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Black Flower Hardcover – October 30, 2012


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Black Flower + Your Republic Is Calling You + I Have the Right to Destroy Myself (Harvest Original)
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Product Details

  • Hardcover: 320 pages
  • Publisher: Houghton Mifflin Harcourt; 1 edition (October 30, 2012)
  • Language: English
  • ISBN-10: 0547691130
  • ISBN-13: 978-0547691138
  • Product Dimensions: 9.1 x 5.9 x 1.2 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Best Sellers Rank: #1,591,162 in Books (See Top 100 in Books)

Editorial Reviews

Review

"Kim stumbled upon a little-known piece of history during a conversation on a trans-Pacific flight. This history was so fascinating, he wanted to base a novel on it. This is that novel. From the broad sweep of history to insightful and convincing individual instances of self-discovery, this book develops on many levels and shines a light on issues of gender, class, religious and racial conflicts, and the ways that disparate cultures clash and sometimes meld... Readers who remember the historical fiction of Thomas B. Costain, Zoe Oldenbourg and Anya Seton will appreciate the extensive research and empathic imagination that went into this novel."

Kirkus

 
"This sprawling epic novel dips heavily into the concurrent Mexican revolution and the treatment of the Mayans. Spare and beautiful, Kim's novel offers a look at the roots of the little-known tribulations of the Korean diaspora in Mexico."
—Publishers Weekly, boxed and starred review
 

"[Black Flower] shines light on how immigrants coped during a terrible historical moment."

Booklist

 

"Kim Young-ha takes a small moment of Korean history, when 1,033 Koreans embarked as contracted laborers in Mexico on April 4, 1905, and transforms this moment into a powerful, sweeping epic that resonates across continents and oceans, bridging East and West . . . Kim seamlessly weaves the history and the social structure of Mexico into the story of the Koreans, a story of exploitation and greed, while he also shows the resiliency and dignity of the Korean characters who adapt to the harsh conditions and cope as best they can . . . The scope and breadth of Kim Young-ha’s talent is evident on every page of this breathtaking novel . . . This novel engages, informs, and in a paraphrase of Kafka, breaks the frozen sea within us."

List Magazine

About the Author

YOUNG-HA KIM’s Black Flower won Korea's Dong-in Prize; his first novel, I Have the Right to Destroy Myself was highly acclaimed upon publication in the United States. He has earned a reputation as the most talented and prolific Korean writer of his generation, publishing five novels and three collections of short stories.


More About the Author

Born in 1968, Kim Young-ha kicked off his writing career with his first novel "I have the right to destroy myself", which won him the much-coveted Munhak-dongne prize in 1996. Since then, he has gained a reputation as the most talented and prolific Korean writer of his generation, publishing five novels and four collections of short stories.

Kim's novels and stories focus on articulating a new mode of sensitivity to life's thrills and horrors as experienced by Koreans in the ever-changing context of a modern, globalized culture. In his search for a literary style, as is often the case with internationally renowned post-modern novelists, Kim attempts to embark on exhilarating and provoking crossing of the boundaries of high and low genres of narratives. His historical novel "Black Flower" tells the story of the first generation of the Korean diaspora forced into slave labor in a Mexican plantation and later involved in a Pancho Villa-led military uprising in a style. Sources of inspiration for this novel came from classical "Bildungsroman", stories of sea trips as illustrated by the popular film Titanic, ethnography of religion, as well as Korean histories of exile and immigration. Another instance of Kim's fabulously mixed style is found in "The Empire of Light", his fourth novel, in which he raises the question of human identity in a democratic and consumerist Korean society by presenting a North Korean spy and his family in Seoul in the manner of a crime fiction combined with a truncated family saga and naturalist depiction of everyday life. The novel was published in the United States under a different title, "Your Republic Is Calling You" in 2010.

Each of Kim's novels has received acclaims from both critics and readers alike, and most have earned him major awards. In 2004--his "grand slam" year--he won three of the most prestigious literary prizes in Korea. With some 20 of his novels and stories being translated into more than 10 languages, he has begun to be recognized by critics overseas as well as in his country as representative of a literary breakthrough that occurred in the wake of democratization and post-industrialization in South Korea.

Kim began to earn his international recognition with a French translation of his first novel, "I have the right to destroy myself", which was published by Philippe Picquier in February 1998; the novel is set to be published in nine other languages, including English and German. A French version of "The Empire of Light" came out early in 2009 and gained favorable attention from such leading newspapers as Le Monde and Liberation.

As a young Korean master of storytelling, Kim is especially popular with Korean film directors, who have found in his works to be a repository of plots and characters that make for superb film-making. Two films have already been based on his fiction, and the cinematic adaptation of The Empire of Light is currently in progress. His latest novel, The Quiz Show, was also made into a musical in 2009.

Kim previously worked as a professor in the Drama School at Korean National University of Arts and on a regular basis hosted a book-themed radio program. In autumn 2008, he resigned all his jobs to devote himself exclusively to writing.

Currently a visiting scholar at Columbia University in the City of New York, he lives in New York City, USA.

http://kimyoungha.com

Customer Reviews

The translator and/or editor would adjust for this it seems.
Lee Armstrong
Though each character is distinguishable in his/her own general story and designation, none felt as though they had any real character.
Biblibio
I just wish that they writing would have been good enough for me to feel that the characters were real enough for me to care for them.
Linda Linguvic

Most Helpful Customer Reviews

8 of 9 people found the following review helpful By MussSyke TOP 1000 REVIEWERVINE VOICE on November 7, 2012
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
I was quickly engrossed in this book, and pleasantly surprised how easy it was to read for something that was translated - especially from Korean. I am very interested in and familiar with Korea to include no longer practiced customs and traditions, but there are still a few oddball comments scattered about that I don't understand. This somehow adds to the story rather than detracts, as it is easy for me to picture "old-timey" Koreans starring in this story; having to use the imagination now and then (and maybe even learn something) is not so bad.

It flows smoothly and reads quickly like a good novel. The reader follows various different storylines with overlapping characters and only in retrospect does one notice they've read a few chapters in history along the way: they were done so well as to barely notice.

This is really a great book and the perfect kind of book for me: easy to read and even addictive, and yet you feel like you're doing your brain a bit more justice by adding some culture and knowledge to your reading hour rather than just sitting through another dumb novel. And yet those bonuses do not have the cost of making you think too hard in your down time. It feels like time invested well rather than just spent. I like it enough that I will look further into this author.
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5 of 6 people found the following review helpful By Charles C. Montgomery on November 3, 2012
Format: Hardcover
History and literature have recorded multiple Korean diasporas, but partly due to its relatively small size (about 1,000 Koreans) the Korean diaspora in Mexico is relatively unknown. Kim Young-ha's Black Flower, well-translated by Charles LaShure, is an entertaining, and sometimes appalling look at this little-known event in Korean history. When the book was published in Korea it won the prestigious Dong-in Literary Award.

The book's history is rather cut-and-dried (a kind of horticultural joke, as you will see). In 1905 Koreans first arrived in Yucatan where they were used as labor to harvest henequen, a member of the agave plant which has a circular arrangement of leaves which are covered in sharp teeth and conclude in an equally sharp spine.

The Koreans had been rather spectacularly lied to in recruitment, with one advertisement stating:

"Located near the United States of America, Mexico is a civilized and rich country. It has warm weather, clean water and fertile soil. The world knows it is a place where no diseases exist. In Mexico there are many wealthy people, but few poor people, so it is very difficult to find laborers. Like many Japanese and Chinese who went to Mexico and profited a lot last year, Chosun (Korean) people too will benefit much when go there ...
1. Farmers will have free access to medicine. 1. You will work 9 hours a day and will be paid from a minimum 2 Won 60 Jun up to 6 Won ...
History of Korean Immigrants in Mexico pp.72-74; quote translated by Pyo, Jun Beom Korean Minjok Leadership Academy - International Program. [...]
Kim heard of this story only through the most attenuated thread of international conversation.
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2 of 2 people found the following review helpful By Bobby D. on March 12, 2013
Format: Hardcover Verified Purchase
This novel relates a little known true story that in 1905 some 1,000 plus Koreans boarded a British ship and sailed from Korea to Mexico ending up not in the new utopia they expected but instead being sold into four years of indentured servitude as field hands. They arrived in the Yucatan and were separated into groups sent to various large haciendas harvesting henequen (which was used to make robe). The journey and destination was both ugly and depressing as they left behind a Korea that had ceased to exist as it had been annexed by Japan. It was my interest in learning more about this history that drew me to choose this book.

The publisher in part is also marketing the book in part as "...an epic story of star-crossed love..." It is true that the book does have two young characters that meet ship board and a small part of the story follows their fate and separation. But this is not in any way a love story. The book is mainly a history lesson. Its multiple characters are interesting but lightly drawn and only provide the reader with a cross section of the 1,000 plus passengers. They are mainly a plot device in service to tell the history rather than their own stories. It is a question of emphasis. In my view the book is written as if it is non-fiction and has no real plot beyond the actual history of events. I did love the epilogue that brings the characters fate up to date but the novel has a lot of weaknesses that distract from a rave on my part. Mine is a guarded recommendation.

The biggest weakness is the writing style or maybe it is with the English translation from Korean. The book in the original Korean did win Korea's Dong-in Prize. The style when translated into English is a very simple journalistic offering of the facts and characters' actions.
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2 of 2 people found the following review helpful By Anne M. Hunter VINE VOICE on October 21, 2012
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
In 1905 a single ship of over 1000 Koreans from all walks of life
from slaves to royalty set out for Mexico. Korea was in the process
of being absorbed into the Japanese empire, so that there was enormous
dislocation and change. The author tells us the stories of dozens
of these people: what led them to sign up to go to Mexico, what happened
to them on the long and difficult trip, and their lives after they
reached Mexico and became brutalized laborers on Yucatecan henequen haciendas.

There are former soldiers, a minor royal family, a former Korean
Catholic priest, a shaman, an orphan, thieves, and many others whose
stories we learn as we come to understand about Korean and Mexico in
the first decades of the twentieth century. The stories are vivid,
physical, painful, and beautiful. We learn about some of the hacienda
owners and those fighting to control Mexico, as well.

Anyone interested in an historical novel set in these places should find
this book absorbing. The translation seems to flow, especially once
the ship sets off. The intermingled stories worked well for me, and
the second half of the book roared along at breakneck speed, leaving me
wanting to know even more about what became of these wanderers.
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