Bitches Brew (Legacy Edition - CD / DVD Combo) [Deluxe Edition, Original recording remastered, Extra tracks]

Miles Davis | Format: Audio CD

Product Details

• Audio CD (August 31, 2010)
• Original Release Date: 2010
• Number of Discs: 3
• Format: Deluxe Edition, Original recording remastered, Extra tracks
• Label: Sony Legacy
• ASIN: B003M0H4NG
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Music
• Average Customer Review: 4.4 out of 5 stars  See all reviews (210 customer reviews)
• Amazon Best Sellers Rank: #5,375 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Pharaoh's Dance

2. Bitches Brew

3. Spanish Key

4. John McLaughlin

Disc: 2

1. Miles Runs The Voodoo Down

2. Sanctuary

3. Spanish Key (alternate take)

4. John McLaughlin (alternate take)

5. Miles Runs The Voodoo Down (single)

6. Spanish Key (single)

See all 8 tracks on this disc

Disc: 3

1. Directions (Copenhagen concert of 11/4/69)

2. Miles Runs The Voodoo Down (Copenhagen concert of 11/4/69)

3. Bitches Brew (Copenhagen concert of 11/4/69)

4. Agitation (Copenhagen concert of 11/4/69)

5. I Fall In Love Too Easily (Copenhagen concert of 11/4/69)

6. Sanctuary (Copenhagen concert of 11/4/69)

See all 8 tracks on this disc

Editorial Reviews

This Legacy Edition celebrates the 40th Anniversary of one of the most remarkable albums in Miles Davis' career and jazz history in general. Originally released in 1970, Bitches Brew became Davis' first gold album. This 40th Anniversary 3-disc package offers the original album on 2 CDs plus rare bonus audio material and a DVD of the entire previously unreleased Copenhagen performance from November 4, 1969.

Most Helpful Customer Reviews

41 of 41 people found the following review helpful

4.0 out of 5 stars Worth it for the DVD alone September 4, 2010

By Steve the Engineer

Format:Audio CD

This review is for the DVD only. The music on the CDs has been written about extensively for 40 years but the few out-takes are great discoveries from the vaults.

The DVD is a satisfying 70 minutes long and encompasses an entire performance by the Miles Davis Quintet of November 1969, in Copenhagen. The public wouldn't hear the recorded Bitches Brew material for several more months. At this time Miles's band consisted of Wayne Shorter on tenor and soprano sax, Chick Corea on Fender Rhodes, Dave Holland on acoustic bass, Jack DeJohnette on drums and Miles himself on trumpet. This is an artist in the midst of a great transformation. Gone are the suits of respectable jazzmen of the mid-1960s and in are the clothes of the hippy generation but not to the degree that would come in the following years when Miles would adopt his Sly Stone-type look. The music is almost entirely original, with only a short performance "I Fall In Love Too Easily" making it into the set. The only electric instrument present is the Fender Rhodes, which Chick Corea is becoming comfortable with at this point. This performance is a taste of what's to come in the next few months. This seems relatively tame compared to the Live at the Fillmore East from March 7th, 1970. That's why this is such a great document: A well-recorded video performance of a band that was changing every few months. The Isle of Wight concert from the next summer is even more unbridled, albeit with a few changes in the band.

The video quality is very good. The sound is good, except that the bass is mostly absent. It sticks out in some places but it's hard to hear (sorry Dave Holland fans). Overall it's a great presentation. The performance is top notch. A transitional step into Miles' electric age. This would be worth it for the DVD alone.

I did some casual comparisons of the Complete Bitches Brew Sessions CDs versus this. The differences were not vast. They both sound very good. The Bonus DVD and the (2) out-takes in this set make it worthwhile and a good buy. The "super deluxe collector's edition" coming out later this month looks enticing but not for the cash. This seems to be the best bargain. I'm hoping that the 3rd CD in the collector's edition set is released on its own in the future.

139 of 152 people found the following review helpful

5.0 out of 5 stars Change...a blessing or a curse? (I would say the former) August 12, 2001

By J. Lund VINE™ VOICE

Format:Audio CD

If you are considering purchasing this album and are not familiar with this period of Davis' career, be prepared for a unique listening experience. Note from the other reviews that b-BREW isn't universally loved...but its supporters now considerably outnumber the detractors. Nonetheless, newcomers are taking a chance, just as Davis and his sidemen did when they went into the studio to record b-BREW in 1969. If you do purchase this, allow 3-5 listens for it to sink in...few people really �get it� on their first exposure. Whatever you think it will sound like beforehand...it likely won�t sound anything like that!

There are a number of misconceptions about this album. For one, Miles was not selling out his musical talent (he was expanding his audience via performing at pop venues and modifying his albums� cover art; he did everything to make more money EXCEPT sacrificing the integrity of his music). Second, he wasn't tripping on substances (this era was actually the most drug-free, mentally strong, and physically healthy Davis was in his lifetime). Thirdly, Miles didn't retreat from spotlighting his sidemen and himself (there are plenty of distinctive solo improvisations that float above and within the loose ensemble playing). Fourth, this is not a rock or pop or a jazz/rock album (despite the electronic instrumentation, the music maintains a controlled abstraction that is more in line with that era's modern jazz than with most pop groups. Davis' means to this open end included many influences...rock & funk among them). Fifth, b-BREW was not widely rejected by music buyers (I believe it is Davis� 2nd all-time best-selling album behind KIND OF BLUE).

Davis was actually in one of the most inspired and productive phases of his entire career, going into the studio often to work on musical concepts that in this case was not that abrupt a shift from his recording projects of the last several years. The bottom line, if Davis wanted to contrive a hit, he'd have been better off going into the studio with Blood Sweat & Tears or Chicago...and had Quincy Jones produce. Contrary to what some have asserted, this album didn't lead jazz down a blind alley, it just built a new turnpike in and around existing paths. It�s okay not to like it...but if it�s okay to love it and consider it one of the century�s foremost aesthetic milestones, count me in! I can't imagine wanting any intrinsically-rewarding result from a music project that isn't delivered on this album.

29 of 31 people found the following review helpful

5.0 out of 5 stars Miles Davis VS Rock December 28, 2001

By Tracher

Format:Audio CD

If you're wondering were to begin with the 'electric' period of Miles Davis, his jazz - rock fusion period, don't look any further. You just found it! Fans of fifties Miles and 'Kind of Blue' fans, a sign of warning - you'll be in for a surprise! And what a surprise it is! Listen to it with head - phones, that way you'll get the full satisfaction. Mind - blowing and timeless, for the jazz and none - jazz listener alike. I don't listen to jazz (well not a lot) so when I first heard it I was astonished. I had never heard anything like that before. Although the tracks are very long (up to 27 minutes for 'Bitches Brew'), all 94 minutes on the album will pass really quickly.

Don't expect to hear something mellow, this is dark, sometimes scary music for those late nights. The first time you listen to it you may not even like it, so it requires an open mind. There are hard rock rhythms with the fiery trumpet by Miles, the sax by Shorter, the 'screaming' guitar work by John McLaughlin, the driving beats of the drums by Jack DeJohnette, the piano by Zawinul...Wow! Song highlights include 'Bitches Brew', 'John McLaughlin' and 'Miles Runs The Voodoo Down'. This is the album that started a revolution, that started the fusion sound of the seventies that many other groups will follow , and for that it will always be considered as one the most important jazz albums ever.