8 of 9 people found the following review helpful:
4.0 out of 5 stars
A young man seeks his roots; discovers the small is ever swallowed by the big, May 4, 2007
Moving between his narrator's view in 1980s San Francisco and the narrator's great-grandmother's story a century earlier, Houston reels out a soulful tale of ruthless conquest and dying cultures in the context of a young man's search for roots and meaning.
Alternative-radio talk show host Sheridan Brody never knew his biological father. Sheridan Wadell died in the Korean War and his son was brought up by as good a stepfather as a boy could ask for. But when a woman claiming to be Sheridan's grandmother, Rosa Wadell, calls in to his radio show, he can't help but be intrigued.
In addition to pictures and stories of his dead father, Rosa has stacks of notebooks belonging to her mother, Nani Keala, a half Indian, half Hawaiian woman who was a friend and lover to the last king of Hawaii, David Kalakaua. She was a witness to the last days of her mother's tribal culture and her father's Hawaiian nation. She was with Kalakaua when he died in San Francisco and was always suspicious of the circumstances.
Nani was born in one of California's last Indian villages. The place slowly disappeared as elders died and young people moved off to find work and when Nani's parents died she was sent to a rancheria where Indian ways were preserved on a white man's estate.
There Nani lives a dutiful life, helping out in the Mistress' school, agreeing to marry a man she doesn't love. But then a Hawaiian kinsman comes to fetch her to see their king when he visits Sacramento. Her notebook entries are brief, stilted, even shy, but Sheridan fleshes them out with his own research and eager imaginings.
He recreates Nani's father's life, from his days exploring and establishing an outpost in the wilderness with Capt. John Sutter, through the gold rush, and his adoption into his wife's tribe. His exile from Hawaii remains to be explained and becomes part of the fabric of American conquest as the story goes on.
Sheridan imagines how Nani captivates the king with her mixed heritage, her quick mind, her languages. And her beauty, of course. She accompanies him to Hawaii where his extravagant coronation sparks the wrath of the white merchant community who see him as a wastrel. But Kalakaua's aim is to appear as a king among kings, to make his people proud of their island nation, now so encroached upon by the whites.
Houston weaves the history seamlessly into his narrative, illustrating to the reader how European and American greed and self-righteousness informed the times. The U.S. wants a Pacific port, Pearl Harbor, and pressures the king, exasperated by his resistance.
"Peabody's smile was almost derisive. He held degrees from Columbia and Yale. He had practiced in New York and in San Francisco. He saw himself as the voice of right reason and common sense."
"'What am I to do with such a man,'" the king says when Peabody is gone. "'He was born here and his father too. Yet their loyalty is not to me. It is to a roomful of senators six thousand miles away.'"
Nani becomes witness to the demise of her Indian and Hawaiian culture; her great grandson does not even know he has Indian or Hawaiian blood until he's told as an adult and he regards it as something exotic and romantic. This idealization never quite goes away, even when he becomes immersed in the history.
Inspired by the notebooks, the great-grandmother Sheridan envisions is a young man's creation. She is myth embodied, almost a saint. She owns an abundance of love, and is alive to everything, with a rich sexuality and a deeper modesty. Truly a young man's ideal.
His girlfriend, smart beautiful - but with a young son - is not quite so simple an icon.
Houston's writing is beautiful; his word-pictures are mesmerizing. The narrative has a hypnotic effect, fed by the mythical frame of it, the slow inevitable decline for the two halves of Nani's heritage.
In addition, in Sheridan's present, he too fights for cultural survival as his small radio station is swallowed by a conglomerate that will no longer be happy with niche markets. Not on the same scale as swallowing a culture perhaps, but emphasizing, nonetheless, that might and self-righteousness always wins in the end.
A lovely, moving word picture, though maybe a tad too long.
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7 of 8 people found the following review helpful:
5.0 out of 5 stars
powerful character study, March 24, 2007
In 1980s Northern California radio host Sheridan "Dan" Brody has always wondered about his roots, but did nothing to learn more about the identity of his father. However, when he sees his birth certificate, it includes the name of his sire. He wants to know more about his paternal side.
Not long afterward, Rosa Waddell calls Dan while he is on the air to inform him she is his grandmother. He goes to meet her and she shares family stories and her mother's diaries that tell quite a heritage. His great-grandmother was Nani Keala who was the wife of Hawaii's last king, David Kalakaua. Now Dan seeks an audio of his ancestor's regal trip to the Palace Hotel in San Francisco.
BIRD OF ANOTHER HEAVEN is a delightful tale of a San Franciscan seeking his roots. Once Rosa contacts Dan, the story line becomes one sitting throughout as readers will want to more about his Hawaiian ancestry and that missing tape. This it behooves fans of remarkable family dramas to give this fine novel a chance; once Dan gets started there is no turning back for him or the audience. James D. Houston provides a powerful character study of a soul searching person looking for his unknown heritage.
Harriet Klausner
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