From Publishers Weekly
Forest revisits the popular Yiddish folktale that also inspired Margot Zemach's classic It Could Always Be Worse (1976). A poor man who longs for a "big quiet house" where his wife's snoring and his children's giggling will not annoy him consults the wisest woman in the shtetl (most versions cast a rabbi as the advice-giver). On successive visits, she instructs him to bring first a chicken, then a goat, horse, cow, and a sheep inside his house, which of course adds to the din. Finally, when she tells him to remove the noisy animals, the man has a new appreciation for his relatively large and quiet house. Forest hams up her telling with intermittent rhymes and refrains, inviting audience participation with a number of animal noises, but she lacks Zemach's canny wit and expert pacing. Greenstein enhances the story's historical flavor by using watercolor and streaky white pencil on a black surface, resulting in a pleasingly old-fashioned, woodcut-like appearance. Ages 4-7.
Copyright 1996 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From School Library Journal
Kindergarten-Grade 2-A flawed retelling of a familiar folktale. When a peasant complains that his small hut is too crowded and noisy, an old woman (in traditional versions, a wise man) tells him to bring first one animal, then another, and then still more into the house. Finally, when the poor man is driven to distraction by the crowd and the noise, she tells him to remove all the animals. The peasant is then delighted to find that his once-crowded hut is now roomy and filled only with the joyful sounds of his family. Forest's narrative slips in and out of rhyme to the extent that the inconsistency becomes annoying. Some of the couplets flow naturally, while some seem forced. The meter is erratic as well. Greenstein's bright, colorful scratchboard illustrations add a delightfully humorous tone to the piece, although the consistency of her depiction of the small town will not bear close scrutiny. Collections that already have Margot Zemach's It Could Always Be Worse (Farrar, 1990), Marilyn Hirsh's Could Anything Be Worse? (Holiday, 1974; o.p.), or Joanna Cole's It's Too Noisy! (HarperCollins, 1989) can pass on this one.
Linda Greengrass, Bank Street College Library, New York CityCopyright 1996 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.