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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Sensuous, sultry, January 16, 2011
This review is from: Bizet: Carmen / Norman, Freni, Shicoff, Estes; Ozawa (Audio CD)
Jessye Norman is extraordinary in this recording and so is Neal Shicoff. I view Carmen in a different light after listening to this recording. Carmen is so overexposed, so sugar-coated that usually it is hard to bear it. When I started listening towards the middle, to this recording on Sean Bianco's capradio (this is a .org site in Sacramento) program, at first I didnt recognize it, it sounded so different, so beautiful. I thought how sensuous, how exotic. Norman sings beautifully and in addition her French accent is the most delicious (you can hear it also in La Belle Helene). She gets across the sultry, fiery, luscious woman Carmen is supposed to be. I admit I havent listened to all of the famous Carmens but whatever I listened to, especially any of the newer artists, dont come close to this in terms of quality.
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3 of 4 people found the following review helpful:
2.0 out of 5 stars
Norman is an absolute Isolde but.....Carmen?, April 9, 2004
This review is from: Bizet: Carmen / Norman, Freni, Shicoff, Estes; Ozawa (Audio CD)
What can I say of an absolute wonderful soprano who has a blooper? Carmen is not for her. She sounds so soft, that no man's heart can sense the Carmen's traditional dangerous fire. The Orchestra sound is spectacular, but lacks of the grandeur that Ozawa has in Philips' Carmina Burana, for example. I am big Norman Fan, but I think she was born for singing spirituals, or Isolde or Poulenc Songs. The Figaro Countess under Davies is absolutely delicious. What can I say? Carmen is not for her.But she is a wonderful singer. Period. My Carmen is Julia Migenes and Placido Domingo under Lorin Maazel.
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8 of 12 people found the following review helpful:
2.0 out of 5 stars
Stay away from this recording, November 20, 2000
This review is from: Bizet: Carmen / Norman, Freni, Shicoff, Estes; Ozawa (Audio CD)
I have no idea who was the "genius" who thought of Jessye Norman as Carmen. It is a pity that such an important singer as she turned out such a disastrous performance. Everything is wrong in her portrayal: sense of style, characterisation, charm...,the Don Jose and the Escamillo are hardly better, only Mirella Freni, even well past her prime, gives any pleasure. Ozawa conducts a grandiloquent, verismo Carmen, like they used to do in the 50's. Even if you are a fan of Norman, I would strongly recommend to stay away from this recording. If you are looking for a truly great recording of Carmen look no further than Teresa Berganza/Claudio Abbado in DG, the best recording ever of Bizet's masterpiece. Other good alternatives are Victoria de los Angeles/Beecham and Tatiana Troyanos/Solti, but Berganza is the most passionate and magical Carmencita of all.
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