Bird Wood Cage [Import]

Wolfgang Press | Format: Audio CD

Product Details

• Audio CD (January 1, 1988)
• Number of Discs: 1
• Format: Import
• Label: 4ad
• ASIN: B000007642
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #489,303 in Music (See Top 100 in Music)

Track Listings

1. King Of Soul

2. Raintime

3. Bottom Drawer

4. Kansas

5. Swing Like A Baby

6. See My Wife

7. The Holey Man

8. Hang On Me (For Papa)

9. Shut That Door

10. Big Sex: The Wedding

11. Big Sex: The Great Leveller

12. Big Sex: That Heat

13. Big Sex: God's Number

Customer Reviews

Most Helpful Customer Reviews

24 of 25 people found the following review helpful:

4.0 out of 5 stars INDUSTRIAL-STRENGTH BOOTIE QUAKE, March 9, 2000

By 

elisa (Los Angeles, CA) - See all my reviews

This review is from: Bird Wood Cage (Audio CD)

"If you don't listen up, you're asking to be told. If you had a walk like mine, you'd crown it the king of soul." Boom, clank. Boom boom, clank.

Since the early 80's, the Wolfgang Press have been making challenging, often darkly funny records that occasionally feature lovely symphonic and/or synthesized moments, and have always defied the expectations of dance music. You can dance to a Wolfgang Press record, but it may take you a second to catch on to the groove--usually because you're too busy thinking about the lyrics or that weird synthesizer noise that sounds kind of like a rusty door hinge...but not quite.

The Wolfgang Press were contemporaries of Nick Cave and the Bad Seeds, the Cocteau Twins, and the dance-noise sampling team of Colourbox, whose Martyn Young played on and helped produce several TWP albums. The Cocteaus' Robin Guthrie also helped produce several early albums, and Liz Fraser provided backing vocals on TWP's hilarious cover of "Respect" (yes, the one Aretha made famous), and the haunting "I Am the Crime," from 1983's "Standing Up Straight."

After a cavernous compilation of early EPs, "The Legendary Wolfgang Press...," and the darker, more mysterious "Standing Up Straight," TWP's "Birdwood Cage" (featuring a hilarious, Warhol-like photo of an antique toilet in a field of grass) was the most accessible, cohesive thing they'd done. There are hints of Jim Thirlwell's Foetus and twisted Motown soul in the instrumentation. Mick Allen's thick Londoner's accent, whether he's mumbling, "rapping," singing, or howling, has always reminded me a little of Nick Cave or, to use a more recent example, the Tindersticks' Stuart Staples.

"Birdwood Cage" features the hilarious, booty-shaking "Kansas," a minor hit for TWP, skirting the issue of the Kennedy assasinations--and the particular American affliction of assasinations in general. "Raintime" is a prime example of TWP's twisted Motown soul. "See My Wife" and "Bottom Drawer" are bilious, blackly humorous "love songs," of a sort ("She's got a middle sewn up in roses/She's got a middle wrapped up in hoses/You check the facts, you check the facts/You taste my sheets, and you read my back"). "Shut That Door" is a corrugated, cavernous example of the kind of industrial noise TWP can generate when so inspired.

It was several years later before The Wolfgang Press returned with "Queer," a response of sorts to the kind of dance music being generated in the U.K. at that time by bands like the Happy Mondays, Stone Roses and Inspiral Carpets. "Queer" was more overtly danceable than anything TWP had previously done, greeted with more critical acclaim than audience appreciation. But that was par for the course with TWP. "Funky Little Demons," released in 1995, saw TWP on the soulful trail of self-exploration. They were still producing challenging dance sounds--"Executioner" shakes and wiggles like French disco and "Going South" is another great example of TWP's white boy soul. But, once again, the critics loved it more than the kids. TWP disappeared and were dropped from both 4A.D. Records in the U.K. and Electra Records in the U.S. Andrew Grey, one third of TWP, started his own band, Limehouse Outlaw.

As of 1998, it was rumored that TWP had been signed to Trent Reznor's label, Nothing Records...but nothing solid has come of that. It's too bad. Like black liquorice, TWP are an acquired taste. But there's no question that they made challenging music for your booty, brain and soul. "Birdwood Cage" is a great place to start for anyone who wants to learn about this band who were one of the first signed to the influential 4A.D. Records. I'm sure you'll find all their records are worth checking out.

6 of 7 people found the following review helpful:

5.0 out of 5 stars classical and must have, November 30, 2002

By 

LUIS (MEXICO City) - See all my reviews

This review is from: Bird Wood Cage (Audio CD)

TWP first years must be sort of difficult for the non trained, but probably Birdwood cage is the master paint that shows the maturity of those first years.
It might sound pretentious, but if you have the taste for different and special things (not all the alternative projects have to be good or propositive) then TWP can be a nice experience, a very good one indeed.
When people ask me how they sound like, I always think of, what might happened if Dali, Bacon, Weill, Itten, etc had decided to make music in the las part of the 20th century, probably something like TWP, am I trying to tell that this is intellectual stuff?, Yes, I'm afraid it is, but without the pose.
Once you hear the first harmonies of "The Holey Man" or the mechanical structure of "Raintime" you can't ignore what kind of composers these guys are, damn, this is classical music!
Check out Flood's production skills years before he stained his hands with U2 and the like.

2 of 2 people found the following review helpful:

5.0 out of 5 stars One of the greatest of all time?, July 11, 2004

By 

Barbara Streisands Love Slave (MI) - See all my reviews

This review is from: Bird Wood Cage (Audio CD)

"Bird Wood Cage" probably has to one of my favorite albums of all time. It's one album I have owned for 4 years, listen to every week, and never have to skip one track on it. It's a true listening experience. Song highlights have to be: Bottom Drawer, Kansas, Shut That Door, and The Great Leveller.

All the other reviews here tell the truth, this is worth picking up no matter what.