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Bitter Sweet (World Premiere Complete Recording)
 
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Bitter Sweet (World Premiere Complete Recording) [Cast Recording]

Noel Coward , Michael Reed , New Sadler's Wells Opera Chorus and Orchestra , Rosemary Ashe , Michael Chance , Carol Lesley-Green , Valerie Masterson , Donald Maxwell , Ian Platt , Martin Smith , Michael Fitchew , Rachel Izen , Robert Johnson , Don Jones Audio CD
5.0 out of 5 stars  See all reviews (6 customer reviews)

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One of the greatest blues artist of all time, the legendary Robert Johnson recorded only enough music to fit onto two CDs. After his death at the age of 27 in 1938, Johnson had only 12 known 78rpm records (42 tracks in total if you include alternate takes) under his belt. But those records would go on to influence the world of blues and rock & roll like no other recordings and become an essential… Read more in Amazon's Robert Johnson Store

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Product Details

  • Performer: Rosemary Ashe, Michael Chance, Carol Lesley-Green, Valerie Masterson, Donald Maxwell, et al.
  • Orchestra: New Sadler's Wells Opera Chorus and Orchestra
  • Conductor: Michael Reed
  • Composer: Noel Coward
  • Audio CD (March 9, 1999)
  • Number of Discs: 1
  • Format: Cast Recording
  • Label: Jay Records
  • ASIN: B00000IH30
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #336,210 in Music (See Top 100 in Music)

Disc: 1
1. That Wonderful Melody
2. Call of Life
3. Come With Me
4. I'll See You Again
5. Polka
6. What Is Love?
7. Last Dance
8. Meeny, Mini, Mo/[II.]Should Happiness Forsake [II. Adagio un][Mix]
9. Opening Chorus (Life in the Morning)
10. Ladies of the Town
See all 12 tracks on this disc
Disc: 2
1. Bittersweet Waltz
2. Officer's Chorus (We Wish to Order Wine)
3. Tokay
4. Bonne Nuit, Merci
5. Kiss Me
6. Ta-Ra-Ra-Boom-De-Ay
7. Alas! The Time Is Past
8. We All Wear a Green Carnation/Zigeuner
9. Finale [Act Three]
10. Bitter Sweet, operetta: We All Wear a Green Carnation/Zigeuner
See all 11 tracks on this disc

 

Customer Reviews

6 Reviews
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Average Customer Review
5.0 out of 5 stars (6 customer reviews)
 
 
 
 
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8 of 9 people found the following review helpful:
5.0 out of 5 stars A WONDERFUL RECORDING OF THIS CLASSIC OPERETTA., August 3, 1999
This review is from: Bitter Sweet (World Premiere Complete Recording) (Audio CD)
Noel Coward's evocative score with it's nostalgic tribute to Viennese operetta is beautifully recorded here. A rare gem.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars GLORIOUS "COMPLETE" RECORDING OF A TRUE CLASSIC . . . ., July 20, 2006
By 
J. T Waldmann "yaakov98" (Carmel, IN, home to the fabulous new Regional Performing Arts Center.) - See all my reviews
(REAL NAME)   
This review is from: Bitter Sweet (World Premiere Complete Recording) (Audio CD)
NBC Radio. February 23, 1953. Marvin Miller, announcer:

"Ladies and gentlemen, The Railroad Hour. (train whistles) And here comes the star-studded show train. (Theme music: orchestra & chorus) Tonight the American Association of Railroads presents Noel Coward`s operetta, BITTER SWEET, starring Gordon MacRae and his guest, Dorothy Warenskjold. Our choir is under the direction of Norman Luboff and the music is arranged and conducted by Carmen Dragon. Yes, tonight another big musical hit is brought to you transcribed by the American Railroads, the same railroads that bring you most of the food you eat, the clothes you wear, the fuel you burn, and all the other things you use in your daily life. And now, here is our star, Gordon MacRae!"

BTV (before TV), my sisters and I would gather around the radio practically every Monday night for The Railroad Hour. It was never an "hour" show, debuting on ABC radio on October 4, 1948 with guests Dinah Shore and Jane Powell. The show was GOOD NEWS, condensed to 45 minutes. On May 2, 1949 the program switched to a 30-minute format -- SHOWBOAT with guest Lucille Norman. On October 20 of the same year it moved to NBC Radio, where it stayed through its final show on June 21, 1954 -- THE NEW MOON, also with Ms. Norman. I don't know how many of the 299 episodes I heard (a lot), but BITTER SWEET - "Coward's shameless attempt to revive sentimental operetta" - remains a particular favorite of mine.

Maybe it's because BITTER SWEET is, if anything, a nostalgic show. The heroine, Sarah Millick - now the Marchioness of Shayne - recounts her life story at a party. Forty-five years earlier, ". . .she fell so desperately in love with her handsome young singing master that she threw it all away in order to be with him. In Vienna, five poverty-stricken years later, her adored Carl is killed in a duel. But his music lives on as the self-reliant Sarah earns fame throughout Europe with her singing. Finally returning to England, she marries the elderly Marquis of Shayne who has waited so patiently for her." -- The Guide to Musical Theatre

Sure, the plot is corny, but the music is magnificent. "I'll See You Again," the theme song of the operetta, is probably Noel Coward's best known song, and a true classic. There's also the rousing "Tokay," magnificently sung by Donald Maxwell; "Dear Little Café," the Act Two duet for Sarah & Carl; the quartet "Ladies of the Town;" and "We All Wear a Green Carnation," sung by four overdressed, 1890s dandies; "Zigeuner," Sarah's big song in the final act; and my personal favorite, "If Love Were All," which includes the poignant phrase "I believe that since my life began/The most I've had is just a talent to amuse."

Noel Coward's BITTER SWEET does more than merely amuse. Its soaring melodies and sophisticated lyrics actually have the power to lift the listener to a higher, better place. The production by the New Sadler's Wells Opera is absolutely first rate, with outstanding vocal work by Valerie Masterson as Sarah, Rosemary Ashe as Manon, & the previously mentioned Donald Maxwell. I tried to like Martin Smith (Carl Linden) but would have preferred a bigger, more operatic voice - Frank Porretta would have been ideal. But it's a minor quibble. The large supporting cast of singers is also outstanding.

Very highly recommended. It's so good to hear melodies like these sung so gloriously. How unfortunate that its no longer feasible to mount shows like this (or THE GREAT WALTZ or KISMET, etc.) anymore.






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4 of 4 people found the following review helpful:
5.0 out of 5 stars Bittersweet perfection, October 12, 2003
By 
Regina Hilburn (Columbus, Ohio United States) - See all my reviews
This review is from: Bitter Sweet (World Premiere Complete Recording) (Audio CD)
I originally acquired this recording on vinyl in the summer of '89 during my first trip to London, & was stunned at the haunting richness of the score & the beauty of the perfomances, particularly Valerie Masterton's as Sarah. It remains one of my very favorite albums--I am listening to it again as I write this. Run, don't walk, to buy this, & discover one of the truly great gems of 20th century operetta that deserves to be staged more often.
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