- Original Release Date: May 6, 2012
- Label: eOne Music
- Copyright: (C) 2012 Vanguard Classics
- Total Length: 7:14:27
- Genres:
- ASIN: B0080K06JW
- Average Customer Review: 4.6 out of 5 stars See all reviews (17 customer reviews)
- Amazon Best Sellers Rank: #7,187 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)
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Customer Reviews
Most Helpful Customer Reviews
14 of 14 people found the following review helpful
Format:MP3 Music|Amazon Verified Purchase
Let's start with the good. This "Big Tchaikovsky Box" uses recordings from the Vanguard catalog, and was issued by eOne, the current holder of the tapes. Tchaikovsky wasn't a focus of the label, but Vanguard managed to publish some very fine performances over the years, and they have been collected here.
Highlights of the set include Maurice Abravanel's tapings of The Nutcracker and Swan Lake ballets with the Utah Symphony. The recordings from the 1960s sound fresh, and while the Utah brass and winds at times suffer in comparison to, say, orchestras in Philadelphia and New York, the difference is inches and not yards. Abravanel recorded excerpts from Swan Lake with the Utah Symphony in the 1950s for another label (and a filler on the first CD issue of Rodzinski's The Nutcracker, on the old MCA Classics "Double Decker" series), and the orchestra is much more refined sounding in Vanguard's recording. Purists might turn up their noses at a "complete" Swan Lake with traditional cuts, but Abravanel's dramatic conducting sweeps criticism before it.
Turning to the rest of the set, the American Symphony Orchestra recording of the Fourth Symphony remains a classic not only for the performance but for the orchestration. Conductor Leopold Stokowski, as was his wont, couldn't resist 'improving' Tchaikovsky's orchestration. Fanfare magazine once published a detailed list of all the changes made to the score; I don't have it at hand, but even from the first notes you notice something is different. There's no denying the impact the recording makes.
The three performances led by Pierre Monteux are live tapings from the Vienna Festival in 1962. John Ogdon is a grand soloist in the Piano Concerto, and Monteux leads exciting performances of music written back when he was a music student eight decades before (Romeo and Juliet and the Fifth Symphony). Vanguard's sound is a little distant but very good for live recordings.
Somary's recording of the Serenade for Strings with the English Chamber Orchestra is from an early 1970s recording of "Russian Music For Strings." Compared to many performances, this one comes across as small scaled without a compensating virtue such as clarity. Somary, best known for his Bach and Handel recordings, was never a conductor to tear a passion to tatters; I'm not sure such a dry-eyed approach works for Tchaikovsky. A curiosity. I wish eOne had reissued the Arensky Variations on the Theme of Tchaikovsky that was the flip side of the LP.
The rest is filler. The three Vienna State Opera Orchestra recordings, including the Sixth Symphony, are distinctly ordinary - run throughs at best.
The productions of the MP3s in these Big Boxes have had problems in the past. My only complaint with this set is that there often seems a very long time between the end of one track and the beginning of the next. This is especially annoying in Swan Lake, since it interrupts the flow of the music.
Highlights of the set include Maurice Abravanel's tapings of The Nutcracker and Swan Lake ballets with the Utah Symphony. The recordings from the 1960s sound fresh, and while the Utah brass and winds at times suffer in comparison to, say, orchestras in Philadelphia and New York, the difference is inches and not yards. Abravanel recorded excerpts from Swan Lake with the Utah Symphony in the 1950s for another label (and a filler on the first CD issue of Rodzinski's The Nutcracker, on the old MCA Classics "Double Decker" series), and the orchestra is much more refined sounding in Vanguard's recording. Purists might turn up their noses at a "complete" Swan Lake with traditional cuts, but Abravanel's dramatic conducting sweeps criticism before it.
Turning to the rest of the set, the American Symphony Orchestra recording of the Fourth Symphony remains a classic not only for the performance but for the orchestration. Conductor Leopold Stokowski, as was his wont, couldn't resist 'improving' Tchaikovsky's orchestration. Fanfare magazine once published a detailed list of all the changes made to the score; I don't have it at hand, but even from the first notes you notice something is different. There's no denying the impact the recording makes.
The three performances led by Pierre Monteux are live tapings from the Vienna Festival in 1962. John Ogdon is a grand soloist in the Piano Concerto, and Monteux leads exciting performances of music written back when he was a music student eight decades before (Romeo and Juliet and the Fifth Symphony). Vanguard's sound is a little distant but very good for live recordings.
Somary's recording of the Serenade for Strings with the English Chamber Orchestra is from an early 1970s recording of "Russian Music For Strings." Compared to many performances, this one comes across as small scaled without a compensating virtue such as clarity. Somary, best known for his Bach and Handel recordings, was never a conductor to tear a passion to tatters; I'm not sure such a dry-eyed approach works for Tchaikovsky. A curiosity. I wish eOne had reissued the Arensky Variations on the Theme of Tchaikovsky that was the flip side of the LP.
The rest is filler. The three Vienna State Opera Orchestra recordings, including the Sixth Symphony, are distinctly ordinary - run throughs at best.
The productions of the MP3s in these Big Boxes have had problems in the past. My only complaint with this set is that there often seems a very long time between the end of one track and the beginning of the next. This is especially annoying in Swan Lake, since it interrupts the flow of the music.
6 of 6 people found the following review helpful
Format:MP3 Music|Amazon Verified Purchase
Another excellent addition to the growing line of "Big Box" MP3 releases from eONe Music, which apparently now handles the catalog of the once great, now defunct classical music division of Vanguard Records. Vanguard's classical music was often published under a separate brand, "The Bach Guild", which is where the name on these releases derives from (that is, they are NOT published by any organization called "The Bach Guild"). This set was released on the same day as Big Brahms Box, also for an extreme bargain introductory price.
This set is excellent, and I have been especially impressed with the quality of the sound. For the most part, the recordings ring crisp and clear, without noise and in wonderfully three dimensional stereo. I was surprised to learn from a comment on my review for the Brahms box by a representative of eOne that the company is preparing these releases -- at least in part -- from the original master tapes. While I'm not sure exactly which recordings are from the original masters, this does go a long way to explaining the remarkable sound quality on some of the selections.
The set starts with the Romeo and Juliet Fantasy Overture, one of three pieces (along with the Piano Concerto No. 1 and Symphony No. 5) taken from this recording conducted by Pierre Monteaux, the man who conducted one of the most famous (or infamous) performances in music history -- the premiere of Stravinsky's "Rite of Spring" in Paris on May 29, 1913. In the recordings here, he is leading the London Symphony Orchestra live in concert at the Vienna Festival 50 years and two days later, on May 31, 1963. These recordings represent the full concert program from that evening, and are both good in sound and energetic in interpretation. The Piano Concerto's soloist, John Ogdon, was a remarkable British talent in the 1960s before his health deteriorated, and we can hear him at his full powers here. An outstanding performance, all live in one take.
Next we have fine performances of the 1812 Overture and Capriccio Italien by the Vienna State Opera Orchestra under Mario Rossi (the same combination that delivers the Hungarian Dances on the Brahms set). These mono recordings seem to have been released by Vanguard as part of a "Quality Control" album allowing listeners to test the quality of their hi-fi equipment.
The Serenade for Strings featured here was originally part of a larger album of Russian string music performed by the English Chamber Orchestra under Johannes Somary. I didn't find this piece particularly compelling, but it is fine.
Only Tchaikovsky's later numbered symphonies (Nos. 4-6) are featured. I loved the performance and great sound on Symphony No. 4, performed by Leopold Stokowski and the American Symphony Orchestra, which he founded in 1962 when he was 80 years old. However, this recording is very controversial. Stokowski was from an era where conductors felt few inhibitions in changing a composer's work here and there -- and within that tradition, Stokowski himself was one of the most avid modifiers. I don't have a catalog of the changes he made to the original Tchaikovsky score, but the reviews on this CD release of the same recording will give you some idea of the controversy. The result is very enjoyable despite the sacrilege, and the sound quality is clear, rich and dynamic.
I had never heard of Vladimir Golschmann, who conducts the Vienna State Opera Orchestra in Symphony No. 6, originally featured on this LP, another Vanguard "demonstration" album designed to show off the features of a new recording technology known as "stereo". This is actually a fine performance and the sound really impressed me, being recorded specifically to demonstrate what stereo can do and succeeding quite well. Golschmann, it turns out, was musical director of the St. Louis Symphony Orchestra from 1931 to 1958. Great recording of a fine performance.
The final works represented are the full ballet scores of The Nutcracker and Swan Lake, both performed by the Utah Symphony Orchestra under Maurice Abravanel, the conductor who turned the Utah Symphony into a professional orchestra and left it with a fairly good reputation by the time of his departure in the 1970s. He pulls out a fantastic performance of The Nutcracker from his orchestra (from this recording). The Swan Lake (from this CD) is also very good, although The Nutcracker, as a lighthearted work with a lot more room for playful inventiveness, is perhaps easier to love.
If there is a fault with the set, I'd say it lies with a relative lack of variety -- no early symphonies, no Violin Concerto, only three of Tchaikovsky's many short orchestral works, no solo piano or chamber music, songs, choral works, etc. But looking around on the web at available Vanguard Tchaikovsky recordings, it seems they really didn't actually have much more than this. There were a few different recordings of some of the late symphonies -- very interestingly, including Sir John Barbirolli conducting the Halle Orchestra on Nos. 4 and 6. Those could have been good choices, but the Stokowski and Golschmann are excellent, so no complaints there.
As on the Brahms set, I have run across at least one poor edit here as well. The first split second of music from the 4th movement of Symphony No. 6 (track 22) actually is at the end of track 21. If your MP3 player can handle continuous playing and you are listening to the tracks in order, you won't notice it. But if your player hesitates for a fraction of a second between tracks, it will be a distraction.
MP3 transfers are good in sound quality, and bitrates are variable, averaging 214-253 kbps. Total download size is 731 MB for 7.2 hours of music.
Very warmly recommended overall. There are some real gems here -- I'm particularly delighted with the Stokowski 4th, the Golschmann 6th, the Ogdon/Monteux Piano Concerto, and The Nutcracker. Pick it up before they raise the price!
This set is excellent, and I have been especially impressed with the quality of the sound. For the most part, the recordings ring crisp and clear, without noise and in wonderfully three dimensional stereo. I was surprised to learn from a comment on my review for the Brahms box by a representative of eOne that the company is preparing these releases -- at least in part -- from the original master tapes. While I'm not sure exactly which recordings are from the original masters, this does go a long way to explaining the remarkable sound quality on some of the selections.
The set starts with the Romeo and Juliet Fantasy Overture, one of three pieces (along with the Piano Concerto No. 1 and Symphony No. 5) taken from this recording conducted by Pierre Monteaux, the man who conducted one of the most famous (or infamous) performances in music history -- the premiere of Stravinsky's "Rite of Spring" in Paris on May 29, 1913. In the recordings here, he is leading the London Symphony Orchestra live in concert at the Vienna Festival 50 years and two days later, on May 31, 1963. These recordings represent the full concert program from that evening, and are both good in sound and energetic in interpretation. The Piano Concerto's soloist, John Ogdon, was a remarkable British talent in the 1960s before his health deteriorated, and we can hear him at his full powers here. An outstanding performance, all live in one take.
Next we have fine performances of the 1812 Overture and Capriccio Italien by the Vienna State Opera Orchestra under Mario Rossi (the same combination that delivers the Hungarian Dances on the Brahms set). These mono recordings seem to have been released by Vanguard as part of a "Quality Control" album allowing listeners to test the quality of their hi-fi equipment.
The Serenade for Strings featured here was originally part of a larger album of Russian string music performed by the English Chamber Orchestra under Johannes Somary. I didn't find this piece particularly compelling, but it is fine.
Only Tchaikovsky's later numbered symphonies (Nos. 4-6) are featured. I loved the performance and great sound on Symphony No. 4, performed by Leopold Stokowski and the American Symphony Orchestra, which he founded in 1962 when he was 80 years old. However, this recording is very controversial. Stokowski was from an era where conductors felt few inhibitions in changing a composer's work here and there -- and within that tradition, Stokowski himself was one of the most avid modifiers. I don't have a catalog of the changes he made to the original Tchaikovsky score, but the reviews on this CD release of the same recording will give you some idea of the controversy. The result is very enjoyable despite the sacrilege, and the sound quality is clear, rich and dynamic.
I had never heard of Vladimir Golschmann, who conducts the Vienna State Opera Orchestra in Symphony No. 6, originally featured on this LP, another Vanguard "demonstration" album designed to show off the features of a new recording technology known as "stereo". This is actually a fine performance and the sound really impressed me, being recorded specifically to demonstrate what stereo can do and succeeding quite well. Golschmann, it turns out, was musical director of the St. Louis Symphony Orchestra from 1931 to 1958. Great recording of a fine performance.
The final works represented are the full ballet scores of The Nutcracker and Swan Lake, both performed by the Utah Symphony Orchestra under Maurice Abravanel, the conductor who turned the Utah Symphony into a professional orchestra and left it with a fairly good reputation by the time of his departure in the 1970s. He pulls out a fantastic performance of The Nutcracker from his orchestra (from this recording). The Swan Lake (from this CD) is also very good, although The Nutcracker, as a lighthearted work with a lot more room for playful inventiveness, is perhaps easier to love.
If there is a fault with the set, I'd say it lies with a relative lack of variety -- no early symphonies, no Violin Concerto, only three of Tchaikovsky's many short orchestral works, no solo piano or chamber music, songs, choral works, etc. But looking around on the web at available Vanguard Tchaikovsky recordings, it seems they really didn't actually have much more than this. There were a few different recordings of some of the late symphonies -- very interestingly, including Sir John Barbirolli conducting the Halle Orchestra on Nos. 4 and 6. Those could have been good choices, but the Stokowski and Golschmann are excellent, so no complaints there.
As on the Brahms set, I have run across at least one poor edit here as well. The first split second of music from the 4th movement of Symphony No. 6 (track 22) actually is at the end of track 21. If your MP3 player can handle continuous playing and you are listening to the tracks in order, you won't notice it. But if your player hesitates for a fraction of a second between tracks, it will be a distraction.
MP3 transfers are good in sound quality, and bitrates are variable, averaging 214-253 kbps. Total download size is 731 MB for 7.2 hours of music.
Very warmly recommended overall. There are some real gems here -- I'm particularly delighted with the Stokowski 4th, the Golschmann 6th, the Ogdon/Monteux Piano Concerto, and The Nutcracker. Pick it up before they raise the price!
3 of 3 people found the following review helpful
By Penny
Format:MP3 Music|Amazon Verified Purchase
This is a great collection, and I've only just started to listen. The Stokowski performance is fabulous, that alone is worth the $0.99 investment. Fantastic deal!
Most Recent Customer Reviews
5.0 out of 5 stars
The big sounds of Thaikovsky in a big box set
The Bach Guild does it again! Great set, great recordings, hours of music, $0.99. I have bought every box set they have put out and have not been disappointed.
Published 10 days ago by Ryan
5.0 out of 5 stars
Nice!
PRO
Quality: Generally very good.
Price: Paid $1 for it. It's practically free.
Download: effortless
CON
No complain what so ever.
Quality: Generally very good.
Price: Paid $1 for it. It's practically free.
Download: effortless
CON
No complain what so ever.
Published 11 days ago by John
3.0 out of 5 stars
Lacks "KICK"!
The recordings lack power, definition and depth. Many sound old and tired. This iteration gives me pause to reconsider before buying other composer versions of the "Big... Read more
Published 16 days ago by notbraveheart
5.0 out of 5 stars
Great Music
I am not the type that knows all this in-depth info on classical music so that I can tell you if a note was missed or if someone is not as good as another person performing a... Read more
Published 1 month ago by Ronald T. Reed
4.0 out of 5 stars
Nice collection
I was pleased with the quality of the recordings. Some were live performances, so they weren't as polished as a studio recording would have been, but they were all good.
Published 1 month ago by C. Clark
5.0 out of 5 stars
Great music
Big fan of Tchaikovsky, and a big fan of this huge mix of music. This will keep my son educated with the right kind of music for a while :).
Published 1 month ago by John P. Favara
5.0 out of 5 stars
Lots of music!
Great collection of music that is both familiar and not so well-known. Hours of enjoyable pieces that you can listen to on the Amazon Cloud Player.
Published 1 month ago by Stephen H. Lebowitz
4.0 out of 5 stars
Good value
This Vanguard Big Box is a good value at 99˘, even if at 7 hours it runs around half the length of others in the BB series. Read more
Published 1 month ago by Mark E. Stenroos
5.0 out of 5 stars
a nice touch
Being less than $1, even though I'm not a big fan of Tchaikovsky this does add a nice touch of diversity to my iTunes collection.
Published 2 months ago by Brandon
5.0 out of 5 stars
Great Stuff Cheap
Incredible bargain. Great music. What's not to like? Puts my Kindle Fire right up there for all-night music. Get it.
Published 3 months ago by Ed Brink
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