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  • Black Holes and Revelations [Vinyl]
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Black Holes and Revelations [Vinyl]


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Vinyl, August 18, 2009
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Frequently Bought Together

Black Holes and Revelations [Vinyl] + The Resistance + Absolution
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Product Details

  • Vinyl (August 18, 2009)
  • Original Release Date: 2009
  • Number of Discs: 1
  • Label: Warner Bros / Wea
  • ASIN: B000G03S94
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (304 customer reviews)
  • Amazon Best Sellers Rank: #3,894 in Music (See Top 100 in Music)

1. Take a Bow
2. Starlight
3. Supermassive Black Hole
4. Map of the Problematique
5. Soldier's Poem
6. Invincible
7. Assassin
8. Exo-Politics
9. City of Delusion
10. Hoodoo
11. Knights of Cydonia

Editorial Reviews

Limited Edition vinyl LP pressing of the 2006 release by this British rock trio, who finally achieved international stardom with their 2003 album, Absolution. 11 tracks including the single 'Supermassive Black Hole'. WEA.

Customer Reviews

Very good song.
ClydeNut
It means Muse is a great band who are creating some of the freshest and adventurous rock music out there today.
Steven Sly
Recommended for fans of Muse and anyone who really wants to be rocked!
Cale E. Reneau

Most Helpful Customer Reviews

154 of 161 people found the following review helpful By Mr D. on July 20, 2006
Format: Audio CD
If you are wondering if Muse's fourth studio album - Black Holes and Revelations is good, let me assure you, it is not only good, it's bloody well GREAT.

I thank my son for turning me on to Muse. Honestly, they are about the only thing musically that we have agreed upon recently. We used to have some common likes in the nineties but both traveled different roads in Y2K, he going the Hip Hop route and I heading to Europe for a dose of Femme and Symphonic Metal.

Muse of course, is neither, although they are European (UK). In the case of Black Holes and Revelations, their music is so wildly varied it defies labeling. From the angelic, harpy sounding, bombastic lead song - "Take a Bow," to the catchy rock song with piano and a strong beat - "Starlight," to the funky bass driven sound and high pitched falsetto vocal of Matt Bellamy - "Supermassive Black Hole," one might suspect they were listening to three separate bands.

Following songs like the complex, involved - "Map of the Problematique," the short but sweet slow ballad - "Soldier's Poem," the spacey Floydish slow paced, building toward a crescendo - "Invincible," to the speedy guitar driven - "Assassin," would only reinforce the feeling of different bands playing different music but sharing the same lead singer.

"Exo-Politics," a medium speed, percussion led rock number, is followed by the wonderfully complex flamenco sounding, "City of Delusion." The flamenco influence continues in, "Hoodoo," but is interrupted by a strong classical and operatic intrusion of piano and vocals. The last song, "Knights of Cydonia," is a kaleidoscope of interesting sounds and Queenesque vocal harmonies, set to a galloping beat. It is close, but this gets my vote for best song.

Song Track List

1.
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38 of 38 people found the following review helpful By Jeff Hodges on December 19, 2006
Format: Audio CD
It's always a troubling issue when your "new favorite band" changes their sound. However, this issue is much less troubling than the potential release of carbon copy work based on the tunes that initially endeared them to you. Whether a band can navigate this delicate issue is a testament to their talent and vision. For example, Oasis was never able to recover from the sonic delicatessen that was "What's the Story, Morning Glory?" and despite the greatness of that album, their fame ended up being of the infamous "fifteen-minute" variety. On "Black Holes and Revelations," Muse's made a decisive yet subtle sonic shift, and one that is not as pervasive as some critics would have you think.

Thanks to reviews, I had mentally prepared myself for this possible shift in Muse's sound long before I bought the album. I expected the worst, but in the end, "Black Holes and Revelations" hardly turned out to be the major change of direction that some critics have made it out to be. Admittedly, there is a little more use of the "studio as an instrument," which challenges the "liveness" of the album. "Black Holes" prominently features trumpets, orchestras, and drum machines that confront my visualization of Muse's ability to reproduce these songs in a "power trio" format.

However, this initially unfounded criticism quickly gave way to the indisputable fact of the raw talent and vision of Muse as a whole. The songs on "Black Holes and Revelations" exude the same raw intensity and passion that "Absolution" exhibited. While there is a little more "studio" window dressing, the voices of the musicians in the group are strong and confident.
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55 of 62 people found the following review helpful By E. A Solinas HALL OF FAMETOP 500 REVIEWERVINE VOICE on July 19, 2006
Format: Audio CD
Muse broke out internationally with their stellar third album "Absolution," after two albums of just-as-good-but-not-well-known work.

Now they've returned with "Black Holes and Revelations," a simmering symphonic rock tapestry that expands their sound into darker territory. It's also more electronic in nature, but the core of the band still lies in their magnificent, haunting rock'n'roll and classical arrangements.

It opens with a rippling keyboard melody, which blooms out into a soaring guitar melody and lots of blippy electronica. That feeling only grows as Matthew Bellamy starts to sing of death, damnation, and corruption. "You behold/And beholden for all that you've done/And spin/Cast a spell/Cast a spell on the country you run/And risk/You will risk/You will risk all their lives and their souls..." Political? Sounds like it.

Muse heads towards more pleasant territory in the bittersweet, yearning "Starlight," as well as soft mournful balladry, and wistful pop that blossoms out into spare, sizzling electro-rock. Bellamy shows the beauty in the bleakness when he sings, "During the struggle/They will pull us down... Let's use this chance/To turn things around/And tonight/We can truly say/Together we're invincible."

But the heart of Muse is still in rock'n'roll, like Led Zeppelin fronted by Beethoven. They still specialize in walls of embroidered sound, like elaborate rock tapestries. They play symphonic rock that sweeps all over the board, explosive bass-laden rockers, and fast-paced violin rock that ends with a whisper.

Muse hasn't abandoned their sound in order to go mainstream, even after making it big on this side of the pond.
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The Essence of Muse
What's wrong with saying "Together we're invincible"? It seems uplifting and inspiring to me, something that I think we need in this world today. In case you haven't noticed, we have a few problems going on, and I think unity in strength and togetherness might just save us all. And no,... Read More
Sep 12, 2007 by Kristy |  See all 5 posts
The DVD Contents are
Yes the DVD version is definitely worth the extra 10 bucks! You get to see a live show in which Muse is truly amazing live!!!
Go here if you want to see the video for Knights of Cydonia! It is pretty freakin... Read More
Aug 14, 2006 by W. Gamble |  See all 4 posts
The beauty of Muse
...I'd recommend their second albu Origin of Symetry...which in my opinion has a much more impressive and powerful sound...but of course it's just an opinion...
Apr 1, 2008 by OMNIGOSS |  See all 2 posts
Muse fills black hole in US with Revelation
Muse is, without any dought, the best band in the world at the moment! This album is fantastic! It's hard to find a band that keeps growing on there previouse albuns, always geting better, always evolving. The question is, where are they going? The answer is, I don't realy care, because I'm going... Read More
Jun 17, 2006 by Paulo Abreu |  See all 2 posts
Anyone else hear digital distortion?
I think it's intentional. They are trying to convey messiness without being messy. Given the tone of the song I think they are adding some sloppiness. It's just an effects that adds up to the whole thing. if u try to listen even more carefully it's like orchestrated distortion it's not at random.
Nov 13, 2007 by K. Leka |  See all 3 posts
Great albums with the first song being by far the worst Be the first to reply
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