Imagine Nicole Kidman with black hair and tons of black eye shadow. Can't imagine that? Then see the much-delayed British film "Birthday Girl." Originally scheduled for release in September 2000, this crime comedy was filmed while Kidman was still married to Tom Cruise. She wasn't nearly as famous then as she is now, after starring last year in two award-worthy films - "Moulin Rouge" and "The Others."
In comparison, "Birthday Girl" looks and feels low budget. Which it is. That doesn't make it a bad picture. Kidman's deadpan humor is slyly diverting, and her fake Russian accent is delivered with such a lack of pretension, her role as a mail-order bride from Moscow is cute. But after Kidman's year of living famously Hollywood-style, you can bet she won't be appearing in any more pictures like this.
Here she plays a Russian mail-order bride, showing up at the international flights gate of London's airport to meet her computer-matched mail-order buyer, John Buckingham. He is played as a perpetually befuddled bank clerk by Ben Chaplin - exactly the sort of role that brought Hugh Grant so much box office success in the 1990s. For the first two-thirds of "Birthday Girl," Kidman doesn't have any lines in English at all. She speaks Russian. No word, yet, on how she sounds to Russian ears.
This picture is set in the London commuter suburb of St. Albans, filled with new generic architecture where colorless John Buckingham puts in long hours at work, then spends his free time feeling quite lonely. Though John has a sparkling suburban cottage with a big back yard, he always turns to his computer for release - surfing Websites that offer chances to meet beautiful Russian women. Spotting a picture of Nadia (Kidman), and biographic info claiming she is fluent in English, he signs up.
Within just a few minutes of screen time, John is standing at that London airport gate, staring at this dark-haired, heavily made-up woman named Nadia. She's wearing funny-looking foreign clothes and doesn't speak a word of English. What follows is a brisk British crime comedy filled with uniquely English humor we can only describe as droll. Think of "Sexy Beast" with more romance and less violence. Think of a half-dozen Australian comedies that can only be described as quirky. Toss in the words "wry" and "ironic," too.
"Birthday Girl" is a group effort from the British brothers Jez, Tom and Stephen Butterworth. Jez is the director and co-writer with Tom. Stephen is co-producer with Diana Phillips. This is the group's second film together, but the first with actors who have international reputations.
Also taking part are two well-known names in French cinema, Vincent Cassel ("Brotherhood of the Wolves") and Mathieu Kassovitz, who played the boyfriend in "Amélie."
The plot also contains some genuine surprises early on, so providing even the most vague synopsis is impossible. John and Nadia are definitely opposites that seem to have little chance of attracting each other - until Nadia's two Russian friends (Cassel and Kassovitz) show up. Their entrance is a big surprise, too, but it is just the beginning.
Suffice it to say we learn Nadia is only an alias (she has two additional aliases). We learn what "pillock" means in England, we learn mail-order brides can arrive carrying more baggage than their suitcases, and we learn Nadia is a chain smoker. There are several toilet scenes, one kick-in-the-crotch scene, one scene where John uses an acoustic guitar as a lethal weapon (though an electric guitar would have worked better) and visual proof that throughout the labyrinthine turns in this tale of comedy and crime, Kidman remains the tallest person onscreen.
The very harsh criticism that killed the public opinion really ruined the movie. When the critics hear of a romantic thirller, they excpect conventional 'John loved Jane, Bad Luck, Sob Sob Sob...'. This movie delivers many hidden messages wrapped in many sexual symbols with great acting and great direction. It is a vluable asset to any library.