"Black Adder IV: Black Adder goes forth" is the best of the British comedy that takes satirical swipes at various epochs of history; Medieval (I), Elizabethan (II), Georgian/Regency (III), and finally, in this fourth series, World War I. In each series stars Edmund Blackadder (Rowan Atkinson, in what is possibly his best performance), who is sharp of intellect, corrupt and conniving. In each "resurrection" through these ages, he is accompanied by the dimwitted Baldrick (Tony Robinson).
While the first series is weak, the ensuing three are excellent, and the fourth is my particular favorite. Accompanied by his incompetent subordinates, the eternal Baldrick and the good-natured and stupid, although surprisingly talented George (Hugh Laurie), Blackadder spends most of his time attempting to evade going out into the field against the Germans (as it meant certain death). Thwarting Blackadder's goal are the loud, dimwitted General Melchett (Stephen Fry) and his "office boy", the waffly Captain Darling (Tim McInnerny), who is Blackadder's enemy. The anti-war message in this particular series is clear and poignant, exposing the futility and inefficiency of the first world war.
The series is absolutely hilarious, and each episode is excellent. Rowan Atkinson is stellar as always, but I particularly enjoyed the performance of Hugh Laurie as George. The actor is most-often cited for his performance as the prince regent in Blackadder III, but in my opinion his George in Blackadder IV is his best moments. His bumbling character, a foolish young man related to the aristocracy who clearly could not profit from attending even the best schools in Britain, is both amusing and endearing, with many little touches (such as his talents in painting and acting) which lend him more depth and personality than the prince regent character. Also of special note is Tim McInnerny's performance as the nervous, semi-neurotic Captain Darling. The ongoing hostility and verbal bickering between him and Blackadder provide for many amusing moments, and his incompetence and frustrated attempts to get the upper hand on Blackadder ultimately results in an odd sort of sympathy for him. One senses that his life never amounts to more than the dry, petty details of his officework, and like the rest of the characters he appears to be somehow trapped and powerless against a monstrous, inescapable situation greater than himself. Finally, for the persons familiar with the second series (Elizabethan era), there is the gratifying return of "Bob" and the indomitable Captain Flasheart, in a longer and even funnier appearance than his role in the second series.
In summary: Highly recommended series- A+
