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Billy Ray's Farm [Hardcover]

Larry Brown (Author)
4.0 out of 5 stars  See all reviews (5 customer reviews)

Price: $22.95 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Book Description

April 1, 2001
In his first work of nonfiction since the acclaimed On Fire, Brown aims for nothing short of ruthlessly capturing the truth of the world in which he has always lived. In the prologue to the book, he tells what it's like to be constantly compared with William Faulkner, a writer with whom he shares inspiration from the Mississippi land. The essays that follow show that influence as undeniable. Here is the pond Larry reclaims and restocks on his place in Tula. Here is the Oxford bar crowd on a wild goose chase to a fabled fishing event. And here is the literary sensation trying to outsmart a wily coyote intent on killing the farm's baby goats. Woven in are intimate reflections on the Southern musicians and writers whose work has inspired Brown's and the thrill of his first literary recognition.

But the centerpiece of this book is the title essay which embodies every element of Larry Brown's most emotional attachments-to the family, the land, the animals. This is a book for every Larry Brown fan. It is also an invaluable book for every reader interested in how a great writer responds, both personally and artistically, to the patch of land he lives on.


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Editorial Reviews

From Publishers Weekly

Celebrated for depicting the dark, seamy side of Southern life, Mississippi novelist Brown (Fay; Father and Son) turns to sunnier topics in this loose-jointed collection of essays paying tribute to the people and places that influenced his writing. The title piece, a rueful reflection on son Billy Ray's persistent bad luck with cattle, sets the tone: despite dead calves, misbehaving bulls, rampaging coyotes and dilapidated fences, father and son remain optimistic. "Billy Ray's farm does not yet exist on an earthly plane," writes Brown. "On Billy Ray's farm there will be total harmony, wooden fence rows straight as a plumb line, clean, with no weeds, no rusted barbed wire." As Brown details his own efforts to impose harmony on his farm by building a house ("Shack"), protecting his stock from predators ("Goatsongs"), clearing brush and stocking fish ("By the Pond"), he balances pastoral odes with a clear-eyed accounting of the costs of country living. That realism gives Brown's narratives a plainspoken truth that makes more believable the simple pleasures he takes in these simple tasks. The writer's home life in Oxford, Miss., is more compelling than his chronicles of book tours and writers conferences ("The Whore in Me"), but the latter is kept to a minimum. More successful are the tributes to literary mentors Harry Crews and Madison Jones and to the men who taught him "the fine points of guns and dogs" after his father's death, when Brown was 16. These humble personal essays, which provide a glimpse at the long apprenticeship of a writer who came up the hard way, leave the reader hoping Brown will soon tackle a full-blown autobiography. (Apr.) Forecast: Brown receives rave reviews for his novels and has a devoted following. This should sell well for Algonquin, especially in the South.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal

In the prolog to this collection of essays, Brown (Fay, On Fire, Big Bad Love) states, "You can't pick where you're born or raised. You take what you're given, whether it's the cornfields of the Midwest or the coal mines of West Virginia, and you make your fiction out of it. It's all you have. And somehow, wherever you are, it always seems to be enough." His essays underscore this sense of place with descriptions of life on his land near Oxford, MI. These essays read much like good fiction. They offer intrigue (will he get the free fish as part of the big deal on the spillway at Enid Reservoir or bag the coyote that has torn open the throats of their baby goats?), humor (holding the tail of his son's young Holstein bull while they try to get it into the pasture at Billy Ray's farm), and experience (with mentors, literary conferences, and book-signing tours). Recommended for all libraries. Sue Samson, Univ. of Montana Lib., Missoula
Copyright 2001 Reed Business Information, Inc.

Product Details

  • Hardcover: 216 pages
  • Publisher: Algonquin Books; 1st edition (April 1, 2001)
  • Language: English
  • ISBN-10: 1565121678
  • ISBN-13: 978-1565121676
  • Product Dimensions: 8.3 x 5.4 x 1 inches
  • Shipping Weight: 13 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,758,075 in Books (See Top 100 in Books)

 

Customer Reviews

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5 of 5 people found the following review helpful:
4.0 out of 5 stars Earthy essays on rural life written with a natural innocence, June 24, 2001
This review is from: Billy Ray's Farm (Hardcover)
One of these days when I get through cleaning up from the storm, I'm going to start building a little cabin, right over there above the pond, up in the deep part of that shade.--Larry Brown

Larry Brown has published seven earlier works: two books of short stories (Facing the Music and Big Bad Love), an acclaimed memoir (On Fire), and four novels (Dirty Work, Joe, Father and Son, and Fay).

Billy Ray's Farm contains ten essays dealing with, among other things, the author's struggling apprenticeship to become a published author {"Harry Crews: Mentor and Friend"), his unsuccessful stalking of a goat-killing coyote ("Goatsongs"), the heartbreak of cow ownership and his son's frustrated efforts to build a thriving cattle business ("Billy Ray's Farm"), a big "fish grab" at the Enid Spillway ("So Much Fish, So Close to Home"), and his determination to carve an enclave out of the wilderness by building single-handedly a ten-by-twelve cabin ("Shack").

City slickers unfamiliar with rural life will learn from Brown all about calfpullers and other arcane mysteries.

Like Hemingway, Brown writes with a sparse, down-to-earth, no-nonsense style, with a clarity and precision unlike the convoluted sentences of Faulkner's turgid prose. When critics compare Brown to Faulkner, therefore, they do not mean the tempo of Brown's style but rather the tone of his stories, which, like Faulkner, are written from the heart and spirit, with compassion and a love for the land and people of Mississippi, Brown's microcosmic "postage stamp" universe.

By the way, in case you've never been there, Tula is a small town situated some twenty miles miles south-southeast of Oxford, Miss. (the site of Faulkner's home).

Brown writes with honesty and (often self-deprecating) humor, albeit a melancholy humor tinged with irony. His earthy language has a natural innocence, like cow droppings on a footpath.

In "discovering" Larry Brown, I am a Johnny-come-lately. Billy Ray's Farm is the first of his works I have read, but it definitely will not be the last.

If you grow weary of the stale stuff abounding nowadays, Billy Ray's Farm will revive you like a fresh breeze blowing through the live oak trees.

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4 of 4 people found the following review helpful:
5.0 out of 5 stars Brown's Essays From Tula, April 17, 2001
By 
Graham R. Lewis (Charleston, IL USA) - See all my reviews
(REAL NAME)   
This review is from: Billy Ray's Farm (Hardcover)
Larry Brown's newest book of non-fiction, Billy Ray's Farm, gives anyone with an interest in the author's background a generous helping of what his life is like, both as a writer and a man. The title essay alone is worth the price of admission, but one also gets literary tributes to Harry Crews, Madison Jones, and Madison Bell; ruminations on growing up in rural Mississippi and how his life has changed since becoming a writer; explorations of the joys and difficulties of fatherhood; and healthy doses of the Mississippi landscape that comes to life so memorably in his novels. In its scope, the book reminds one of Crews' own Blood And Grits--the language is sparse but tough and to the point, and the reader never quite knows which realm of the heart and mind and hand the next page will reveal. If you're a fan of Brown's novels, this book will only deepen your understanding of where his material comes from and how faithful he is to it. If you've never read his fiction, this book is a perfect introduction to the world according to Brown.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Perfectly simple!!, February 5, 2002
By 
Damian Jungermann (Brooklyn, NY United States) - See all my reviews
This review is from: Billy Ray's Farm (Hardcover)
Larry Brown gets better with each book published. This book is quintessential Larry Brown. Simple, sparse, and completely accessible. Some people may be surprised at the lighter tones in this book of essays. It just goes to show the honesty in everything Brown writes. I have a little Larry Brown story that I think his fans would appreciate. I had the pleasure of hearing Brown read from Billy Ray's Farm at a bookshop in New York City. By mistake someone in the press printed the time of the reading incorrectly by almost two hours. Two people walked in and were devastated that they missed his reading. One of the employees told them that he was still in the back if they wanted to go talk to them. They were both a little awestruck. They're huge fans of his. After getting up the nerve they went up to them and told them how much his writing meant to them and how sorry they were to miss the reading. So what do you think he did? He took these two people into a corner of the store and read two chapters to them. Only them. It was a great thing to see and it's that quality that comes through in all of his stories. Truth and fiction. He is by far my favorite writer working today. I'm a big fan of Jim Harrison and Harry Crews as well, being from the south. If you haven't read "Fay" yet, pick it up as soon as you can. It's an amazing story. Brown does what all great writers do. He makes you forget that you're reading. Can't wait to see what's next.
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Inside This Book (learn more)
First Sentence:
A LONG TIME AGO when I was a boy, there was one slab of concrete that stretched from Oxford to Toccopola, a distance of about sixteen miles, and that was the road everybody used to get to town. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Billy Ray, Mary Annie, Paddy Chayovsky, Larry Brown, Harry Crews, Mariana Antonia, Bobby Ray, Madison Jones, New Orleans, Dead Cow Blues, Louisa Latigo, World War
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