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Bird [Hardcover]

Rita Murphy (Author)
4.2 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

October 14, 2008
A GIRL EASILY carried off by the wind.

An elderly widow whose husband died under strange circumstances.

An isolated dwelling that breeds fear.

Miranda has no recollection of where she came from—only that years ago, a gust of wind deposited her outside Bourne Manor. The Manor’s sole inhabitant, Wysteria Barrows, took Miranda in and promptly outfitted her with special boots—boots weighted with steel bars to keep her anchored to the ground. But aside from shelter and clothing, Miranda receives little warmth from the aging widow. The Manor, too, is a cold place, full of drafts and locked doors. Full of menace. Full of secrets.

Then one day a boy named Farley appears. Farley helps Miranda embrace her destiny with the wind . . . and uncover the Manor’s hidden past.

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Editorial Reviews

About the Author

Rita Murphy’s previous novels are Looking for Lucy Buick, Harmony, Black Angels, and Night Flying. She lives in Burlington, Vermont.

Excerpt. © Reprinted by permission. All rights reserved.

1
Wysteria did not care where I had come from or where I had been. Nor did she care that I was small and delicate in nature and easily carried off by the wind. She cared only that I stay with her in the great house she occupied on the eastern shore of Lake Champlain.

I came to Bourne Manor on a bright morning in the month of February just as the winter snows had settled in for good along the shore, taking up residence in the open fields and across the cliffs. In those days, I was often picked up by the wind and left in odd places because of it--blown into the tops of low trees or caught up in the scrubs or briars--though never before had I been taken so close to the turbulent waters of a lake.

Knocked hard by a gust, left tangled in the branches of one of the lone elms that skirted the bay, I remembered little of what had come before; only a series of faceless relatives and small drafty houses; only a hollow feeling of something that had once been but was no longer.

From that lonely elm, I was retrieved by two of Wysteria's Hounds. Pulled from the branches by their strong jaws. I was lost and Wysteria found me. Or perhaps the Manor itself found me, beckoning me to its gates on that February morning.
The home of Wysteria Barrows was a looming structure that had the appearance of having grown sideways out of the earth. Though firmly anchored, it listed dramatically to the left like an old tree turned by the wind, its foundation clinging to the red stone cliffs for support as a tern might cling in a storm.

The Manor was four stories in height with three turrets, two balconies and a widow's walk at its pinnacle. Its once-ivory paint had been stripped by rough weather, returning it to its natural gray clapboard, and Wysteria had left it so. There were twenty-two rooms in the Manor, five staircases, ten fireplaces and one slender tower on the west wing that held my room, a room with vaulted ceilings and windows that looked out over the harbor and across to the wild Adirondack Mountains. A grand place, my room. And indeed Bourne Manor itself was grand. No grander house could you find in the islands or on the mainland.

As grand as the Manor was, it was always a lonely place, destined from its beginning to be set apart from all other houses. Some said the Manor harbored an ill-gotten fortune within its walls, which carried a terrible and irreversible curse. Others believed that its foundation stones, having been laid crooked, forever doomed it to a perverse and tragic end. Whichever story was true, Bourne Manor knew little happiness within its walls. The four generations of grim ancestral portraits lining the main stairwell bore testimony to this, as did the vacant and lifeless rooms that towered over the cliffs.

The Manor's ballroom had never been used for dancing, as far as I knew, nor the parlors for entertaining guests, for no guests ever came there. To those on the outside, it was a strange and mournful dwelling that made for ghost stories, of which there were many and for good cause. For although no one ever perished unnaturally within its walls that I knew of, the Manor, set out on its own as it was, battered by the wind, invited the spirits of those long departed and of those who roamed the shores in search of a warm fire, as it had invited me. The lost and aimless: to these Bourne Manor gave its shelter.

2
I was adept from an early age at the art of spinning and making lace. Wysteria, seeing my natural ability to weave, instructed me in the crafting of nets. My slender fingers took easily to this trade, slipping freely through the tenuous holes and seams. Running shuttles and threading meshes came as naturally to me as breathing, and I caught on quickly to the work at hand.

Mending nets for the fishing fleet out of St. Albans was how Wysteria made her living, how she fueled the giant coal furnace in the depths of the Manor, how she kept food in the pantry. With my nimble fingers to weave for her, with my strong eyes to see and tie the knots, Wysteria was free to spend her time with the figures and sums, bargaining with the fleet owners over the best price for our work.

I became an invaluable asset to Wysteria, and I see now that she never would have let me go even if someone had come looking, and perhaps they had. Perhaps a tall man with eyes the same color as mine had come rapping on the front door early one morning, inquiring about a little girl who had been taken from him by the wind. Wysteria would have shaken her head, offered her condolences and sent him away. The Manor was everything to her, and as I could remember no other life, it became everything to me as well. I was warm and well fed, and when a person has known hunger, when she has spent a night in the brambles and awoken to a gray sky with no hope of heat or warmth, small but essential comforts bind her to her keeper.
Whether anyone came to the Manor in search of me, I will never know, but I did occasionally see others as Wysteria and I ventured, as a matter of necessity, to the nearby town of Georgia Plains, a small cluster of buildings and storefronts five miles' walk from the Manor. We were a most unusual couple: she tall and willowy, with a dramatic nest of white hair piled on top of her head, and I small, my gait slowed by the heavy steel-weighted boots she had made for me.

In those early years, when I was still allowed outside the Manor, Wysteria had fashioned, with the help of the local shoemaker, a pair of boots with a steel plate in each sole to keep me anchored to the ground. She insisted I wear them always, as she feared above all else that I would be carried off by another random gust and lost to her forever.

Product Details

  • Reading level: Ages 12 and up
  • Hardcover: 160 pages
  • Publisher: Delacorte Books for Young Readers (October 14, 2008)
  • Language: English
  • ISBN-10: 0385730187
  • ISBN-13: 978-0385730181
  • Product Dimensions: 5.4 x 0.8 x 7.7 inches
  • Shipping Weight: 8 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #865,349 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
4.2 out of 5 stars (6 customer reviews)
 
 
 
 
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4 of 5 people found the following review helpful:
2.0 out of 5 stars Had a lot of potential..., February 20, 2009
This review is from: Bird (Hardcover)
Miranda is a slight girl who is easily lifted and carried by the wind. It deposited her next to Bourne Manor, an imposing house that is home to the widow Wysteria and the four Hounds. Wysteria takes Miranda in - the girl has no memory of where she came from before the wind took her - and puts her to work mending nets for the local fisherman. She also makes Miranda wear a pair of weighted shoes, to keep her from flying off again. As the years pass, Miranda learns some of the secrets of the Manor, hearing rumors of a lost treasure and discovering an attic full of beautiful kites built my Wysteria's dead husband. After the appearance of a friendly boy named Farley, Miranda realizes that the Manor has an insidious hold on her and seeks a way to escape.

I don't know how a book that is relatively short can come across as taking too long to develop, and yet still not completely tell a story. This is a fairly intriguing plot when you boil it down to its basics: Miranda is a mysterious girl who can be carried by the wind, she's trapped in Bourne Manor by the house or by Wysteria, the house is cursed/haunted and corrupts its inhabitants, and there's a mystery about Wysteria's husband that Miranda and Farley solve. A third of the book is dedicated to explaining the daily life of Miranda and Wysteria, and this is just way too long. It's difficult to tell if Wysteria is supposed to be a villain (she has trapped Miranda in the house and works her pretty hard) or just an old woman who's trying to get by (they're often starving) and has succumbed to the house's influence. You feel sorry for her, particularly when she gets pneumonia. The house itself is a confusing character - it's only in the last couple of chapters that it becomes malevolent. It would've been much more effective to show the house's influence over the seven years (which pass in the first 28 pages) Miranda lives there, rather than the few weeks at the end of the story.

The plot really picks up when Farley becomes a regular character and he gives Miranda some of her background. The language is pretty and on the verge of being purple prose. However, for all the descriptions we get, I had a terrible time understanding just how small or how old Miranda was. I also couldn't tell who the intended audience is for this book - professional reviews suggest tweens, but the language is just so proper that I think it would be a hard sell. The cover (which is probably the best thing about the book), the length, and the plot make me think it's for children, but I think the language works even less for that crowd.

Overall, this just feels like a very underdeveloped story. If you chopped out the first third of the book and gave more depth to Miranda, Wysteria, and the house, this would be much better.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Review from The Neverending Shelf, June 12, 2010
This review is from: Bird (Hardcover)
In all honesty, I am at a loss for words on where to begin with discussing my feelings on this novel. When I sat down and thought about how to describe this novel, one word kept running through my head: unique. Now in most cases, this can be a really great way to describe a novel. But, unfortunately, I am not sure that this applies to Bird.

One aspect that makes this novel unique is that it is told from Miranda's point of view in the past tense. In some ways, I really liked this change of pace. But for the most part, it felt odd due to the reader never getting to understand where Miranda is in the present. Another aspect that made this an odd read was that the novel continuously builds up the reader for a great reveal, but it never happens. Throughout the novel, it is hinted that the house itself has some mysterious origins... that there is something unique about it... almost as if it is a living creature. Yet this aspect is never explored. It is almost as if the author was at the cusp of this exploration, but at the last second decided to veer off in a different direction.

While most of the novel feel flat for me, I must admit that Murphy does an outstanding job with her characters. I went into this read hoping that the whole novel would be whimsical, but I am happy to settle with just the characters fitting this description. Miranda was a very fun character. Her background and family history are left very mysterious, and all that is really known about her is that she is often carried off by the wind. I found her affinity with the wind to be totally adorable. Add in her love of kites... and I was totally sold on Miranda. She was cute with a capital C.

In the end, Bird was not exactly what I was expecting, but there were definitely parts of the novel that I loved. I believe that if the novel had been extended by about 50-100 pages, then Murphy would have been able to fully explore more of the questions that currently do not have answers. Or hopefully, there is a sequel in the works cause I would definitely love to see more of Miranda.
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5.0 out of 5 stars Very sweet book, November 8, 2010
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This review is from: Bird (Hardcover)
This is almost an old-fashioned fairy tale, but the heroine is a strong-minded girl who manages her own destiny. She is assisted by a good friend, but discovers her true path independently.
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