From School Library Journal
Grade 4-7–Set in 19th-century Italy, this first English translation of a book originally published in Germany in 1941 is the story of 13-year-old Giorgio. His desperately poor parents have no choice but to sell him into servitude as a chimney sweep to pay for his mother's medical bills. On his journey to his new life, Giorgio and about a dozen other boys are mistreated by their guide. Milan does not prove to be any less harsh. Not only does the boy face the daily dangers of the chimneys but also cruel treatment in his master's home and gang fights on the streets. Through all of this, he is able to remain friends with Alfredo, who has become the leader of the secret society, The Black Brothers. Ultimately, it is Giorgio's involvement in it that saves his life and helps him to find a new, loving home. This edition includes a copious number of illustrations that gives the novel its subtitle. The large, black-and-white pictures with deep lines and fine-grained detail reinforce the somber tone of the simple, straightforward prose. Many of the images are full page and have the text overlaid, which moves the story along swiftly while adding depth and meaning to the characters and actions. This unique combination of text and artwork sets this title apart in the expansive world of juvenile historical fiction.
–Karen T. Bilton, Somerset County Library, Bridgewater, NJ Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Gr. 6-9. This book has a complicated history. Tetzner and her Jewish husband, Kurt Held, who could not be credited as decreed by the Nazi regime, published it in Germany more than 60 years ago. Neumeyer's translation is new, as are the woodcut-style images, some of which merely illustrate, while others carry a narrative load between paragraphs of text. The story, set in Switzerland and Italy during the nineteenth century, concerns the difficult life of a young chimney sweep. As much social commentary as drama, it can be read satisfyingly at several levels: as historical fiction, as allegory, and as a rendering of human experience that words alone cannot convey. The rich, evocative artwork stands in sharp contrast to a narrative voice that is understated and sometimes careless in its arrangement of information. This won't attract a wide audience, but it has much to offer readers interested in how a writer uses fiction to increase social awareness and an artist uses image as narrative.
Francisca GoldsmithCopyright © American Library Association. All rights reserved