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The Big Picture : Who Killed Hollywood? and Other Essays [Hardcover]

William Goldman (Author)
3.4 out of 5 stars  See all reviews (10 customer reviews)


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Hardcover, 1999 --  
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Product Details

  • Hardcover
  • Publisher: Applause Theatre Book Publishers (1999)
  • ASIN: B0013RCH50
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (10 customer reviews)

 

Customer Reviews

10 Reviews
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Average Customer Review
3.4 out of 5 stars (10 customer reviews)
 
 
 
 
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12 of 13 people found the following review helpful:
3.0 out of 5 stars Ouch! This collection needs an editor!, February 4, 2000
By 
Bonnie MacBird (Los Angeles, CA USA) - See all my reviews
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This review is from: The Big Picture (Hardcover)
As a 25yr vet of Hollywood, I'm often asked for advice by neophyte writers. I always direct them to two things: William Goldman's ADVENTURES IN THE SCREEN TRADE, and any and all of his screenplays. The man is a genius at screenwriting, and ADVENTURES is witty, brilliant, and dead-on about Hollywood. True to form, this new book contains nuggets of sheer brilliance and some great entertainment. But the unedited (apparently) collection of articles is repetitive, and begins to read as a rant. How many quotes from addlebrained movie execs does it take for us to realize that they can't have an opinion without hedging? How many times must we hear that Mr. Goldman would like the Oscar voting scores revealed and why? I wish he or an editor had spent the time to shape this book into what Mr. Goldman's terrific ideas warrant. He's a much better writer than the sum of this book. Buy this one to read by the pool, but buy his others to laugh and learn from a master.
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8 of 8 people found the following review helpful:
4.0 out of 5 stars Light and breezy, but also cynical and witty....., January 23, 2000
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This review is from: The Big Picture (Hardcover)
While Mr. Goldman is no Pauline Kael in terms of film analysis (he plays fast and loose with language rather than constructing fine-tuned essays), he does have a biting sense of humor and is more than willing to laugh at Hollywood, star power, and yes, even the average American filmgoer. The best essay in the book, "Who Killed Hollywood?," discusses not only the ageless conflict between art and commerce, but the eventual destructiveness of the Oscars, the dearth of talent both behind and in front of the camera (not to mention the corporate suite), and the inevitable nostaligia that creeps in whenever one compares the stars of today with those of the past. Goldman clearly loves the art of cinema and his passion shows at every turn, allowing the reader to have great fun with each successive essay. While the content is a bit repetitive at times (covering the 1990s, he returns again and again to "the biggest star" and Oscar notes), the overall tone is refreshing. Goldman is also willing to admit his love of less-than-noble films (he respects the high-brow, but is more of a populist than he might admit), and he does not shy away from puncturing the self-important and well-respected. A must for film buffs.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars A not-bad collection, August 9, 2000
By 
linus (the land of wind and ghosts) - See all my reviews
This review is from: The Big Picture (Hardcover)
Goldman is always compulsively readable. (If you doubt, track down "Adventures in the Screen Trade," "Hype and Glory," or "The Season," for me his best three books about show biz.) This collection -- and it is very much a collection -- is no exception. If you're a Goldman fan and you missed these short essays in "New York" magazine and "Premiere," the book is worth getting (though perhaps not for the hardcover price Applause is asking -- I'd wait for the paperback myself).

Some of the other generally positive reviews on here have made several negative remarks and they're all true. Embarrassing number of typos. Repetitive. Truly terrible book design -- par for the course with Applause. But I'll say this much: The book kept me a lot more entertained than Goldman's most recent book, "Which Lie Did I Tell?," a somewhat unworthy follow-up to "Screen Trade." And it contains, as one of the other reviewers mentioned, a massive smackdown on "Saving Private Ryan" -- perhaps annoying if you loved the film, but absolutely hilarious if you didn't.

The only serious flaw or bias I detect in Goldman's attitude is that he romanticizes the movie era when he first fell in love with movies -- say, the '40s and '50s -- and constantly uses the classics of his childhood as a stick to beat modern movies with. The fact is, probably there were just as many stupid movies back then as there are now, deservedly forgotten. Movies as an art form are still so young that it seems inaccurate to say they've gone downhill, when in fact there have been many peaks and valleys over the last 100 years. Goldman never seems happier than when he's saying movies have never been worse. (Then later in the book he says they've gotten worse still.) The fact is, there are movies getting made now that wouldn't have stood a chance 10 or even 5 years ago. So, when reading this autopsy on movies from 1990-1998, take it with a grain of salt. And enjoy.

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Best Picture, Out There, Tom Hanks, Best Actor, New York, Kevin Costner, Forrest Gump, Kathy Bates, Mel Gibson, Dances With Wolves, Home Alone, Julia Roberts, Jim Carrey, Jurassic Park, Best Director, The English Patient, Pulp Fiction, Quiz Show, Warner Bros, The Silence of the Lambs, The Crying Game, Clint Eastwood, The Fugitive, Emma Thompson, Harrison Ford
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