24 of 26 people found the following review helpful:
5.0 out of 5 stars
As If a Reporter Were on the Scene, June 18, 2008
This review is from: The Black Death: A Personal History (Hardcover)
The Black Death continues to fascinate us, even though it took its great toll on Europe in the fourteenth century. There have been scores of books about it. One of the world's experts on the plague, John Hatcher, is a professor at the University of Cambridge. He has written a great deal about medieval history and about the Black Death in particular, but has taken a completely new method in _The Black Death: A Personal History_ (Da Capo Press). There are first person accounts of the plague in Boccaccio and Petrarch, and there are plenty of records about how the plague raged through Britain, but there isn't a comparable story-telling description for Britain. Until now, for Hatcher has written one. He has chosen the locale of Walsham le Willows, a Suffolk town that has many good records for the years of the plague, but he explains, "Even in the best documented of places, the sources surviving from the fourteenth century are silent, or severely deficient, on most of the issues that were central to the lives of the villagers. There are no diaries, reminiscences, or correspondence, and no accounts of what people believed or how they spent their days." He feels, however, that "... this does not mean that historians should give up and leave the telling of it to novelists, dramatists, and filmmakers."
The result is a book for which, Hatcher says, "I have had to invent situations and dialogue and employ techniques reminiscent of docudrama." He has had also to invent characters, such as Master John, the parish priest of Walsham. The result is not really a historical novel; there is little character development or plot. As befits the work of a historian, this is more of a history, as if there were a reporter there at the time to interview characters and describe what was going on. Much centers on the idea that God was punishing those other villages, but Master John taught that he would spare those in Walsham who showed that they deserved mercy by acts of confession and public and private abasement. There was no way to understand the disease except as a message and punishment from God, but as the illness worked its way into the land, there were many who questioned how God could be treating them in this way. Sinless infants fell to it, as did the devout, as did many a sincere priest. Also mystifying was that the great pestilence God had wrought for the sins of the people led to no improvement of their behavior or their lot in any social stratum. In Walsham, as in other areas, the death toll was around 50%, and the loss of population created economic and social chaos. Hatcher vividly describes the frustrations of the likes of the lordly master of Walsham's High Hall, who found that those who had toiled for the manor for centuries now discovered themselves a scarce resource so that they could demand high wages. The plague also raised the ire of the lords and the clergy when the survivors, widows, and widowers quickly took up new partners, often cohabiting without benefit of marriage. Such behavior was not only sinful, it robbed officials of marriage fees due to the manor.
Hatcher's experiment in telling a social history using fiction based on a historical foundation is a success. He has not only told about what the villagers were going through during the terror, but has cleverly called upon other sources to come in and give background information. For instance, Master John rides to the town of Bury St. Edmunds to speak at the abbey there with his friend the infirmarer, the medical authority for the monks. He thus gets an earful of how physicians at the time explained the disease, although they had no more effect against it than religious authorities. In another section, a carter regales the crowd at Alice Pye's alehouse with a description of the appearance and behavior of a procession of flagellants he has seen, come to London from across the channel to whip themselves bloody so that the plague would be cast out of the land. The details provided here give an unforgettable picture of a society thrown into chaos by microbes, and it is not too far a stretch to think that we might in our own way go through the same sorts of responses to the chaos when the new SARS or Ebola comes for us.
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11 of 15 people found the following review helpful:
2.0 out of 5 stars
Dreary, Tedious, September 25, 2008
This review is from: The Black Death: A Personal History (Hardcover)
Again I pay the price of failing to adequately preview a book before ordering it. I knew I was in trouble halfway through the preface, when the author explained the need to mix fact and fiction to add a "more vivid dimension" to the Black Death. He even describes the book as a "docudrama."
I couldn't take anymore after 150 pages. The writing is mediocre, the pacing is ponderous, repetition is rampant, and the "fiction" insipid and spiritless without a hint of "drama."
You learn some interesting things about the stifling predominance of Christianity and other aspects of everyday life in rural, medieval England, but that is little consolation for the sheer effort of forcing yourself to turn the page.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
The 14th Century comes to life, April 9, 2009
This review is from: The Black Death: A Personal History (Hardcover)
John Hatcher has taken us back to the horrendous bubonic plague of 1348-49 as if he possessed his own personal time machine. Working carefully with existing parish and town records for Walsham, in a rural area northeast of London, Hatcher brings the people of the English countryside of the 14th Century vividly to life.
Fictionalizing where necessary, but also utilizing the unusually detailed historic records for Walsham, Hatcher uses the selfless parish priest Master John as a human pivot around which his story turns. Master John works tirelessly day and night at his pastoral duties of hearing final confessions and conducting last rites as lords and ladies of the manor, merchants, townspeople, and peasants alike fall victim to the horrible Black Death which killed half the people of Walsham in a period of about two months in the spring of 1349, during its relentless march across most of Europe.
In the days after the plague has subsided in Walsham, Hatcher relates how the peasants who survived the Black Death begin to take advantage of their scarcity by demanding much higher wages to work in the landlords' fields. He also tells how the surviving lords and ladies, or their surviving heirs, struggle to force the peasants to work for the lower wages they had accepted before -- to return things to the way they used to be. But the Black Death caused societal changes that were never reversed.
Hatcher turns dead names from the 14th Century into real people in this unique history-cum-historic fiction work. It's well worth the read.
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