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16 of 16 people found the following review helpful:
4.0 out of 5 stars
Another wonderful programmer from RKO., April 19, 2002
Not quite noir, but not a pure caper either, this film cooks along at a blistering pace, and gets by on a great script, assured direction from Don (Dirty Harry) Siegel, and effortless charm.Actually it does a lot more than get by. The dialogue is first-rate, the performances are fine, the locations authentic. And the momentum never ebbs. I liken the pace to a pre-code Warner Bros. meller. It begins with William Bendix kicking in Robert Mitchum's door, looking for Army payroll he believes Mitchum stole. Mitchum denies it and they fight. Mitchum escapes the boat he had been travelling on and meets Jane Greer on the Mexican dock. The next few minutes mess with the audience's mind, as more characters are introduced: who did steal the money? Why? Where is it? Where are they trying to go with it? Once the shifting alliances become set, it actually gets better. The narrative is more straightforward, but remains actionful and clever, an endless cat-and-mouse game between Mitchum and Greer, who are chasing Greer's wily ex-fiancee; Bendix, who is chasing them; with a Mexican policeman who is more savvy than he lets on is pursuing all of them. There are a couple very nice vignettes which never make the movie seem episodic, including a three-sided battle of wits by a hotel swimming pool and a comical encounter with a Mexican road crew. There's a couple of shootouts, a nice car chase, some goats, more fisticuffs, a final batch of betrayals, and a romantic fadeout. Heist films could end happy in the black-and-white days, you see, and the good guys could win. Later films may have become even more twisty, but they cannot match the entertainment value of this one from 1949. The Big Steal reunites Mitchum, Greer and co-scripter Geoffrey Homes from 1947's Out of the Past, although the two offerings are completely different in tone. This one is basically light fare with a dose of hard-boiled; O of P was pure gloom. And overall, this is definitely a notch down from that classic. (Big Steal would have benefited from an antagonist of more presence, such as Kirk Douglas in O of P, in the role of Greer's fiancee.) But being a step below Tourneur's noir masterpiece still leaves it in very good stead indeed. Buy the Big Steal- you won't be sorry. P.S. Who owns the rights to all the RKO gems? And when will we see them released on DVD?
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