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The Birth of the Museum: History, Theory, Politics (Culture: Policy and Politics)
 
 
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The Birth of the Museum: History, Theory, Politics (Culture: Policy and Politics) [Hardcover]

Tony Bennett (Author)
2.8 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

0415053870 978-0415053877 May 30, 1995

In a series of richly detailed case studies from Britian, Australia and North America, Tony Bennett investigates how nineteenth- and twentieth-century museums, fairs and exhibitions have organized their collections, and their visitors.

Discussing the historical development of museums alongside that of the fair and the international exhibition, Bennett sheds new light upon the relationship between modern forms of official and popular culture.

Using Foucaltian perspectives The Birth of the Museum explores how the public museum should be understood not just as a place of instruction, but as a reformatory of manners in which a wide range of regulated social routines and performances take place.

This invigorating study enriches and challenges the understanding of the museum, and places it at the centre of modern relations between culture and government.  For students of museum, cultural and sociology studies, this will be an asset to their reading list.



Editorial Reviews

About the Author

Tony Bennett is Professor of Cultural Studies and Founding Director of the Institute for Cultural Policy Studies in the Faculty of Humanities at Griffith University, Australia.

Product Details

  • Hardcover: 288 pages
  • Publisher: Routledge (May 30, 1995)
  • Language: English
  • ISBN-10: 0415053870
  • ISBN-13: 978-0415053877
  • Product Dimensions: 9.5 x 6.3 x 0.9 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 2.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #4,372,966 in Books (See Top 100 in Books)

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2.8 out of 5 stars (4 customer reviews)
 
 
 
 
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4 of 5 people found the following review helpful:
4.0 out of 5 stars Dense but satisfying, February 25, 2008
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Bridget (Long Beach, CA) - See all my reviews
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Bennett's language may be theory dense, but it is rarely unclear while outlining the social and cultural trends which gave "birth" to the museum in its many formats, historical, anthropological, art, etc. This book is really a collection of essays previously written by Bennett on the museum and combined here; I would recommend not reading it all at once as it can be a bit much. However, it clearly looks at the historical and social reasons for how the museum came to be, particularly in its nineteenth century origins. It also relates museums to other social institutions: fairs and cabinets of curiosities as precursors, the 19th c. developments in prisons and the advent of expositions as contemporaneous to the birth of the museum, and amusement parks as a mix of the fair and the museum. Definitely located in the field of cultural studies.
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5 of 7 people found the following review helpful:
4.0 out of 5 stars More to it than theory-speak, February 7, 2008
It's true (as other reviewers have complained) that Bennett's analysis can be a little too slick at times. But even if the Foucault-inspired arguments are overstated, this book still offers interesting discussion of specific historical examples. If you take a "social control" theory too literally, this sort of analysis will become wrongheaded. But Bennett and other researchers in this vein are asking serious questions: how do the ways we order and represent knowledge (as museums are designed to do) shape what we can know?
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22 of 46 people found the following review helpful:
1.0 out of 5 stars Rediculously complex, June 10, 2004
By 
A. Maestri (New York, NY, USA) - See all my reviews
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As a museum professional with over twelve years experience designing and producing exhibitions for a wide variety of subject matter i was immediately interested in Tony Bennet's book. The summary on the back mapped out, in plain english, a book that detailed the social and political forces that resulted in and shaped the modern concept of the museum.
However once i had purchase the book and actually tried to read it I found myself drowning in Foucault -ian language that ultimately obscures any observations that Mr Bennet may have had. This book is only for those with a college degree in philosophy,as it seems more focused on showing us all how clever Mr Bennet is than actually dealing with the subject matter. Completely inaccessible to all but the most acedemic minded scholars
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Inside This Book (learn more)
First Sentence:
Ranged against the museum and the library, Foucault argues, are those heterotopias which, far from being linked to the accumulation of time, are linked to time 'in its most fleeting, transitory, precarious aspect, to time in the mode of the festival' (ibid.: 26). Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
anthropological rotunda, exhibitionary disciplines, polygenetic conceptions, evolutive time, public historical sphere, exhibitionary institutions, penal past, exhibitionary complex, pit cottages, automaton mind, fair zones, narrative machinery, national estate, ideological economy, heritage policy, mechanical rides, carceral system, collecting institutions, anatomical displays, improving influence, representational adequacy, evolutionary series, museum artefact, museum form, controlling vision
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Pleasure Beach, Pitt Rivers, Great Exhibition, Hyde Park Barracks, Museum of Australia, North East, Fun House, South Kensington Museum, Crystal Palace, French Revolution, Port Arthur, Sovereign Hill, Coney Island, Cultural Centre, Golden Mile, South Shore, Eiffel Tower, Grand National, Greenfield Village, Henry Cole, Patrick Wright, Pigott Committee, Anthony Vidler, Australian Council of National Trusts, Bethnal Green Museum
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