Product Details

• Actors: Lillian Gish, Mae Marsh
• Directors: D.W. Griffith
• Format: Dolby, Full Screen, NTSC, Surround Sound
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Number of discs: 1
• Studio: Triad Productions Corporation
• DVD Release Date: October 1, 2008
• Run Time: 125 minutes
• Average Customer Review: 3.7 out of 5 stars  See all reviews (182 customer reviews)
• ASIN: B001JA8UFC
• Amazon Best Sellers Rank: #172,336 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "The Birth of a Nation" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

A pivotal moment in film history. After The Birth of a Nation, nothing was the same: not the way audiences watched movies, not the way filmmakers created them. D.W. Griffith's jumbo-size saga of the Civil War expanded the boundaries of storytelling on the screen, conveying a richer, more complicated (and certainly longer) tale than anyone had seen in a movie before. The delicate relationships, the sad passage of time, the spectacular battle scenes all look as fresh and innovative today as they did in 1915. So do Griffith's brilliant actors, most of them--including favorite leading lady Lillian Gish--drawn from his regular stock company. What has become increasingly problematic about The Birth of a Nation is Griffith's condescending attitude toward black slaves, and the ringing excitement surrounding the founding of the Ku Klux Klan. Griffith, whose political ideas were naive at best, seemed genuinely surprised by the criticism of his masterwork, and for his next project he turned to the humanist preaching of the massive Intolerance. Despite protests, Birth sold more tickets than any other movie, a record that stood for decades, and President Woodrow Wilson famously compared it to "history written in lightning." That judgment has lasted. --Robert Horton

Review

This landmark film from silent director D.W. Griffith was the first movie blockbuster. However, it also reveals a horribly racist version of American history. The first part of the film chronicles the Civil War as experienced through the eyes of two families; the Stonemans from the North, and the Camerons of the South. Lifelong friends, they become divided by the Mason-Dixon line, with tragic results. Large-scale battle sequences and meticulous historical details culminate with a staged re-creation of Lincoln's assassination. The second half of the film chronicles the Reconstruction, as Congressman Austin Stoneman (Ralph Lewis) puts evil Silas Lynch (George Siegmann) in charge of the liberated slaves at the Cameron hometown of Piedmont. Armed with the right to vote, the freed slaves cause all sorts of trouble until Ben Cameron (Henry B. Walthall) founds the Ku Klux Klan and restores order and decency; to the troubled land. While THE BIRTH OF A NATION was a major step forward in the history of filmmaking, it must be noted that the film supports a racist worldview. But there is no denying that it remains a groundbreaking achievement, setting a high watermark for film as an art form. --Rotten Tomatoes

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Customer Reviews

Most Helpful Customer Reviews

70 of 78 people found the following review helpful:

5.0 out of 5 stars The Version of The Birth of a Nation to Buy!, December 26, 2008

By 

Lynn Ellingwood "The ESOL Teacher" (Webster, NY United States) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: The Birth of a Nation & The Civil War Films of D.W. Griffith (DVD)

While it seems that many reviews posted on the DVD site aren't actually for this DVD, this review is specifically a review of Kino's Griffith Masterworks edition. The DVD contains the most complete version of The Birth of a Nation known and available. The film is 187 min. long on this disk. It is a beautiful print, well restored and re-tinted. A beautiful print. The musical score is clever and very entertaining too. I think of any bad thing to say about the disk. I think most know of the story line and its hints of racism. It's there and it can't be argued away. D.W. Griffith was a son of a Civil War soldier and grew up in the South. He used the book The Clansman by Thomas Dixon Jr. as it jibed with his own viewpoints and many of the day. The hero worship of the Klan actually encouraged its resurgence in late 1910s and 1920s into the 30s. The racism brought Griffith so much grief, he spent his life trying to justify his views and created Intolerance to offset the criticism. What brings The Birth of a Nation is its reliance on story and use of the film camera never tried before in the USA before. It is a cinema powerhouse and actually a pretty moving film. Never before had Americans seen the cinema come to life before. Some French, Italian and German filmmakers created feature films that are quite good and successful, but World War I basically destroyed their film industries and the US reigned supreme. DW Griffith took American film to the next level permanently. No longer were films relegated to the poorer urban areas and Nickelodeons. It was now a popular art form and respectable to attend the cinema. The DVD also includes a making of, and introduction by DW himself made in 1930, and several early versions of his Civil War films. It seems to me that because of the closeness to the time period, the films might indicate a closer idea of how former Confederates actually thought and how they remember the war.

111 of 134 people found the following review helpful:

2.0 out of 5 stars This is the SHORT version, July 18, 2004

By 

Extreme Target Shopper (Avondale Estates, GA United States) - See all my reviews

This review is from: The Birth of a Nation (DVD)

This film was one of the assigned viewings for a History of Film class. The professor specified the 180 minute version and specifically described the ending as being important to a complete analysis of the work. My bad for not checking the specifics for this edition, but be forewarned: if you want the full version, this is NOT it. This version ends with Liberation. Several other key scenes appear to have been edited out.

51 of 61 people found the following review helpful:

5.0 out of 5 stars Outstanding example of early cinema, January 31, 2000

By 

"gishfan" (Texas) - See all my reviews

This review is from: Birth of a Nation [VHS] (VHS Tape)

The Birth of a Nation remains one of the giants of motion picture making and one of the most controversial landmarks in film history. As a cinematic achievement the movie was both a stunning commercial and artistic success. No, Griffith did not create such innovations as the closeup, fade-out, irising effect, etc., but it was he under whom these devices were used so successfully and creatively.

One of the main arguments against the film is its racist portrayal of the newly freed slaves. Yes, the pre-Civil War South is overly romanticized, the movie is historically inaccurate, and the caricatures are insulting. Nevertheless, the movie is an awesome achievement, and here, viewing the definitive version of the film, restored to its full twelve-reel length at the visually correct speeds and with the original color tints and original musical score performed by a full orchestra, it is engrossing entertainment and it is easy to see why it was so influential both as a film achievement and as an opinion-molder.

The Birth of a Nation is often criticized for its racism, but the film is eigthy-five years old this year (2000), and should be viewed with that in mind. As for Griffith, there is ample evidence that Griffith did not hate blacks, but he was a product of his time and the portrayal of the newly freed slaves in the picture reflects this. No, Griffith did not view blacks as equals, but in many ways he did admire them. Yes, his attitude was undoubtedly condescending, but as I said, he was a product of his time.

I have read in many reviews of this film anger over the film's inclusion in the AFI 100 list. The film was enormously influential to the industry, and claims that someone else would have or could have achieved what Griffith achieved have no legitimate foundation. There is no way of knowing whether someone else would have achieved what Griffith achieved, and in any event, if someone would have, that does not change the fact that Griffith did it first. The film is in the interesting position of being supremely white-supremecist yet an undeniable landmark at the same time. It should be given a chance and viewed as superior picture making, and not simply as racist garbage. Such an attitude is as simple-minded as is much of the film's haracterizations and romanticizing of history and the silly wording of some of its intertitles. This, the restored and definitive edition (also available on DVD from Image Entertainment) is the ideal way to see this great cinematic masterpiece, and it is a masterpiece. Beware of inferior shortened versions at incorrect projection speeds!

A definite silent film fan, I recommend this film to anyone else who can appreciate silent drama and who can keep an open mind. Enjoying this film does not make you a racist.

(By the way, the review for this film that someone submitted on January 18, 2000 was copied word-for-word from the VideoHound Golden Movie Retriever review of this film!)