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57 of 76 people found the following review helpful:
5.0 out of 5 stars
Great historiography, lots of inspiration for further study, June 15, 2003
This review is from: Black Athena Writes Back: Martin Bernal Responds to His Critics (Paperback)
Black Athena There are a lot of hysterical reviews on this forum, by people who clearly have not read, let alone understood the book, Black Athena. This book is not about whether the Ancient Egyptians were Black, or whether Greek civilization as it exists today and became known to the Romans was a wholesale copy of Egyptian civilization, as it obviously wasn't. So, what is Black Athena about? This book carefully sets out Martin Bernal's hypothesis, that ancient history can be seen as having been molded into specific narratives, depending on the age when that narrative was created and found it's uses. He defines three different Models or narratives, namely the Ancient Model, The Aryan Model, and his own Revised Ancient Model. He includes some suggested timelines, but basically, the Ancient Model of Greeks like Herodotus, suggested that in 15th century BC, Egyptians and Phoenicians had set up colonies in Greece and the Aegean, creating Greek civilization. The Aryan Model suggests that civilization started with the indigenous creation of a civilization in Greece, and that there were Nordic invasions of Indo-European speakers who mixed in with the non-Indo-European speaking indigenous population Bernal's Revised Ancient Model places the Egyptian and Phoenician invasions in the 21st-19th century, pushes back the introduction of the alphabet to the 17th century (from the 9th century), but maintains that there were Nordic invasions and that the indigenous population spoke a related Indo-Hittite language. All ten chapters in this book are documented to a different period and the changing perspectives and emphasis that is put on a particular origin of history or culture (from the Ancient Model In Antiquity (I), through this model's transmission during the dark ages and the renaissance (II), The Triumph of Egypt in the 17th and 18th Centuries (III) and the beginning Hostilities To Egypt In The 18th Century (IV) (long _before_ Champollion's decypherment of Egyptian in the first quarter of the19th century). These hostilities had no small part of their origins in the existing race based slavery, colonialism and the challenges from within Europe to the transatlantic slave trade as a catalist of the need for a defense of the first two institutions. Chapters V through IX deal with the Romantic Linguistics (V) the discovery of Sanskrit as a related, Indo-European language and the rise of the Indian-Aryan model. Hellenomania (VI) deals with the rise of Greece as a fount of European civilization and ideals, under the German school of von Humboldt and Wolf. Hellenomania 2 (VII) deals with the takeup of this school of thought in England and the growing pre-eminence of the Aryan model in the middle of the 19th century. The Rise And Fall Of The Phoenicians (VIII) deals with the recognitions of the Phoenicians and the influence of antisemitism, as does chapter (IX). The book concludes with The Post-War Situation (X) and discussion of the influences of Gordon and Astour and their reclaming of the legacy of the Phoenicians. In the end we have to ask: is it really so difficult to believe that Ancient Egypt at the height of it's power, it's age of expansion, created small Egyptian colonies in the Peleponnese and around the Aegean (20th century BC), that these colonies helped to transfer some of it's culture and civilization, and that the Greeks had myths that said so? No linguist today disputes the Phoenician origin of the Greek alphabet. A small step pyramid has been found in Thebes, Greece. Most ancient Greek philosophers paid homage to Ancient Egypt and studied there, in the 5th century. A classic book and a must read for anyone interested in the topic, especially of Aegean relations and the history of history itself.
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36 of 55 people found the following review helpful:
5.0 out of 5 stars
Not Literally Black!, December 4, 2003
This review is from: Black Athena Writes Back: Martin Bernal Responds to His Critics (Paperback)
People may dislike Bernal's writing style, but that doesn't mean they should ignore his ideas.
By naming his books "Black Athena" Bernal doesn't mean that Athena, the symbol of the Athenians and their culture, which we call Greek culture, was imagined as black. More likely he believes she was a light Mediterranean brown. Even the famous classicist Bernard Knox (a professor who wrote introductory essays to Robert Fagel's translations of The Iliad and Odyssey) concedes this point in his ironic essay collection "The Oldest of the Dead White European Males" when he politely describes Greeks as an olive colored people.
Bernal's use of black in "Black Athena" refers to the historical misconception of her skin color by Romantics, Racists, and Imperialists who were not necessarily the same people. It also refers to the poetically and politically motivated misunderstanding of the historical origins of Greek myth, culture, and language. Not to say that Athena wasn't a Greek Goddess but rather that Greek ideas of Gods and Nature have significant (and uncredited) roots in more ancient civilizations (whether Egyptian, Sumerian, or more broadly Afro-Asiatic).
Bernal is attempting to undermine the false popular idea (especially among people who specialize in the study of the Greco-Roman Classics) that, poetically speaking, Greek culture just sprang out of the ground like Cadmus' dragon teeth. Oh wait, no; actually, that myth tells of how a Phonecian, who we classify as Afroasiatic, brought literacy to the Greeks. Other ancient Greek sources attest to having recieved the basic tools of Greek Culture from their neighbors, why should we disbelieve them? Then there's etymology...
Of course, Afroasiatic roots do not detract from the genius of Greek theater, literature, and philosophy! That would be like saying Newton was an idiot because he didn't invent numbers. That would be like saying Shakespeare was worthless because he didn't create the theater, because he learnt from the literary examples of Geoffrey Chaucer, Christopher Marlow, and Ben Johnson, because the subject matter of his plays were shaped by thousands of years of preceding history, and because his plots were not original.
Clearly parents have a large role in the raising of children, but posterity does not praise parents for their childrens' accomplishments, not with great artists, scientists, or statesmen. Though they lay the foundations of a child's moral, literary, and technological culture, what is built on those foundation is not theirs. Ultimately Shakespeare's father was not Shakespeare, but who would believe that Shakespeare's family had no influence on his intellectual development? Likewise, using and improving the brilliant ideas of neighbors and ancestors does not rob scientific progress or artistic excellence of value. Is it more important that an idea is perfectly original? none are, or that it is good? Cultural innovators keep their worth when credit is given where credit is due, and their supporters have their importance recognized too.
It seems like the subject of intellectual precedence stirs up great anxiety in lovers of Classical literature. It shouldn't. Greek achievements are no less grand because they sprang from foreign soil. If anything, appreciation of Bernal's ideas will hopefully convince linguists and classicists with philosophical inclinations to shape up their fields erroneous notions of cultural origins, especially regarding etymology (read his books for details). It would be wonderful if a love of truth leads to more precise translations and a better understanding of the ancient literature we love.
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3 of 5 people found the following review helpful:
5.0 out of 5 stars
Studious Response To Racist, Hate-filled Critics, December 24, 2010
This review is from: Black Athena Writes Back: Martin Bernal Responds to His Critics (Paperback)
This is a compilation of Dr. Bernal's well-thought responses to his most prominent critics. Dr. Bernal continues his brilliant analysis of Egyptian-Greek connections during ancient times. Unfortunately, due to the racism and extreme hatred from a select few of European roots who seem to loathe those of African descent, these books are reviewed poorly. No doubt this is primarily due to latent white racism, Eurocentrism, and the inability to deal with evidence which contradicts firmly held beliefs. Much like a religion, Euro-descended persons seem to think that it is their birthright to believe that their ancestors and only their ancestors developed the so-called "wonder of civilization". This is a position much abused throughout history to justify warfare, slavery, subjugation, murder, and even genocide of dark-skinned peoples the world over. Dr. Bernal's works help to rectify some of these historical wrongs by offering a potential alternative that should be considered rather than dismissed ipso facto. In some ways, the second volume may be considered the weakest of the three with the historiographical aspects of Volume I generally being lauded even by some of the historians who spew so much vitriol at Dr. Bernal and Afrocentrists in general. Volume III is a major contribution to the study of ancient contacts which is still not as widely publicized and consequently also not considered as controversial. Hopefully, over time, humans will be able to shed some of their hateful and racist beliefs so that we can get a truly proper historical analysis of the early connections between Egypt and Europe and these books are a significant part of that overall process. 'Writes Back' is interesting to gain an understanding of the scope of some of the milder and less racist attacks on Dr. Bernal and the theory. The major racists are those on the outside of academia who see these works as some kind of affront to their heinous and false belief system.
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