Discs: 2
  • Format: Extra tracks, Original recording remastered
  • Label: Columbia/Legacy
  • ASIN: B00004VWA6
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (28 customer reviews)
  • Amazon Best Sellers Rank: #118,693 in Music (See Top 100 in Music)

Disc: 1
1. Great Expectations
2. Ife
3. Recollections [*]
4. Trevere [*]
Disc: 2
1. Go Ahead John
2. Lonely Fire
3. The Little Blue Frog [*]
4. Yaphet [*]

Editorial Reviews

Product Description

A collection of material recorded between 1969 and 1972, the period just after Bitches Brew, Big Fun was not issued until 1974. By then, Davis had moved on in other directions, so it became a much-neglected album. The compositions are too scattered to maintain a focus, but there is much to hear within. For example, this was the album that introduced "Ife," a piece recorded during the On the Corner sessions. Built on the simplest of bass vamps and the skimpiest of melodies, it nonetheless was enough to incite Miles's playing. It stayed in his performance book for years, and turned up on other recordings, such as Dark Magus, Agharta, Pangaea, and In Concert. "Go Ahead, John," from the Jack Johnson period in 1970, has a sublimely nasty (and sonically infuriating) guitar solo from John McLaughlin. This digitally remastered edition of Big Fun also contains the bonus tracks "Recollection," "Trevere," "The Little Blue Frog," and "Yaphet" (all of which were also included on the recently issued Complete Bitches Brew Sessions, along with "Great Expectations," "Recollections," "Orange Lady," and "Lonely Fire"). --John F. Szwed

Customer Reviews

Most Helpful Customer Reviews
26 of 26 people found the following review helpful
5.0 out of 5 stars Big Fun August 4, 2000
Format:Audio CD
I bought this album in London earlier this summer, where it has been available for some time, and is actually quite popular. This sales clerk nodded and said he thought it was an excellent album (or, I believe more accurately "that's a good one, there"). I also think it is an excellent album, though a bit scattered and disorganized in the arrangement of the songs and especially in the personnel and set information, and if you are interested in Miles Davis' funk 70s period (from Bitches Brew to Pangea) then I suggest buying this album. Like much of Miles Davis' music of this period, the interest doesn't lie in the melodies, or in the individual solos, but in two things; the overall buildup and cataclysmic weight of the songs themselves (all over 20 minutes), and the short sections where the whole band just seems to catch the groove (as Miles would say) and you feel it pass over you as well. It's a hard feeling to describe, and not everyone can catch it, but it's really what music is all about-and you can find it on this album. The music of this period has been described as 'seismic' or 'earth-shattering'; perhaps a bit overwinded, but accurate nonetheless.
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31 of 32 people found the following review helpful
5.0 out of 5 stars "Kind of Blue," This Ain't. November 21, 2002
Format:Audio CD
If the idea of listening to an album featuring tracks that clock in at least 20 minutes doesn't appeal to you, "Big Fun" may not be your type of groove. This is not an album for those who suffer from a short attention span. It's not for those who still have conservative notions about what jazz should sound like. And it's certainly not for those who aren't open-minded enough to appreciate Miles Davis' era called the "electric" period. "Big Fun" ranks up there with "Bitches Brew" and "Get Up With It" as another double-CD fusion masterpiece. Miles's trumpeting is still in exceptional form, but on this album, he incorporates rock, funk, and a dash of blues into the mix. Many of the players that appeared on the "Bitches Brew" album return here, as well as Herbie Hancock. "Go Ahead John," which is the opening track on disc two, defies categorization: for nearly 30 minutes, the track swings stylishly between rock, soul and jazz featuring fierce electric guitars, great drum work, fine trumpeting from Davis, and nice sax from Steve Grossman. "Lonely Fire" is a seductive, near-ambient work of minimalism showing Davis on trumpet, Bernie Maupin on bass, as well as some light percussion. "Ife," which was written while Davis was working on his "On the Corner" album, is a suave and funky number with "1970s" written all over it, featuring a great bassline from Michael Henderson. "Big Fun," which is digitally remastered, also has four additional rare tracks which also appear on the "Bitches Brew" box set (also a must-own). While other musicians were settling into their comfort zones, Miles Davis continued to push boundaries and defy musical traditions. "Big Fun" is an incredible work of fusion that's almost guaranteed to get heavy rotation on your CD player.
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35 of 38 people found the following review helpful
4.0 out of 5 stars Yes, this really is jazz. March 28, 2003
Format:Audio CD
It doesn't swing, there are almost no acoustic instruments and it's light-years away from the upbeat easy-bopping that the word 'jazz' conjures up in many people's minds. But Miles was one to make traditions, not follow them, and jazz has always been about spontaneity and change. His "electric" period in the first half of the 70s was all about wild grooves, head-spinning experimentation and following his curiosity. And I'm not an expert by any means, but I rank Big Fun right at the top (alongside Jack Johnson and Pangaea) as one of the most accomplished albums of this phase. It's exotic, it's spontaneous, it's rhythmic and cool, it's world-beat funk jazz like almost nothing else you're likely to hear.
How to describe this stuff? It's based in groove, but embellished with layers of inventive playing that keep it from ever sounding monotonous. "Ife" finds all kinds of variations on a four-note bass vamp. "Go Ahead John" bounces and swaggers all over the place, featuring a McLaughlin solo that's absolutely sick. Joe Zawinul's "Recollections" is the least funky of all the songs, instead floating through 18 minutes of a cozy dream haze. I agree with the poster below who said that it should come after "Trevere," not before.
There's a wonderful cast of talented characters breathing life into the music with a bright rainbow of vibrant colors - Herbie Hancock, John McLaughlin, Jack DeJohnette, Wayne Shorter, Airto Moreira, Chick Corea.. the cast list alone is astounding. The group lineups range from a basic five to a cunningly orchestrated eleven.
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12 of 12 people found the following review helpful
5.0 out of 5 stars One of Miles' most underrated albums. December 4, 1998
Format:Audio CD
Recorded right around the same time as Bitches Brew, this album has spent the last 29 years hiding in the shadows. Because it wasn't originally released until 1974, I think these tracks were thought of by the public as being "throw aways". They're not.
Big Fun moves forward from Bitches Brew by incorporating a sitar, and yet still manages to caputre a lot of the same moodiness found on In A Silent Way.
I'm thrilled that 3/4 of Big Fun is now available on the Complete Bitches Brew Sessions, but this is one album that should also be made available domestically with its original packaging.
Dig it!
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Most Recent Customer Reviews
5.0 out of 5 stars Five Stars
Very important piece of music for me.
Published 2 months ago by Richard R. Williams
5.0 out of 5 stars Great music which somehow escaped from CBS/SONY
This is perhaps Miles' last great album, though Columbia waited three years before they finally came stumbling out with it. Read more
Published 2 months ago by Marco Buendia
5.0 out of 5 stars Miles up at the peak
This until-recently-little-appreciated collection contains some of Miles' best material from his most musically fertile epoch, the 1969-75 period bookended by `In a Silent Way' and... Read more
Published 4 months ago by The Guardian
4.0 out of 5 stars big fun for everyone... but me
Actually Big Fun is an enjoyable album and even has some distinct styles that were probably brand new and quite revolutionary to the world of jazz back in the early to mid 70's... Read more
Published on February 11, 2012 by B. E Jackson
4.0 out of 5 stars excellent
In the very early 1970s, Miles Davis was at one of his production peeks. He was recording albums faster than Columbia could release them, and when he finally crashed in 1975, the... Read more
Published on May 28, 2010 by Bill Your 'Free Form FM Print DJ
5.0 out of 5 stars Sonic Genius
What else can be written about Miles Davis, a man years ahead of his time. This good music sounds cutting edge 40 years after its initial's amazing stuff. Read more
Published on March 29, 2010 by Arckitekt
5.0 out of 5 stars Great Miles....
This is shaping up to be one of my favorite Miles's CD's/albums. It originally was a double album consisting of four side long tracks (and they were long! Read more
Published on July 11, 2009 by Grigory's Girl
5.0 out of 5 stars Freestyle Fusion Fireworks
When the double album was initially released, each side contained an extended piece from critical junctures in the ever-changing vision of fusion; Great Expectations/Orange Lady,... Read more
Published on March 7, 2009 by Best Of All
5.0 out of 5 stars Ambient Meditative Formless Art By a True Master
I regret not listening to this earlier. But I may have not been ready for it when it came. I got into jazz when Jazz-Rock was starting to get a bad name. Read more
Published on October 4, 2007 by Earsby
5.0 out of 5 stars No, that cover's not suggestive at all! *COUGH*
I'm not big on fusion, but I can tell you that Big Fun is one of my favorite albums from the period, along with In a Silent Way. Read more
Published on July 8, 2007 by finulanu
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