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Editorial Reviews
Amazon.com
It's a flimsy excuse to romp through more than two dozen Irving Berlin songs, but Blue Skies is good fun nonetheless (and one of the top-grossing films of 1946). Bing Crosby is a restless nightclub entrepreneur, Fred Astaire his Broadway buddy, Joan Caulfield the woman they both want. Ignore the plot and enjoy the numbers, especially Astaire's marvelous "Puttin' on the Ritz," which is breathtaking even before multiple images of Fred are introduced dancing in a row (who needs CGI, anyway?). Bing and Fred flash great showbiz chutzpah in "A Couple of Song and Dance Men," which wonderfully captures the appeal of both stars: Fred's heavenly precision, and Bing's "can-you-believe-they're-payin'-me-for-this?" sense of play.
Bing Crosby founds the first white Dixieland band in Birth of the Blues, a tuneful turn-of-the-century tale--if highly suspect as musical history. Borrowing hot licks from black musicians (Eddie "Rochester" Anderson comments, "Our music sure has gone highbrow"), Bing and his players struggle to invade the straight-laced clubs, succeeding only after songbird Mary Martin joins the band. Martin, in one of her infrequent movie appearances, has fun with Der Bingle jazzing up "Wait Till the Sun Shines, Nellie," a highlight of this breezily enjoyable nonsense. --Robert Horton
Product Description
A pair of Bing Crosby classics! A New Orleans clarinetist wants to organize his own jazz band in Birth of the Blues (1941/85 min.), and an Irving Berlin musical extravaganza features Crosby and Fred Astaire as showbiz partners and rivals in Blue Skies (1946/104 min.) Color-b&w/NR/fullscreen.
Customer Reviews
Most Helpful Customer Reviews
28 of 28 people found the following review helpful
I was a bit hesitant when ordering this item - it smelled pretty much of cheap production values and low quality. The happier I am to inform everybody that we are dealing with a double bill DVD that boosts high picture/sound quality. Sure, there are no extras, but two good and perfectly preserved films with about 50 good songs should be quite enough. Marvellously priced product, and I'm on my way to order more from the same series.
27 of 29 people found the following review helpful
BIRTH OF THE BLUES (1946) is a somewhat skewed but nonetheless well-intentioned retelling of the history of jazz. Bing Crosby and Jack Teagarden lead the Basin Street Hot Shots, the (fictional) first all-white jazz band in New Orleans. Implicit in the plotline is the idea that it took an all-white band to really make jazz find a mainstream audience... Goofy and slow in parts, a bit stilted, but good clean fun, with Bing still looking pretty young. Lots of weird racial stuff -- buck-and-wing dancing, eye rolling and the like... Still, there are some great performances and it's worth it all just to hear Mary Martin say, "I want to learn to sing like the colored folk." Yikes.
In BLUE SKIES (1946), Bing sings and Fred treads in this sketchily-plotted musical, which pits Astaire and Crosby against one another, rivals for the hand of the blonde, domestically-minded Joan Caulfield. This frothy postwar frolic has a wild Techncolor exuberance, with crazy explosions all over the pastel-lined spectrum (and an odd tilt towards purple). The sad thing, though, is that this isn't a very good movie -- the plot is razor thin, barely a hint of an excuse to stage a bunch of great (and lesser) Irving Berlin tunes. Some numbers fall flat (and Billy DeWolfe's interminable, painfully unfunny drag routine brings the movie to a screeching halt)... Still, Fred Astaire's killer performance on "Puttin' On The Ritz" is the stuff that legends are made of: as he's angelically hoofing his heart out, a curtain parts behind him, revealing a phalanx of distant, miniature Astaires, keeping time with the big guy. A technical and aesthetic triumph! This flick might be worth it for that routine alone, although Bing gets in some choice vocal performances as well. A dud scriptwise, but it still has two of the greatest performers of the 20th Century, both still at their peak.
18 of 19 people found the following review helpful
nostalgic double feature--even if it is embarrassingly dated at times... (3 1/2 stars)
April 3, 2008
This DVD gives us two musicals starring Bing Crosby; although there are no extras many Crosby fans will want this in their collections! Some of the material is embarrassingly dated; but still musical fans and Bing Crosby fans will like this anyway. Fred Astaire fans get to see him work with Bing in Blue Skies.
Birth Of The Blues is a musical vehicle for the great Bing Crosby. This plot may be fictionalized but you watch this film for the song and dance numbers. The convincing acting held my attention all the way; and the plot moves along at a good pace.
When the action starts, a young Jeff Lambert is getting the spanking of his life from his father--for being caught playing jazz. However, this has little effect on Jeff--he grows up to want to have the first all white Dixieland jazz band. He and his musician buddies soon meet a sharp coronet player named Memphis (Brian Donlevy) and by chance they bump into a young lady named Betty Lou Cobb (Mary Martin) who has a great singing voice.
Memphis and Betty Lou join the band and after a few flops things begin to take off for Jeff and his crew. They get their first big break at a club run by a thug boss named Blackie (J. Carrol Naish) who doesn't feel like letting them go to a more profitable job. Blackie has his "boys" trying as hard as they can to keep Jeff, Betty Lou and the gang all playing at his nightclub and his nightclub only.
Will Jeff and the gang ever get away from Blackie? What about Betty Lou--both Jeff and Memphis want her hand in marriage; but of course she can only marry one of them. Which man will Betty Lou choose?
The cinematography and choreography work well in crowd scenes like the nightclubs and the fight scenes.
Overall, Birth Of The Blues is good but far from the best from the golden age of Hollywood--the dialogue weighs it down a bit and there are offensive references to African-Americans.
Blue Skies is a fantastic cavalcade of song and dance numbers--even if it is held together by the thinnest plot I've ever seen in any movie! The musical numbers are sublime! We get Bing Crosby and Fred Astaire singing and dancing up a storm. The plot (or action, since the plot is so thin) moves along at a good pace.
The action when Jed Potter (Fred Astaire) has his eyes on a beautiful chorus girl named Mary O'Hara (Joan Caulfield). However, Joan isn't truly all that interested in Jed--she much prefers the company the Jed's buddy Johnny Adams (Bing Crosby). The two men vie for Joan's attention and her hand in marriage; and along the way we are treated to upwards of two dozen magnificent musical numbers.
Over time, Mary and Johnny do finally wed--much to the chagrin of Jed Potter. Nevertheless, there's still one major fly in the ointment for Johnny and Mary: Johnny isn't very "stabile;" he likes to bet on the horses and he always winds up having to sell his nightclub business to pay debts and then he starts over in a new city--dragging Mary along with him. Mary tolerates this until a child is born. Now their marriage is in considerable trouble.
What happens between Mary and Johnny--will they be able to stay together or will they divorce? Even if they split up, will it be forever--or will Mary finally break down and marry Jed who still loves her after all?
Blue Skies is one movie you watch for the musical numbers. It's fantastic to see Fred Astaire dance--especially in the scene that has miniature Fred Astaires on the screen dancing behind him! Bing sings beautiful number after number.
Blue Skies is best viewed as a musical with just enough of a plot to get the musical numbers on the screen. I highly recommend this classic movie musical; and people who like Bing Crosby and Fred Astaire will never be disappointed.
Birth Of The Blues is a musical vehicle for the great Bing Crosby. This plot may be fictionalized but you watch this film for the song and dance numbers. The convincing acting held my attention all the way; and the plot moves along at a good pace.
When the action starts, a young Jeff Lambert is getting the spanking of his life from his father--for being caught playing jazz. However, this has little effect on Jeff--he grows up to want to have the first all white Dixieland jazz band. He and his musician buddies soon meet a sharp coronet player named Memphis (Brian Donlevy) and by chance they bump into a young lady named Betty Lou Cobb (Mary Martin) who has a great singing voice.
Memphis and Betty Lou join the band and after a few flops things begin to take off for Jeff and his crew. They get their first big break at a club run by a thug boss named Blackie (J. Carrol Naish) who doesn't feel like letting them go to a more profitable job. Blackie has his "boys" trying as hard as they can to keep Jeff, Betty Lou and the gang all playing at his nightclub and his nightclub only.
Will Jeff and the gang ever get away from Blackie? What about Betty Lou--both Jeff and Memphis want her hand in marriage; but of course she can only marry one of them. Which man will Betty Lou choose?
The cinematography and choreography work well in crowd scenes like the nightclubs and the fight scenes.
Overall, Birth Of The Blues is good but far from the best from the golden age of Hollywood--the dialogue weighs it down a bit and there are offensive references to African-Americans.
Blue Skies is a fantastic cavalcade of song and dance numbers--even if it is held together by the thinnest plot I've ever seen in any movie! The musical numbers are sublime! We get Bing Crosby and Fred Astaire singing and dancing up a storm. The plot (or action, since the plot is so thin) moves along at a good pace.
The action when Jed Potter (Fred Astaire) has his eyes on a beautiful chorus girl named Mary O'Hara (Joan Caulfield). However, Joan isn't truly all that interested in Jed--she much prefers the company the Jed's buddy Johnny Adams (Bing Crosby). The two men vie for Joan's attention and her hand in marriage; and along the way we are treated to upwards of two dozen magnificent musical numbers.
Over time, Mary and Johnny do finally wed--much to the chagrin of Jed Potter. Nevertheless, there's still one major fly in the ointment for Johnny and Mary: Johnny isn't very "stabile;" he likes to bet on the horses and he always winds up having to sell his nightclub business to pay debts and then he starts over in a new city--dragging Mary along with him. Mary tolerates this until a child is born. Now their marriage is in considerable trouble.
What happens between Mary and Johnny--will they be able to stay together or will they divorce? Even if they split up, will it be forever--or will Mary finally break down and marry Jed who still loves her after all?
Blue Skies is one movie you watch for the musical numbers. It's fantastic to see Fred Astaire dance--especially in the scene that has miniature Fred Astaires on the screen dancing behind him! Bing sings beautiful number after number.
Blue Skies is best viewed as a musical with just enough of a plot to get the musical numbers on the screen. I highly recommend this classic movie musical; and people who like Bing Crosby and Fred Astaire will never be disappointed.
Most Recent Customer Reviews
Blue skies
Wonderful dancing by Fred Astaire and singing by Bing Crosby. Enjoy watching this movie very very much; it is pure entertainment.
Published 17 months ago by G. Parsons
Great Show!
Arrived safe and sound and in a timely manner. Nice addition to my ever-growing classic movie library!
Published on January 30, 2010 by H. Sasak
Double feature at the right price - pity about the films really
Here are 2 Paramount studio films of the turgid Bing Crosby, very popular in their day but pretty hard to take nowadays. Read more
Published on March 6, 2009 by Douglas M
Outstanding
Two wonderful classic stories on one dvd. Bing Crosby and Fred Astaire, who could ask for more? This is a priceless treasure that should be in every classic movie lovers... Read more
Published on February 13, 2009 by Kristina Stewart
Blue Skies is a tragedy.
If you like the idea of seeing Fred Astaire and Bing Crosby co-starring in a tragedy, then you should get "Blue Skies."
Otherwise, you probably shouldn't.
Otherwise, you probably shouldn't.
Published on May 2, 2008 by Eric J
A movie from my past
i was looking for a comedic sketch by Billy DeWolfe and the movie Blue Skies contained just what I was looking for.
Published on June 11, 2007 by Mary M. Clark
So-So Pair of Bing Crosby Musicals
These two Bing Crosby musicals are enjoyable, but none of them is particularly memorable or stand multiple viewings. Read more
Published on February 14, 2006 by Kardius
Blue Skies OK, but not as good as you might think.
BLUE SKIES: It wasn't absolutely horrible, but there are other ways to waste your time. Bing Crosby and Fred Astaire are some of the greatest performers we've ever had; they lead... Read more
Published on August 20, 2004 by Broadway Baby
THE BEST AT THEIR BEST!
BLUE SKIES: Bing Crosby and Fred Astaire at their musical and "glorious technicolor" best, singing and dancing to a plethora of Irving Berlin classics. What could be better? Read more
Published on October 30, 2003 by F. M. Sevekow Jr.
LACK LUSTER MOVIES IN GLORIOUS TRANSFERS
"Birth of the Blues" is the rather unispiring tale of a New Orleans musician who 'discovers' jazz. Read more
Published on October 29, 2003 by Nix Pix
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