Customer Reviews

Black Butterflies

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The contents of BLACK BUTTERFLIES have been neatly dissected into 'This World' and 'That World'. The stories in 'This World' lack overtly fantastic elements, and most of them are very frightening indeed. Shirley's version of 'This World' seems to be populated largely by psychopaths who murder and rape as much from boredom and bafflement as anything else; one of the few characters in 'This World' to display anything resembling empathy is the computer science teacher in 'What Would You Do For Love?', and she uses computer models to help predict the actions of people around her. 'What Would You Do For Love?' is not only the last story in 'This World', as though it were a segue into 'That World', it's the first in which most of the characters will seem familiar to nearly all of us, and the first with something like a conventionally happy ending. Shirley's talent is that he enables us to empathise with characters who have so little empathy for others, whether we want to or not, despite gut-punch beginnings that many horror writers might use as a coup de grace. 'That World' throws overt fantasy elements into Shirley's universe, and while some of the stories (such as 'Pearldoll' and 'Aftertaste') are almost conventional horror tales, others are... different. 'The Exquisitely Bleeding Heads of Doktur Palmer Vreedeez', in which celebrities are encased alive in plastic sheathing for a horrific sculpture garden to the enjoyment of Idi Amin, is a enormously over-the-top sick joke. 'Delia and the Dinner Party', in which a little girl's 'imaginary friend' translates her parents' over-dinner conversations, is a gem, and if you'd prefer something upbeat and dislike televangelists as devoutly as I do, 'Flaming Telepaths' will make your day.

"Black Butterflies" is a short story collection from horror/science fiction author John Shirley. Shirley, who also wrote the excellent gross out tale "Wetbones," is quite adept at charging his stories with equal parts sex, horror, and suspense. It seems that Shirley spends more time working on science fiction novels, but occasionally, he churns out something like "Black Butterflies." When Shirley delves into horror, look out. He likes to write them lean, mean, and sick as you know what.

"Black Butterflies" is divided into two large sections. The first section is entitled, "This World," probably because the stories deal with everyday reality (I use the term "everyday reality" loosely in reference to some of these stories). The type of stories found in this part of the book varies widely. One story tells the bleak tale of a cop with profound suspicions of his partner. Two tales show the importance of screening people before fooling around with them. Stories about a horror film that is a little too real, an answering machine message one hopes never to hear on their own machine, and the after effects of an earthquake round out the first part of the book.

The second section, entitled, "That World," deals with stories involving supernatural elements. Arguably the best story here is the first one, concerning a little girl and her imaginary friend viewing a side of family life that is both disconcerting and extremely gross. Other stories deal with the end of the world and its aftermath, a sculptor looking for inspiration, an encounter with alien beings who pick up victims in bars, the grim results of mixing [narcotics] with industrial strength insecticide, and a funny story about a battle between good and evil that takes place in a heavy metal/thrash bar.

Again and again, Shirley digs deep into the depths of depravity and despair with this collection of stories. What becomes most apparent as the book unfolds is the intimate knowledge Shirley seems to have with the dark side of human existence. When Shirley writes about the dangers of [narcotics], it seems like he knows about it from first hand experience. There are many authors that festoon their books with endless pages of violence and gore, but few do what Shirley does: create the starkest, grittiest atmospheres in which violence and gore not only unfold, but seem natural to the environment.

One slight problem with the stories in this collection is that many of the stories aren't very original. The horror film story concept has been done, along with the bad relationship/horror story. This tends to blunt some of the book's punch. Shirley certainly has the right to attempt to redo a certain storyline that's been done to death in the past, but more originality in doing so would have elevated this book above the merely average.

... But for a quick dip into this author's eerie work, "Black Butterflies" will certainly do the trick.

Nobody writes like John Shirley -- intense, literate, provocative, edgy. Each one of these stories offers something different, but each one of them reads like a house afire. Shirley is the Real Thing -- READ THIS BOOK!

This book of short stories is divided into two sections, This World and That World, which deal with everyday horrors and otherworldly horrors respectively. Of these two sections, the first is the most successful, which mostly involve the shocking realities of the underbelly of society, evoking a hybrid of John Rechy and Stephen King, and hitting you with the impact of a screwdriver to the kidneys (the best of these, "Cram", will have you thinking twice about ever getting on the subway again). The second section, comprising more outright horror, is less successful (By far the best of these is "Delia and the Dinner Party"). Though Shirley is a very vivid writer, the shocks in these stories seem mostly arbitrary and forced compared to those in the first section. Still worth checking out, though. I also docked him some points for using rock lyrics as titles-- he's much too good a writer to be slumming like that.

_Black Butterflies_ by John Shirley is a collection of a decade's worth of dark short stories by Shirley, the author of _Wetbones_ and writer of the screenplay for "The Crow." Half of the stories involve the horrors of "this world," the dark streets and alleyways of our existence; the other half of the stories involve "that world," the strange and supernatural.

Shirley's stories are dark, intense, imaginative and will often sear images into your brain. Recommended for fans of dark fiction, perhaps along the lines of Clive Barker.

About: Collection of horror short stories

Pros: Lots of blood, gore and sex

Cons: One can only stand so much blood, gore and sex

Grade: B-

I am a true lover of anthologies. Why? Because the short story fits so nicely into the crevices of my brain that need topping off in between waits at dentist offices and or that fifteen minute break.

Shirley has compiled a mess of colorful and shivering muses here in Black Butterflies, a definite must-have addition to your anthology collection.

Divided into two basic groupings, This World and That World, Shirley separates the more gritty, here-and-now stories (This World) from the more ethereal and imaginative stories (That World). If I looked at them as a whole, I would say I liked That World collection better, having a more modern, cyberpunk edge to it, but there are jewels in both worlds worth drawing your tongue across to savor their flavors.

Too many stories in all to mention, a few of my favorites would be these: "Barbara", about a robbery victim who turns the tides her way to gain her own revenge. "You Hear What Buddy And Ray Did", a brutal but remarkably silly story of drugs, a crazy drag queen, and robbery gone wrong. "What Would You Do For Love", a crazy romp with a real redneck bimbo and the level headed rescuer. "Delia And The Dinner Party", the best imaginary rabbit ever penned onto paper. "Pearldoll", hmmmm, zombie-ism or just plain old absorption? "How Deep The Taste Of Love", a sickening, alien type, cannibal type, gore fest not for the squeamish.

Shirley is talented with words, and is able to take a queasy tale of squishy, nasty things and inject just enough humor into it to make it go down sweet. His characters are never flat and horror in his tales range from mild shivers to a couple of downright convulsions.

Not as gory as Edward Lee, nor as creepy as Conrad Williams or Brian Lumley, Shirley still holds a firm footing that slides down that edge of insanity that us horror aficionados tend to travel nightly, whistling happy tunes as we read of death and destruction, despair and grief. Ah. Great Collection. I highly recommend it. Enjoy!

This collection isn't for the faint-of-heart, nor for the easily offended. John Shirley holds nothing back, and these stories are thoroughly chilling, sexually perverse, and from a world we don't really want to know. We meet characters we don't really want to know such as the title lady in the first story, "Barbara", a victim of a carjacking who in her weirdness takes over the situation and takes her carjackers into her own perverted world. Then there's the cop who suspects his partner has murdered his own wife. A subway trip during an earthquake. A probing into the psyches of slasher movie fans. A televangelist telecasting from one of the most satanic appearing rock cafes. An immortal slaughtering Earth's remaining population. These are stories to be taken one at a time. Maybe they're not all great, but you'll find several you won't forget.

This book deftly transcends genre in every conceivable way. A marvelous and diverse collection of stories from the man who brought you cyberpunk. --Thomas S. Roche is editor of the NOIROTICA series and co-editor of IN THE SHADOW OF THE GARGOYLE.

This is an incredible book. Without a doubt, original, intense, and scary. It's not horror, and it's not science fiction. Black Butterflies is unique. John Shirley is a vastly underrated postmodernist writer. Anyone who longs for something different should read his work. I did, and I enjoyed it all immensely.