Customer Reviews

Bird by Bird: Some Instructions on Writing and Life

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This is not a how-to book. This is not a New Age manual for freeing your creativity in ethereal ways. This is Anne Lamott, for heaven's sake...and that means it's funny! As in, laugh- till-you-can't-read-the-words-through-the-tears-in-your-eyes funny. (Some call this therapy, and I'm inclined to agree.)

Though aimed at writers, this book is full of sage advice and razor-edged honesty for the average joe. If you're a writer--and I claim to be one--it's more than a few anecdotes and good advice; it's a lifeline in the thrashing seas of rough-draftdom, a foothold on the sands of jealousy and vain ambition. Anne makes it clear that writing must be pursued for something other than mere publication. (Though, to be honest, I know she's just trying to let the majority of us down easy.) Writing is about letting go, growing, facing truths, and holding on.

I'm hooked on Lamott. She slaps me in the face with her startling revelations, nudges me in the ribs with her unpredictable humor, and prods my frozen little writer's hands back into action with warm compassion. This book won't solve the mechanical aspects of my writing, or lead me on the path of structural excellence, but it will spark my creativity, free my characters to be true to themselves, and, ultimately, shake me from my doldrums back into the writing mode.

In a society addicted to mindless facts and information, "Bird by Bird" reminds us--writers or otherwise--that it's all about heart. Heart and mind and soul dancing together, even if they step all over each other's feet.

If there's a better book to read when you're doubting yourselfand your writing ability, I don't know what it is. IF YOU WANT TOWRITE by Brenda Ueland may be more profound, but it's not as funny... I don't think Lamott copied Ueland at all. Both books are wonders, Ueland's more spiritual or mystical--i.e. how to express your own unique self and write your truth--and Lamott's more worldy--how to get your rear in gear and start producing copy. Lamott's chapter on crumby first drafts lets you know you must start somewhere and can't do that if you're constantly criticizng and editing yourself. And she is so right--once you have a beginning, you can make it better..and better...and better. She doesn't really tell you how to do that in very specific terms, but for that there's great sourcebooks like SELF EDITING FOR FICTON WRITERS and ON WRITING WELL, which more than cover the job. Bird by Bird may be short on craft, but it's long on motivation, humor, and practical ways to get yourself writing.

This author is a new find for me, but I will surely read much more of her. She is fabulously funny, incredibly informative, and absolutely generous with her thoughts and feelings and expertise on writing. The book warmed me, and made me feel that I could continue my writing with a stronger and better perspective. For aspiring writer's everywhere, and for writers published and not, this book will take you on a journey and offer invaluable advice for your hard work. It will help you revive that natural urge to write and keep you plugging away at the keyboard during the very worst of slumps. You will also laugh with Anne Lamott, the author, who is hilarious and honest and very witty. The practical and real life advice will stay with you as you struggle to become the writer you already are.

BIRD BY BIRD: SOME INSTRUCTIONS ON WRITING AND LIFE by Anne Lamott is a lovely, lovely, lovely book! Of course it is about writing, but it is also about any kind of longterm endeavor that is challenging, that creates self-doubt, and that is a channel for self _expression and self actualization. Lamott's Christianity and general spirituality, which is expressed in this book as a side note to her writing focus, is warm and friendly, and her personality, humorous and inclusive and confident, is wonderful for the reader to share. I LOVED the process of reading this book, of being with it.

This book has a charming and engaging introduction and then is divided into parts on Writing (which includes chapters called "Getting Started," "Short Assignments," "Perfectionism," "False Starts," "Plot Treatment," and "How Do You Know When You're Done?"), The Writing Frame of Mind (with chapters like "The Moral Point of View," "Broccoli," "Radio Station KFKD," and "Jealousy"), Help Along the Way ("Index Cards," Calling Around," "Writing Groups," and "Someone to Read Your Drafts" and "Writer's Block"), and final sections called "Publication -- and Other Reasons to Write" and "The Last Class."

While I actually think the writing lessons of this book are secondary to the wonderful life lessons this book contains, I have found myself using these lessons. I love the idea that first drafts can be BAAAAAAAAAAD with no harm to anyone! It's incredibly liberating and freeing, and allows one to write whatever one has to write with self-permission to do a bad job the first time round because you know you'll correct it later on. If you write ANYTHING this book will give you practical, helpful advice to advance and improve.

I underlined in this book, which is something that as a librarian's daughter, I almost never do, but this book feels like a reference, a guide, in a way that other works do not. I underlined things like, "Hope is a revolutionary patience" on page xxiii and "Because for some of us, books are as important as almost anything on earth" on page 15.

Lamott quotes from other wondrous writers, she writes about events in her own life that elevate her and that enervate her. But everything she writes is about taking lots of small steps in one direction. I literally laughed and cried while reading this wonderful and wondrous memoir about the process of writing and how life's pains and joys illustrate this process for Lamott ... I nearly wished I still taught freshman composition so I could use it as a text book. It is the most honest, charming, personable and true description of the painful and rewarding act of writing that I have ever read. I recommend it to anyone, writer or not, who is engaged in a longterm, or even lifelong endeavor. Anne Lamott will simultaneously soothe and inspire any reader of BIRD BY BIRD.

As some of the other reviewers have said, the actual writing advice in this book is slight and conceptual. I also found it inspirational, to a point.

The book's failing is in assuming that the author's reason for writing--to uncover the truth in her life experience--is the only important one. Lamott dismisses other writing (presumably commercial fiction) as "making candy."

This stance is elitist and annoying (it's the same one you get from most college writing instructors). The argument goes like this: you must aspire to uncover the Truth, because that is what literature is for. Writing that doesn't do this--writing that merely entertains, for example--is less than worthy (it's just "making candy," and candy rots your teeth). Lamott at least tells you that you probably won't be good enough, and probably won't make any money even if you are--but she still insists that you pursue Truth.

I don't buy it. Humans have a fundamental need for stories of all kinds. Creating a story and telling it well enough to be published is noble enough, without burdening yourself with the fear that you're not writing "truth," or that your writing is somehow less important than any other.

I can honestly say that this is the best book on writing that I've ever read, and yes, it's also the only book on writing that I've ever read. But what a way to start. I've avoided the genre because I've wanted to figure things out on my own, but this book is more like a conversation with a writer than a tome on how to write. She's talks about how she started, what keeps her motivated, what she does when she gets stuck, and how she deals with various writer anxieties (re: publication, rejection, validation).

Above all, this is a very funny, laugh-out-loud book. Lamott has a quirky sense of humor and a refreshing, spot on ability to create memorable pictures. Despite writing of her own spirituality, Lamott doesn't get preachy or smug or self-righteous, and so her stories end up being truly inspiring. She talks about giving as a writer, and I found in her stories many gifts.

A couple of gems that I've tucked away:

* One-inch picture frames: big ideas can engulf you; write about a moment in time, one short scene, something that would fit into a one-inch picture frame.
* Writing is putting down one word after another (the best advice for a writer is to...write).
* You have to give your best stuff to your current project (she references Annie Dillard for this idea) and not try to save it or hoard it; sort of a 'use it or lose it' attitude.
* The myth of publication: if you weren't enough before publication, you're not going to be enough after publication.

Lots to digest, and worth rereading.

I've been a publishing fiction writer for over twenty years and been teaching fiction writing for almost twenty. When I discovered this book ten years ago, I seized on it as a work to use in class, but it's become increasingly important in my life and work as well. When I teach, I ask my students to read it the first week of class so that they can hear the things I want to tell them in a funnier and more congenial voice than I can muster, and we refer back to it all semester long. Whenever we talk about it, I'm reminded not only of the great lessons about writing Annie has enclosed, but about the truths about the writing life we find here: the act of writing is more important than publishing, and striving to be a good person is more important than either.

Anne Lamott makes her guide to writing, Bird by Bird, personal, effective, and endearing by sharing embarrassing stories--everything from her three and a half year old son's cussing habits to her own struggles with writing to her debilitating bout of jealousy after the tremendous success of a writer friend. From her unabashed openness, the audience comes away with a good sense of Lamott's personality, and her humor makes it easier for the reader to accept her advice. Lamott does an excellent job of keeping the writing style conversational, which reinforces the book's personal quality. The writing is eloquent but simple, insightful but interesting. "Me, I'm a nice Christian girl, and while I wish I could quote something kicky and inspirational that Jesus had to say about writing, the truth is that when students ask me for the best practical advice I know, I always pick up a piece of paper and pantomime scribbling away" (37). From the first line of Bird by Bird the reader can tell that Lamott's voice is consistent; she is a caring coach, comic, and expert who offers sage and useful guidance. Her wit and wisdom capture the reader's interest; her practical counsel and experience build the reader's ability and boost his motivation.

If you've ever thought of signing up for one of those writers workshops with some successful wordcrafter but were put off by the price or the possibility of somebody asking, "What are YOU doing here?" this is your chance to do a test-run on what it might really be like.

If Anne Lamott's workshops are anything like her book "Bird by Bird: Instructions on Writing and Life," then whatever the cost - dollars or pride - it will be worth the price of admission.

Lamotte is funny - poking fun at herself as well as doing a running, withering commentary on society and human nature. No thought is too important to permit a digression which is part of her style of writing (and speaking?). On the other hand, no thought is too trivial to put on a 3X5 card for possible intrusion (not a Freudian Slip, thank you!) in something she is writing or saying. Her philosophy of life and writing seems to be: If the shoe fits, it probably isn't yours, but wear it anyway. Whoever left it for you should have been more careful where they leave their shoes.

Besides the fun, no there's nothing besides fun in life - except despair and you don't want to go there - the fun in no way takes anything away from Lamott's sound advice for writers, especially those with low self-esteem, poverty status, lack of writing skills, and nagging in-laws who wonder why you don't get a REAL job.

Her practical advice includes: getting started (sit down everyday, same time, same place, quiet your mind, and start writing until you "get to that one long paragraph that was what you had in mind when you started, only you didn't know that, couldn't know that, until you got to it"); try doing short assignments ("...writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way." E. L. Doctorow); developing characters ("Just don't pretend you know more about your characters than they do, because you don't. Stay open to them. It's teatime and all the dolls are at the table. Listen. It's that simple."); and plot (Plot grows out of character. If you focus on who the people in your story are, if you sit and write about two people you know and are getting to know better day by day, something is bound to happen.").

One of my favorite chapters is "Broccoli" which begins with Mel Brooks' old routine in which a psychiatrist advises a patient, "Listen to your broccoli, and your broccoli will tell you how to eat it." Don't try to find out who that psychiatrist is - she's booked up 'til January 3000! Lamotte is affirming the shy attribute of intuition - trust it, tease it, test it, listen to it, get to know it. There is a gentle, tender, wondrous part of each of us that aches to be honored and invited to tea with our other toys, but like E.T., it has the right stuff to transform our lives and awaken the dolls.

"Bird by Bird" offers the pat on the back and kick in the pants every aspiring writer needs. Lamott does not think everybody who writes should publish . But she does believe everybody who wants to write should do it! There are characters in each of us just waiting to enter the stage of our minds and come to life. So, what are you waiting for? Get started all ready! They may not wait for ever.

I saw "Bird by Bird" in a bookstore, displayed with a selection of "How to be a rich writer" type books. Which is quite ironic, since one of Anne's key points is that very few writers will be rich, and that writing shouldn't be done for monetary success. Writing is from the heart and it's in the process that we find the beauty in our words, not from the dollar signs.

The first half of Bird by Bird is inspiring yet honest. It made me want to write regardless of how she insists that very few of her writing students will be able to sell their work. She talks about the art of writing as being the goal, the final copy is a by-product of our creative process. Writing, especially fiction, is a constantly evolving journey. She quotes E. L. Doctorow in saying "writing a novel is like driving a car at night. You can only see as far as the headlights. But you can make the whole trip that way."

The second half is much more light hearted, although still on track with what writing is really all about. By the end, I was in tears with laughter and a little bit of sadness, and I was fully inspired to say what I had to say on a piece of paper.

One of the really important points that Anne makes in Bird, is the it's OK and it's important to write a bunch of crud before finding the gem that will fit perfectly in the next story. She gives us permission to write horribly as a way to discover our own voice and to figure out who our characters are and what we really want to say.

Her candor is refreshing. She talks about the life of a writer like no other. Her insights into the writer's psyche makes me wonder sometimes if she can see into my mind.

Funny, brave, straightforward, truthful, she has a lot of good things to say and brings to light the real reasons to write, as well as some examples of how to improve our writing without losing our own personal style (no talk about "how" to write, but how to let ourselves write from our heart.)

I recommend this book first before any other writing book, especially for those that are worried that they don't have anything good to say, or that they think that a writing career is only about how much money we make.