From Publishers Weekly
The latest from
Vanity Fair contributing editor Jacobs (
Women About Town) has, at its core, a charming story about a grieving widow reborn, but it's pockmarked by pretentious dialogue and flat characters. Margret Snow quits her Ph.D. program in art to escape the romantic feelings she has toward her bird-watching partner (and Columbia University adviser), Charles Ashur. She whiles her time away as a window display designer at Saks and eventually works up the courage to confess her feelings, and they marry. Margret's memories shift between her and Charles's early bird-watching days and their marriage. But the most vivid parts of the novel are set in the gloomy present, when Margret, now a widow, throws herself in a new artistic direction that involves dead birds. Her connection to the dead sparrows and warblers seems more natural than the off-key relationships she has with the living, and her isolation from family and friends raises the question why she tries to keep the connections alive, while the grating banter between Margret and Charles only serves to caricaturize them.
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Review
“Laura Jacobs firmly establishes herself as one of our most astute and elegant observers of a certain rarefied species of female Manhattanite . . . Enchanting.” —Vanity Fair
“Laura Jacobs is an urban miniaturist. In her sleek, pitch-perfect second novel, The Bird Catcher, she lavishes delectable attention on the subtle distinctions wrought by taste, class, money, and style in the city on which she trains her eagle eye….Jacobs orchestrates her character's sonata as expansively and dramatically as a symphony whose strains linger on, long after the last page has been turned.” —Bookforum
“Jacobs presents a measured and compelling yet nonlinear narrative so that readers encounter Margret's life in pieces. And it is well worth the effort to get to know her. Jacobs' incisive writing captures her characters' moods, while her graceful descriptions of the birds that inspire her protagonist illuminate the story.” —Booklist