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Bitches Brew (Legacy Edition - CD / DVD Combo)
 
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Bitches Brew (Legacy Edition - CD / DVD Combo) [Deluxe Edition, Original recording remastered, Extra tracks]

Miles DavisAudio CD
4.3 out of 5 stars  See all reviews (190 customer reviews)

Price: $21.27 & eligible for FREE Super Saver Shipping on orders over $25. Details
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MP3 Download, 7 Songs, 1999 $14.99  
Audio CD, Deluxe Edition, Original recording remastered, 2010 $21.27  
Vinyl, 2009 $24.98  
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Product Details

  • Audio CD (August 31, 2010)
  • Original Release Date: 2010
  • Number of Discs: 3
  • Format: Deluxe Edition, Original recording remastered, Extra tracks
  • Label: Sony Legacy
  • ASIN: B003M0H4NG
  • Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (190 customer reviews)
  • Amazon Best Sellers Rank: #2,641 in Music (See Top 100 in Music)

Disc: 1
1. Pharaoh's Dance
2. Bitches Brew
3. Spanish Key
4. John McLaughlin
Disc: 2
1. Miles Runs The Voodoo Down
2. Sanctuary
3. Spanish Key (alternate take)
4. John McLaughlin (alternate take)
5. Miles Runs The Voodoo Down (single)
6. Spanish Key (single)
See all 8 tracks on this disc
Disc: 3
1. Directions (Copenhagen concert of 11/4/69)
2. Miles Runs The Voodoo Down (Copenhagen concert of 11/4/69)
3. Bitches Brew (Copenhagen concert of 11/4/69)
4. Agitation (Copenhagen concert of 11/4/69)
5. I Fall In Love Too Easily (Copenhagen concert of 11/4/69)
6. Sanctuary (Copenhagen concert of 11/4/69)
See all 8 tracks on this disc

Editorial Reviews

Amazon.com essential recording

The revolution was recorded: in 1969 Bitches Brew sent a shiver through a country already quaking. It was a recording whose very sound, production methods, album-cover art, and two-LP length all signaled that jazz could never be the same. Over three days anger, confusion, and exhilaration had reigned in the studio, and the sonic themes, scraps, grooves, and sheer will and emotion that resulted were percolated and edited into an astonishingly organic work. This Miles Davis wasn't merely presenting a simple hybrid like jazz-rock, but a new way of thinking about improvisation and the studio. And with this two-CD reissue (actually, this set is a reissue of the original set plus one track, perfect for the fan who's not so overwhelmed as to need the four-CD Complete Bitches Brew box), the murk of the original recording is lifted. The instruments newly defined and brightened, the dark energy of the original comes through as if it were all fresh. Joe Zawinul and Bennie Maupin's roles in the mix have been especially clarified. With a bonus track of "Feio"--a Wayne Shorter composition recorded five months later that serves both as a warm-down for Bitches Brew and a promise of Weather Report to come--this is crucial listening. --John F. Szwed

Product Description

This Legacy Edition celebrates the 40th Anniversary of one of the most remarkable albums in Miles Davis' career and jazz history in general. Originally released in 1970, Bitches Brew became Davis' first gold album. This 40th Anniversary 3-disc package offers the original album on 2 CDs plus rare bonus audio material and a DVD of the entire previously unreleased Copenhagen performance from November 4, 1969.

 

Customer Reviews

190 Reviews
5 star:
 (131)
4 star:
 (26)
3 star:
 (13)
2 star:
 (5)
1 star:
 (15)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (190 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

118 of 131 people found the following review helpful:
5.0 out of 5 stars Change...a blessing or a curse? (I would say the former), August 12, 2001
This review is from: Bitches Brew (Audio CD)
If you are considering purchasing this album and are not familiar with this period of Davis' career, be prepared for a unique listening experience. Note from the other reviews that b-BREW isn't universally loved...but its supporters now considerably outnumber the detractors. Nonetheless, newcomers are taking a chance, just as Davis and his sidemen did when they went into the studio to record b-BREW in 1969. If you do purchase this, allow 3-5 listens for it to sink in...few people really get it on their first exposure. Whatever you think it will sound like beforehand...it likely wont sound anything like that!

There are a number of misconceptions about this album. For one, Miles was not selling out his musical talent (he was expanding his audience via performing at pop venues and modifying his albums cover art; he did everything to make more money EXCEPT sacrificing the integrity of his music). Second, he wasn't tripping on substances (this era was actually the most drug-free, mentally strong, and physically healthy Davis was in his lifetime). Thirdly, Miles didn't retreat from spotlighting his sidemen and himself (there are plenty of distinctive solo improvisations that float above and within the loose ensemble playing). Fourth, this is not a rock or pop or a jazz/rock album (despite the electronic instrumentation, the music maintains a controlled abstraction that is more in line with that era's modern jazz than with most pop groups. Davis' means to this open end included many influences...rock & funk among them). Fifth, b-BREW was not widely rejected by music buyers (I believe it is Davis 2nd all-time best-selling album behind KIND OF BLUE).

Davis was actually in one of the most inspired and productive phases of his entire career, going into the studio often to work on musical concepts that in this case was not that abrupt a shift from his recording projects of the last several years. The bottom line, if Davis wanted to contrive a hit, he'd have been better off going into the studio with Blood Sweat & Tears or Chicago...and had Quincy Jones produce. Contrary to what some have asserted, this album didn't lead jazz down a blind alley, it just built a new turnpike in and around existing paths. Its okay not to like it...but if its okay to love it and consider it one of the centurys foremost aesthetic milestones, count me in! I can't imagine wanting any intrinsically-rewarding result from a music project that isn't delivered on this album.

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32 of 32 people found the following review helpful:
4.0 out of 5 stars Worth it for the DVD alone, September 4, 2010
This review is from: Bitches Brew (Legacy Edition - CD / DVD Combo) (Audio CD)
This review is for the DVD only. The music on the CDs has been written about extensively for 40 years but the few out-takes are great discoveries from the vaults.

The DVD is a satisfying 70 minutes long and encompasses an entire performance by the Miles Davis Quintet of November 1969, in Copenhagen. The public wouldn't hear the recorded Bitches Brew material for several more months. At this time Miles's band consisted of Wayne Shorter on tenor and soprano sax, Chick Corea on Fender Rhodes, Dave Holland on acoustic bass, Jack DeJohnette on drums and Miles himself on trumpet. This is an artist in the midst of a great transformation. Gone are the suits of respectable jazzmen of the mid-1960s and in are the clothes of the hippy generation but not to the degree that would come in the following years when Miles would adopt his Sly Stone-type look. The music is almost entirely original, with only a short performance "I Fall In Love Too Easily" making it into the set. The only electric instrument present is the Fender Rhodes, which Chick Corea is becoming comfortable with at this point. This performance is a taste of what's to come in the next few months. This seems relatively tame compared to the Live at the Fillmore East from March 7th, 1970. That's why this is such a great document: A well-recorded video performance of a band that was changing every few months. The Isle of Wight concert from the next summer is even more unbridled, albeit with a few changes in the band.

The video quality is very good. The sound is good, except that the bass is mostly absent. It sticks out in some places but it's hard to hear (sorry Dave Holland fans). Overall it's a great presentation. The performance is top notch. A transitional step into Miles' electric age. This would be worth it for the DVD alone.

I did some casual comparisons of the Complete Bitches Brew Sessions CDs versus this. The differences were not vast. They both sound very good. The Bonus DVD and the (2) out-takes in this set make it worthwhile and a good buy. The "super deluxe collector's edition" coming out later this month looks enticing but not for the cash. This seems to be the best bargain. I'm hoping that the 3rd CD in the collector's edition set is released on its own in the future.
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53 of 61 people found the following review helpful:
5.0 out of 5 stars This IS Jazz!, October 27, 1999
By A Customer
This review is from: Bitches Brew (Audio CD)
Jazz is a remarkable musical style because of its innovation and adaptability. The man who personifies this the most is Miles Davis, for the groundbreaking Bitches Brew is, in every sense, fantastic!! I listened to the album for the first time last night and got blown away! Davis's masterful trumpet playing and Wayne Shorter's soprano sax, coupled with occasional clarinet from Bernie Maupin, give the album a wonderful horn section, Chick Corea and Joe Zawinul lend their keyboard talents, John McLaughlin plays an unparalelled guitar, and the rest of the band is superb! I think Disc 1 is slightly stronger then Disc 2, but the album is great when put togther. Pharoah's Dance and Bitches Brew are incredible experiments from an incredible band, Spanish Key and Miles Runs the Voodoo Down are joyous improvisations, John McLaughlin is a unique duet, and Sanctuary gives it a peaceful finish. But the most amazing part off this album is the attitude. These men must have known that the only way to make this LP good was to pour their heart into the music. The result was a milestone in both jazz and rock, a record that brings emotion to all who listen to it, and it all came from one man's head. Thank you, Miles.
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