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Bitten: Dark Erotic Stories Paperback – July 29, 2009

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Editorial Reviews

About the Author

Susie Bright is a respected author, activist, performer, lecturer, audio show host, sex guru, teacher, and mom. She founded the first women's erotica book series, Herotica, and edited The Best American Erotica series from 1993-2008. She resides in Santa Cruz, California.

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Product Details

  • Paperback: 192 pages
  • Publisher: Chronicle Books (July 29, 2009)
  • Language: English
  • ISBN-10: 0811864251
  • ISBN-13: 978-0811864251
  • Product Dimensions: 5.5 x 0.5 x 8 inches
  • Shipping Weight: 10.4 ounces
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (56 customer reviews)
  • Amazon Best Sellers Rank: #1,305,255 in Books (See Top 100 in Books)

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Customer Reviews

I like more beleivable books i guess.
shouna fruge
Fortunately, these stories tend to be pretty good aside from the prurient interest, so they're never boring even if they aren't hitting my own sexual buttons.
Christianne Benedict
Very entertaining and seductive collection of short stories.

Most Helpful Customer Reviews

32 of 36 people found the following review helpful By Skeptic on September 9, 2009
Format: Paperback
I found "Bitten" almost completely compelling. Like, "reading it raptly until two in the morning" compelling. I'm not even a fan of supernatural erotica... and yet, despite the fact that the erotic buttons this book is pushing are totally not my buttons, it still got me to feel what the writers found erotic about this kind of fantasy -- and what the characters in the stories found erotic about this kind of sex.

Good porn -- like the porn in "Bitten" -- gets you feeling what the characters are feeling. Even if what they're feeling, and doing, is physically impossible. And Susie Bright has a unique eye for good porn... an eye that was wide open with the stories in "Bitten." They are unique. They are exceptionally well written. And to call them "vivid" is a grotesque understatement. Lore Sjoberg once wrote that iced mocha "makes me happy to be alive, in the literal sense that it forcibly alters my brain chemistry." These stories forcibly altered my brain chemistry. It was like being violated, in the best possible way. It was like a masochistic fantasy in which a pitiless, unnervingly perceptive top forces me against my will, not just to do shameful and terrible things, but to want them.

If you like dark, spooky erotic fiction, you need to run to your nearest bookseller and buy this book right now. And if you don't much care for dark, spooky erotic fiction but you're curious to see what the fuss is about, I can't recommend a better place to start.

(Excerpted from a review written on the Blowfish Blog)
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17 of 19 people found the following review helpful By Sonya on September 9, 2009
Format: Paperback
This book is gorgeous. If you were browsing in a bookstore instead of online, you wouldn't be able to leave it behind. The silver-black edges and textured snake cover beg to be stroked, flicked, and taken, and the words inside live up to the promise of the beautiful exterior: gothic, mystical, sexy, exotic, and taboo. "Bitten" belongs at the bedside of everyone who reads--or wants to read, or wants their lover to read to them--dark, erotic fiction.
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9 of 9 people found the following review helpful By Federico (Fred) Moramarco VINE VOICE on November 11, 2009
Format: Paperback
I will spare you yet another tendentious discussion of the difference between erotica and pornography, except to say when you read "Bitten" you'll understand the difference between good and exciting writing about sex and sexuality and tedious, repititious, monotonous porno descriptions of oral sex and the old in and out. Susie Bright, the editor of this lively and imaginative collection asked of her potential contributors that they send her "Perverse fairy tales,Erotic spirits, Sexually compulsive haunts,The baroque savage,Bohemian, post-punk, Dark Wave, an obsession, sacred taboos, a mystical view of the sexual body, Elizabethan, Victorian, Cajun, Latin, African, and Catholic tastes. "Give me," she asks "lugubrious passion, unrelieved thirsts, the lushness of black, the velvet hammer, Noir effects, 'A marked preference for dark colors and sentiments'Sexy-spooky, ethereal carnality, Daily horror as subversive social critique, The erotic arc of the unconscious, The bawdy kitsch and cocky comedy of horror." [I've altered the punctuation and line breaks here, because the solicitation in the introduction is presented as the poem that it is]. By and large, she gets a good deal of what she asks for. The very first story, "The Devil's Invisible Scissors"sets the tone. Gina is a professional 'demon' who snips the souls from her potential lovers as she seduces them. The second tale,"Resurrection Rose," offers us an erotic description of a coupling between a woman and a plant: "The rose's branches rustle furiously as the roots stretch to meet her, one giant crimson thorn extended. Vines creep across Lucy's skin; coarse leaves tease her belly and nipples as her robe drops away.Read more ›
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8 of 9 people found the following review helpful By CDT on November 24, 2009
Format: Paperback
It's rare for the stars to align for one to first read a foundational work of erotic horror, with one of the latest. The former, M.G. Lewis' THE MONK, earns its still-scandalous reputation. The latter, BITTEN: DARK EROTIC STORIES, edited by Susie Bright, should earn its own reputation -- for pleasure.

In this age of fewer restrictions on publishing erotica, it takes more to move and shock, but the same Gothic conventions hold. God and the Devil are sensual beings, with pressing wagers on our carnality. Innocence and ignorance are hazardous to one's health. If a story featuring demonic soul-eating and angelic sex could be called wistful, then Sera Gamble's The Devil's Invisible Scissors qualifies. It's a great story for the beginning of an anthology; it orients us that there will be passion, wisecracks, a simultaneous touching upon the profane and infinite, and much lubricity. Cross-Town Incubus by E.R. Stewart has the same mix of modern mores and old school thrills.

Some stories, such as Anne Tourney's The Resurrection Rose, make themselves felt immediately: It's a lush tale of floral decadence on the order of Hawthorne's Rappaccini's Daughter. Jess Wells' The Rookery, Patrice Suncircle's Master Sarah and Tsaurah Litzky's The Witch of Jerome Avenue are also stories that have echoes of tales told through the ages... except for the steam and the sweat they generate.

There are three stories I'll read again, for their beauty: The Resurrection Rose, Greg Boyd's Pandora's Other Box and Lay Me Out Softly by Francesca Lia Block. Their modern-day fairy tale slant is distinctive, adult and memorable, and their language, inventive. There's one story I'll have to ration like the aforementioned chocolate, from Allison Lawless.
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