The west found in Linda Hasselstrom's poems is neither the mythical Old West nor the New West of ranchettes and trophy homes. Hasselstrom's aria is set to the rhythms of the authentic West, laced with lyrical realism, and distilled to the sharp crispness of a plains morning.
Here you'll find th night heron whose "slender beak descends, a sudden hammer on a silver spine." You'll "give yourself sunsets...in shades of pink and gold" while "long tatters curl eastward like discarded ribbons." You'll met Death riding as the Horseman, and again when he steers and oncoming car then "comes to th reunion picnics, pushes to the front in all the pictures."
And you'll confront the darkness lingering ovr the West, casting shadows of violence and abuse on a place called Bitter Creek Junction.
Linda M. Hasselstrom is a real South Dakota rancher who has roamed across miles of grassland with no company but her horse, and she's been thrown, kicked, stomped, defecated on and bitten by horses and cows.
"A ranch," she has written, "is not just any patch of rural ground. And the old saying, 'All hat, no cattle' is more than a joke; buying a hat or a few cows won't make anyone a rancher."
Hasselstrom has spent much of her life birthing, doctoring, corralling, branding, ear-marking and otherwise caring for real cows. "Nobody," she insists, "punches cows."
She notes that, "The jacket of a popular author's book says that she lives on a 'forty-acre ranch.' No real rancher could make that statement." Similarly, Hasselstrom says, "only uninformed journalists could write, 'Mr. Jones lives on his 10-acre emu ranch.' The correct way to write that sentence would be, 'Mr. Jones lives outside town with his emus.' Forty acres, ten acres-- those are home sites, not ranches."
Hasselstrom battles such Western myths every day in her writing as well as in her daily life. Three times when she's been thrown from a horse, she received a concussion, but was never able to get to a hospital. She insists the resulting brain damage has made her a true rancher, as well as providing incentive to write about real prairie life.
Hasselstrom says, "I wear the label 'cantankerous' with pride, though I try hard to work with my neighbors rather than against them." She supports the volunteer fire department and the town cemetery as well as local historians working with both old-timers and newcomers to preserve area culture.
Her ranch hosts the Great Plains Native Plant Society's Claude A Barr Memorial Great Plains Garden, the world's only botanic garden dedicated to plants of the arid grasslands of the nation's center. The Rocky Mountain Bird Observatory has established a riparian protection area along Battle Creek on her ranch.
Hasselstrom is the full-time resident writer at Windbreak House Writing Retreats, established in 1996 on her ranch. In addition she is visiting faculty for Iowa State University, Ames, and has served as an online mentor for the University of Minnesota's Split Rock writing program. She's also an advisor to Texas Tech University Press.
Hasselstrom's writing has appeared in dozens of anthologies and magazines; a poetry collection, 'Bitter Creek Junction' won the Wrangler for Best Poetry Book, National Cowboy & Western Heritage Museum, Oklahoma City, OK. 'Bison: Monarch of the Plains' was named best environmental and nature book of 1999 by the Independent Publishers Association.
More information on Hasselstrom's life and writing appears on her website www.windbreakhouse.com and in 'American Nature Writers.' Editor John Elder; Charles Scribner's Sons.
