Customer Reviews

Black Light [Amazon Exclusive]

5 star:		(18)
4 star:		(4)
3 star:		(1)
2 star:		(2)
1 star:		(4)

 

 

I must admit that I am a recent convert to Groove Armada, but nonetheless I am smitten with GA's infectious sounds. This new album is about 90% + sonically on the money with many nods to Disco and New Wave classics. I will hit a few of the highlights (in no particular order):

1) HISTORY (Featuring Will Young) - A delicious tune that reminds me of Jimmy Sommerville meets Sylvester meets Erasure meets Moby. Totally danceable, a gorgeous throwback to the best of the late 70's and early 80's. Easily one of the best new songs on this fine disc.

2) SHAMELESS (Featuring Bryan Ferry) - One of the best Bryan Ferry tunes I have heard in many years, and instant classic. From the cool French intro to the smooth synthesizers, this tune captures that haunting quality that has always made Bryan Ferry & Roxy Music but somehow transcends albums like Mamouna and Bette Noir. This is definitely music for a smoke filled night at a chic Euro club, very sensual and memorable. I would love to know who played in the studio for this track - five stars.

3) LOOK ME IN EYE THE SISTER (Featuring Jess Larabee) - Without question a successful homage to rocker Chrissie Hynde and The Pretenders, an 80's groove yes...but with plenty of richness and "phat" as one other reviewer said. I liked this a lot.

4) PAPER ROMANCE (Featuring Fenech Soler and SaintSavior) - Harder to peg the influences here but certainly has elements of the best of Depeche Mode with a big dose of Sharpe and Numan from the 80's track "Change Your Mind."

5) TIME AND SPACE (Featuring SaintSavior and Jess Larabee) - One of the most powerful tracks on the album, with some hot vocals layered on top of a mixture of lush Alan Parsons Project riffs and trance electronica. Five stars.

6) FALL SILENT (Featuring Nick Littlemore) - This one feels more late 80's, with a tinge of The Human League and a sustained build up. Some pretty amazing vocals too make this one a treat.

7) JUST FOR TONIGHT (Featuring Jess Larabee)- An entirely different mood here - A creative and mood altering sound, with guitars and synthesizers. The vocals by Jess Larabee are superb.

Overall I think Groove Armada is at the absolute height of their many talents. This one is a keeper - great on first listen, and gets even better on the 2nd and 3rd take. There are a few duds, but this disc is pure genius.

Groove Armada follow up 2007's groovy hip Hop/Dub-inflected Dance CD "Soundboy Rock" with "Black Light". Out go big-voiced soul divas like Candi Staton and Angie Stone (who loaned their voices to a few tracks) and in comes a poppier guitar, more Eurodisco sound. Both albums could have been recorded by different groups.

With no instrumentals or ballads (like Soundboy Rock's "Save my soul", "What's your version" or "From the rooftops"), the mood is sunny and upbeat.

Opening is the guitar driven Alt Rock/Pop "Look me in the eye sister", followed by the droning falsetto-sung "Fall silent" with Nick Littlemore from Empire Of The Sun who also appears on the anthemic "Not forgotten" (with a snarling performance this time), the buzzing "Cards to your heart" (with spoken/sung lyrics), and on the Prodigy-style "Warsaw" with additional vocals by Saintsaviour.

"Just for tonight" is a charming Indie Pop ditty with jangly guitars and strings, while "I won't kneel" has a chorus that sounds like ABBA (vocals by Saintsaviour).

The clubbier numbers start from midway into the album; the electrifying "Paper romance", the outstanding "Shameless" (with some spoken French and crooned aching vocals by Bryan Ferry), "Time and space" (with swirling effects), and the closing hypnotic "History" with Will Young turning in a Jimmy Sommerville-style robotic falsetto to a slutty Disco backdrop. Awesome!

I like the sonic diversity on this album and though different from its predecessor, it is every bit as rich and good.

If the first three months of 2010 are any indication of how amazing this year in music is going to be, the world is in for one wild ride. At the current helm of this ultimate control, is the UK's Tom Findley and Andy Cato, aka Groove Armada.

On the duo's 6th full-length album release, Black Light (2010, OM Records), it would be a euphemism to say that the previous borders and confinements of genre and sonic exploration were expanded upon. It's difficult to describe the jolt of excitement that curses through the listener's veins once injected with a delightful and foreign substance such as that found within said topic of discussion, and it would not be incorrect to assume that every individual involved in the recording of Black Light was assuredly feeling the electricity all the way through the creative process.

As soon as the album gets underway the excitement engulfs the listener. The first strong female presence appears 4 tracks in, on "I Won't Kneel" (see video below), featuring London's SaintSaviour, who can confidently boast having shared a stage with Duran Duran and revered inspirations such as Candi Staton, Buffy Sainte-Marie and Carleen Anderson. SaintSaviour's soulful and spirited vocals lay down not only a solid base but also come across with a twinkle, that for lack of a better analogy, is reminiscent of Kirsty Hawkshaw's stunning vocal offerings on BT's classic trance album, Movement In Still Life (1999, Black Hole Recordings). Mature and masterful production provides the perfect environment for SaintSaviour's vocals to truly stand out and take hold of the listener's soul.

Jessica Larrabee (She Keeps Bees) is another fantastic reason to check out Black Light in 2010. Her smoke and molasses introduction on "Look Me In The Eye" sees her lusty vocals resonate within a rock-hard aural density that perfectly blends guitars, electronic stabs, swells and quells with an indie vibe and harmonious synths that swirl into perfectly-compressed midrange; completely filling the spectrum of sound and leaving no sonic stone unturned in this auditory crusade, frontiered by none other than Groove Armada.

"Paper Romance" will undoubtedly be a single that you'll hear at some point throughout your social outings in 2010, mixing dark and gritty house elements with those of classical and pop music into an electronically-driven instant favourite! SaintSaviour's supporting vocals exhibit an air of innocence that is masked in sophistication and leaves the ear slightly parched -thirsting for more.

The two fantastic female contributors connect as one on "Time & Space", which is literally *the* song we've been waiting to hear ALL year! Not only is this the funkiest track on the album, but it seems to take the best parts of The Juan MacLean, Gossip, Justice, Smokey Robinson, Donna Summer, and of course...Groove Armada, and rolls it all into one! Diva house + acid techno + electro + pop + ambient = Black Light

As most albums come to a close, many listeners either fade out or never quite make it there. To slack after the 7th inning here should be an arrestable offense! The final offering, "Just For Tonight", is a bright and happy, progressive & rockin' track that single-handedly bridges the gap of where pop ambient electronica and Americana come together as one, with all respect for singer-songwriters, producers, dj's and most importantly, the listeners.

Not only is this a strong and unexpected ending, but knowing that there are individuals out there in the world that feel strongly enough about their passion to pioneer ahead, confirming that innovation is not lost amidst advancements in technology and one-size-fits all mentalities. All the more fitting that this album is released in the US on OM Records (San Francisco), home to releases from artists such as Colette, Mark Farina, Samantha James, Bassnectar, King Kooba, Pete Tong and Sarah Main and Zion I & The Grouch. Check out a more complete discography, dating back to 1995, here.

"Infectious and starry-eyed--perfect for getting your dance on under the black light!" -Brian Ball, Music Editor, WomensRadio

The album kicks off with "Look Me in the Eye Sister," and the Armada proves it still has a right to the groove, with exactly the sort of deep, propulsive rhythm we would expect for a show-opener. The song works itself into a climax, where you can just imagine the spotlights kicking on and blinding you with their intensity. It's a good feeling. For many of the rest of the songs on the album, the group seems to be looking for that same high, "I Won't Kneel" or the soulful "Time & Space". Andy Cato and Tom Findlay bring in the lesser-known Fenech Soler, SaintSaviour, Jessica Larrabee, and Will Young to provide further vocals, and all the artists involved seem ready to commit just enough of themselves to the project to make it wonderful. Really nice Bryan Ferry on vocals in the song Shameless. My favorite song of the album is "Cards To Your Heart" (feat. Nick Littlemore) where denotes a respected influence (very delicious) to early Human League.

The album is a perfect blend of sounds very well assembled and produced, in a distance where marked with the previous work, but in the end it, between the layers of sound, we can find the pure sound of GROOVE ARMADA.

Black Light is nostalgia, pure and simple. Throwing away the big beat stylings and dance funk tendencies prevalent in their earlier works, what's given to us this time is a tribute to the 80's. Replete with synth pop melodies and electromagnetic qualities, this isn't an album designed to move and rock you, instead it lulls you into a hypnotic trance, and rolls over you in waves of euphoria. Every song on offer has been designed to soothe and relax, to almost raise the hairs on the back of your neck as opposed to making you tap your feet. It's immaculately structured, with each song accompanying and complimenting each other remarkably well.

Black Light is different, it's assembled perfectly and executed just as well. While there isn't a major peak to climb while listening the album moves along as if it has a sense of purpose, pushing you forward to it's inevitable outcome.

Groove Armada is always in my heart to recreate special moments in my life since the first time that I heard. Great work guys. They did it again very good and very nice."

Andy Cato & Tom Findlay have an amazing talent, these guys have incredible talent to make us feel through the musical work that we are alive, we're still happy after all.

Let's dance slowly FOREVERRR!!!

Special release (Japan Edition) including: two bonus tracks "Not Forgotten" (Loose Joint Mix) & "Shameless" (Alternative Mix) and the famous obi strip, a higher extended audio quality and a small lyrics booklet on the inner side of the information sheet of the disc.

Like a fine wine, it seems that the Armada keep on getting better and better.
The most striking thing here is about face of musical direction. Gone are the big beat breaks and alt-dance-funk riddems that populated earlier outings.
It's all about the 80s here - from synth-pop symphonies to electromagnetic philharmonic full phat milk : kind of dirty, yet sugar sexy.
Their sixth studio album certainly embraces riffing but, rather than guitars, very Eighties-sounding synthesizers provide the oomph.
With two greatest hits albums in the last five years, and the musical stagnation that was "Soundboy Rock", Groove Armada were fast becoming yet another great British dance outfit to run out of ideas. As Andy Catto admits: "We could've knocked out an album of reggae-influenced house bangers and a couple of chill-out tunes, and that would've been a much easier life, but we needed a new challenge. Neither of us was interested in just repeating ourselves".
Andy Cato and Tom Findlay came under the spell of old heroes Fleetwood Mac and Roxy Music for the making of "Black Light".
The duo got hooked on Roxy's "Love Is the Drug' during recording and sure enough a performance from Bryan Ferry materialised on moody electro-ballad "Shameless".
These nostalgic homages are well judged and expertly crafted, sounding like a genuinely modern update of the best of the era.
With "Black Light" Cato and Findley have firmly re-established themselves as the best of the bassline best.
Overall their concern is disco, but the overlap with sumptuous rock makes this release interesting.
"The result is a mixed bag, including some real stinkers, but the pair manage to rustle up just enough bombastic electro-pop, including a sharp turn from Bryan Ferry on Shameless, to carry the day. - The Guardian

The Best Of
Soundboy Rock
Yeah Ghost
Love 2

I LOVE this album. It hits all of the right notes, for me. It feels like someone unearthed a time capsule of lost late-70's and early-80's hits that never were, and gave them a new modern finish. Everything about this album is a throwback, from the beats to the melodies, and it is just so upbeat. The songs on this album inspire me to imagine that there exists an alternate dimension where it is still 1980 and a never-ending dance party is underway. This is the music of that dance party.

I didn'e expect much from this Cd. I am familiar with Armada's work, but never got into their music. Yes, a few tracks here in there caught my attention over the years, but nothing prepeared me to such a slick production like "Black Light" is. Thank god for Slacker radio where I first heard "paper romance" and got hooked.

This is hands down, the best dance-pop Cd of the year. It is whatever you hoped for from "empire of the sun" and never got delivered. There are no stinkers in it, only good songs and great ones. The production is top of the line, these guys know what they are doing. I guess working over 15 years in this business counts for something.

Don't listen to the bad reviews (but only if you are a fan of such music) and don't hesitate, just go for it. If you are child of the 80's This cd will put a smile on your face from the first track. Imagine you have a pack of eleven candies, each one a different flavor, but they all taste sweet.

Because it is easily enjoyable from start to end. I purchased this CD and put everything else that i bought on Hold. This Cd grabs your attention and maintains it.

If you like the 80s feel mixed with synthesizers and melodic beats and nice a rock kind of a feel to it then you'll like this CD. What a strange but unique feel and mixture this CD has compared to todays modern pop music with Lady Gaga type dirty and sexual lyrics and traditional house 4/4 beats in the electronic scene.

A truly refreshing Cd and is easily one of the better CD's in 2010 so far.

A must buy whether you like Groove Armada's new stuff, old stuff, or even if you just discovered them through youtube. Everyone can enjoy this CD.

My favorites in no particular order
-------------------------------------------
Time and Space
Paper Romance
Warsaw
Look Me in the Eye sister
History
Cards to your heart

This album is great and really pushes the envelope of what is being done right now. It's hard to find something original and this album is definitely a find.

you can see by the the reviews you either love it or hate it. This isn't a review about how I love it, that's obvious already. This is a review about how Groove Armada has evolved to be on the cutting edge of electronic music/downtempo to the point that they are reinventing it now.

I was so disappointed by Soundboy Rock I thought they'd lost it after I started seeing best of albums appear, but Black Light blew me away and now they're back with a vengeance. To describe Black Light is to explain your favorite album ever. You know the one you first heard that was so strange at first, but after a while it grew on you so much over time it became your go to music when whenever you started shuffling your ipod or media server?! That's Black Light, and I'm sure you're guaranteed to start hearing their music not just for the next 6 months, but for the next 3 years wherever you go (movies, radio, spotify, friend's media servers, etc...)

The strangest thing about this album is that Bryan Ferry is being heavily advertised by websites for being on this album, but the song really isn't all that good compared the rest of the album. Just a heads up.

In a world full of electronic music that goes in one ear and out the other and music that never can quite cut it for more than a few months on your new iPhone/iPod, this album is definitely not going to be deleted from drive again. The only thing I can hope is that Groove Armada can surpass this with their future music works.