Customer Reviews

Bing & Satchmo

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Bing Crosby & Louis Armstrong...backed by Billy May's Orchestra. It doesn't get any better than this! And now..FINALLY..this classic 1960 studio album has been lovingly restored to all its stereo brilliance and released in its entirety by DRG Records, in conjunction with EMI/Capitol. It seems fitting, too, that it should make its debut in 2009, the centennial of the man who hand picked the songs for this project (and contributes a cameo vocal on "Lazy River"), the great Johnny Mercer.

Every track from this historic musical summit is here, even including a bonus cut that was recorded during the sessions, but only originally released on a 1963 benefit album for the United Nations. Never before, save for a long out of print & impossible to find 1990 Australian release on the AXIS label, has this album been issued so completely on CD. For those who think they've heard all of Billy May's finest charts, you're in for a real treat!

The partnership of "Mr. Satch & Mr. Croz" is in itself legendary. They met back in the late 1920's and remained friends until Armstrong's death in 1971. They made their first recording (and film) together in 1936, and Armstrong was a staple of Crosby's late 1940s & early '50s radio shows. It was from a 1951 Crosby show that their first hit single originated, "Gone Fishin'". Five years later came arguably Crosby's best film musical, HIGH SOCIETY, featuring the musical tour de force "Now You Has Jazz", the best record of these two icons together on film and a song that remained in Crosby's repertoire up to his death in 1977 (he last performed it in concert 4 days before his death).

The success of HIGH SOCIETY, and a September 1959 Crosby TV special featuring Armstrong, became the impetus for this album, recorded in late June / early July 1960 for MGM Records and Crosby's own label Project Records. Crosby owned the masters, and sold them to Capitol Records in the 1970s, where an abridged version was released following Crosby's death in 1977. A handful of tracks appeared on two so-called 'greatest hits' packages of both Bing & Louis respectively in the early 1990s on the Curb label. This version contains the original cover artwork from the 1960 MGM LP release, as well as the original album track line up.

And what gems these songs are, with special material for each penned by the equally legendary Johnny Mercer himself. "Muskrat Ramble", with an elaborate arrangement that sounds as if it's the opening number for a mammoth television special, starts things off, followed by an absolutely sublime rendition of "Sugar", with Crosby's voice sounding every bit like the 'liquid gold being poured from a cup' as Satchmo once described it, while his trumpet solos soar in the background. "Dardanella" makes effective use of Bing's deep resonant voice, the timbre of which was unequalled, and you'd be hard pressed to find a more definitive reading of "Way Down Yonder In New Orleans" than the one heard here by these two jazz icons. A 1939 tune penned by Armstrong called "Brother Bill" is clever and infectiously funny throughout (with Bing referring to he and Armstrong as 'two nimrods'). "At The Jazz Band Ball" could be a sequel to "Now You Has Jazz" in the way it further elaborates on the origins of jazz. Mercer's own composition, "Rocky Mountain Moon" is owned by Crosby. His vocal on it is classic Crosby...smooth, easy, deep, rich and gorgeous. In all, both men were in fine voice for this project. Every bit as good as they sounded on "Gone Fishin'" nine years earlier... with the added benefit of stereo sound here.

The album packaging is first rate, with a lengthy essay by noted jazz expert Will Friedwald and period photos throughout the booklet (including a rare pose of Mercer & Crosby rehearsing for the latter's October 1960 TV special). This is an album that should please not only fans of the vocal talents of Bing Crosby and Louis Armstrong, but also those legions of fans of arranger / conductor extraordinaire, the masterful Billy May.

Don't miss this one...grab it while it's still in print. It hasn't been around in such a complete form for nearly 50 years!

FINALLY!!!

I first became aware of this great album back in 1997 when I stumbled across an old vinyl album by the same title. Since then, I have been attempting to piece together this album from the very best sources possible. I spent more than 10 years looking for mint sources. I purchased a still sealed vinyl copy, a sealed reel to reel tape and a minty mono record. I spent a lot of money transferring these sources in order to have this album on CD. I also spent a lot of money tracking down the individual CD's which contained one or two songs from this album. How much money have I spent? Over $150 for sources alone, not including the transferring, postage, etc.


Why would I spend so much money?

The review by Mr. Van Beek says most of it. To me, Bing Crosby and Louis Armstrong are a vocal duet made in heaven. The contrast in the voices makes for some truly wonderful listening. The arrangements by Billy May are amazing and I love the backing choir in the songs.

As far as I know the original 'Bing & Satchmo' album was only re-issued once in Australia when they coupled it up with another Crosby LP. The CD released in Australia was on the Axis label (CDAX 701597). It was also re-issued in various illegitimate forms, including a CD from Moscow entitled "Bing and Louis". I never heard the Axis release but ALL of the illegitimate releases were plagued by horrible sound quality.

So, is this CD worth it? Without a doubt - yes! The packaging is great and the sound quality is pristine. It's definitely not audiophile quality but if you have an EQ available, it's easy to tailor it to suit your needs. The sound quality issue is really only a minor gripe. It is much more crisp and bright sounding that any of the sources I managed to collect over the years and it does sound very good. It was also (thankfully!) not brickwalled by the mastering engineer (aka mastered loudly). The dynamics are well preserved and that's a real rarity in these times. I just wish someone like Kevin Gray or Steve Hoffman could re-do this fantastic album. Until that happens, this is the version to have!

Get this version now while you still can!

My first impressions on listening to this CD led me to think, "Pleasant....enjoyable....good natured fun." It's the kind of music you might hear in a neighborhood tavern where everyone is having a good time with no special agenda or anything to prove. It's the musical equiavalent of having on a pair of comfortable slippers. But then I began to ask myself, how many of our current musicians could carry off the on-spot timing? How many of our current musicians could sing this music without a digital correction device nearby to adjustthe off-key notes? Not too many I suspect. In many ways I see this album as a master class in how to make music sound so pleasant and relaxed that you forget all about production values and just simply enjoy the performance.

In case you haven't noticed, this past year has seen a bonanza in previously non-reissued--and simply unavailable and therefore "new"--Crosby material. Bing always said that his most satisfying musical moments were the ones he shared with Louis, the primary influence on the last century's most influential (and successful) entertainer. Yet the only recordings available by them have been some poorly recorded (in terms of audio quality) radio performances.

That problem has been addressed by this album, the only studio recording by the pair (way back in 1960). The arranger-conductor on the date is Billy May, shortly after his success with Sinatra's "Come Fly With Me." And arguably America's greatest lyricist, Johnny Mercer, has supplied several of the lyrics (appropriately enough, since Mercer was the founder of Capitol Records (now EMI), which produced the most distinguished vocal recordings of the last century (before Sinatra decided to leave and found his own Reprise label).

This one feels more relaxed, swinging, and natural than Crosby's somewhat quirky session "Bing Swings Whilst Bregman Swings" and, with the presence of Pops, is even more delightful than the spirited "Bing With a Beat," which places Crosby in the company of Bob Scobey's Dixieland band.

Some listeners may quibble with the arrangements and the presence of a chorus--it does no real harm, but with two entertainers this completely assured (and there's plenty of ad libbing between the empathetic pair), the extra production values are simply gratuitous. The common theme of the album appears to be "New Orleans," but there's nothing localized about the music. In fact, it's at once as American and as universal as the music gets.

(I've already placed my pre-orders for several more albums that have issued from the Crosby archives and are due out on January 25.)

The March 30th 2009 New Yorker Magazine calls this a "Summit" meeting... I suspect that it might just be the smoothest thing I've ever heard.

What can one say about Bing Crosby and Louis Armstrong? They are champions and they both influenced one another, at least as far as singing is concerned.When they worked on films for the first time, the producers didn't want that Armstrong took part on the film (Pennies from Heaven). Bing calmly answered: "No Armstrong, no Crosby".And finally the producers agreed with Bing.Bing and Louis were very good friends and there was no racial prejudice between them.
This was the first and last album (now Cd) they recorded together, though Armstrong appeared on many Bing's radio and TV shows and also recorded commercially the song "Gone Fishin'" (see Swinging with Bing, Bing Crosby's Lost Radio Performances, a four Cd set which includes all duets they recorded on radio)
The recordings are wonderful, remastered and have a superb sound quality. It's amazing their chemestry singing together, each duet is a masterpiece. Bing's voice sounds like the good old days.Once a critic asked Louis to list his favourite singers. Louis replied:"Bing, that'sall man". Two giants on a Cd which includes 11 bonus songs taken from radio, including the original and the radio recording of Gone Fishin'. Their mutual admiration and greatness transforms each song in pure gold. The choice of the songs is impecable and here are two all-time greatest performers. It's one of a kind Cd.
Joćo Daudt, Rio de Janeiro, Brazil

Bing and Satchmo,released in 1960,simply belongs in everyone's music library,no matter what genre you may prefer.It features two of the major giants of 20th century music,Louis Armstrong and Bing Crosby;both at the top of their game,at 59 and 53 years of age respectively.This session was fully bankrolled by Crosby himself who leased it to MGM initially and in the early 70s was sold by Crosby to Capitol Records(smart).It has never been released in toto until now.The remastered stereo sound is a thing of beauty.My faves on this CD are Sugar,Dardenella,Lazy River and Rocky Mountain Moon.These tracks are as smooth as silk and go down like a cool mint julep on a hot summers day.
The original liner notes by Johnny Mercer are here,who also contributed in the song writing department and on Lazy River in the singing department.Music critic/writer Will Friedwald contributes much of extended liner notes also included here.He writes that it was a mutual admiration society between Crosby and Louis and relates info re this session with fond memories by the men themselves and the producers.The mutual admiration tone in reality seemingly only extended so far with Louis.It has been reported in later years that Louis resented Bing in that Bing never ever invited him into his home.Bing,according to Louis,kept the relationship for the most part,on a professional business level and not personal.Bing was well known as being "selective" when it came to having really close friends,white or black,and could appear cold to many.Friedwald also mentions that Louis was a "technophile" and that he did alot of home/private recordings.This is true but he never mentions Bing's contribution to the recording industry with his backing(financially and personally) of the relatively new medium of tape recording in the late 40s.In a short time tape was to be THE medium of choice for the recording industry and Bing played no small part in its' introduction.
Along for production credits are Billy May.This inveterate musician who first hit the big time in Charlie Barnett's band,then in Glenn Miller's as musician/arranger,went on to become a top session man for a variety of artists and musical genres,working with the biggest names in the recording industry.He was a great choice for this recording session.Bing of course knew the top talent and who to get to do the right job for his purposes.
Get this CD while it's out there,you won't regret it.Highly recommended.

And if you are not beaming an ear to ear infectious smile by the last track then you may seriously want to check your pulse.

I OWNED THE LP YEARS AGO. THANKS TO AMAZON I CAN LISTEN TO THE SOUNDS FROM A DAY GONE BY. PROMPT DELIVERY AND NO HIDDEN COST OR DETAILS ALWAYS MAKES AMAZON AND IT'S ASSOCIATES THE PLCE I SHOP. THANKS AMAZON.

If you are looking to pick up some Bing Crosby music but are concerned as to the audio quality of the recording than you have to pick up this CD. The performances are top rate and the audio engineering is great. You will not believe how good this recording sounds. I have a nice audio system and the equipment disappears while listening to this CD. The music just fills the room with Bing's and Satchmo's wonderful voices. The textures and quality of the bands instruments are simply stunning.

In short if you like this style of music but demand good sound quality this is the CD for you.