Madelyn Jablon begins with a historical overview of theories of metafiction by scholars who specialize in African American literature and Anglo-American literature. She situates metafiction within African American literary history, tracing it from slave narratives to a discussion of ten contemporary novels, including Alice Walker's The Temple of My Familiar, Leon Forrest's Divine Days, Walter Mosley's Black Betty, Charles Johnson's Middle Passage, Rita Dove's Through the Ivory Gate, Arthur Flowers' Another Good Loving Blues, Ernest Gaines' A Lesson Before Dying, Toni Morrison's Tar Baby, Octavia Butler's Parable of the Sower, and Charlotte Watson Sherman's One Dark Body. Among the topics Jablon addresses are the Knstlerroman and the blues hero; the thematization of art; voice, metanarrative, and the oral tradition; and genres of metafiction.
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Book Description
Black Metafiction examines the tradition of self-consciousness in African American literature. It points to the shortcomings of theories of metafiction founded on studies of Anglo-American literature. While some literary critics situate metafiction within the domain of postmodernism, others regard it to be as old as storytelling itself. Scholars of African American literature acknowledge it to be a distinguishing feature. Critics such as Henry Louis Gates, Jr., and Houston A. Baker, Jr., perceive it as fundamental to the aesthetics of the black vernacular. Black Metafiction analyzes and evaluates these theories, comparing work by scholars of comparative, Anglo-American, and African American literature. Jablon's study leads to her revision of established theories and provides a model for the evaluation and reformulation of other Eurocentric theories.
--This text refers to the
Paperback
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Editorial Reviews
Review
"Black Metafiction is an outstanding contribution to African American studies and cultural studies, and is splendidly written." -- Common Knowledge
"Here the critic offers brilliant analyses of the full range of black innovators too often overlooked by scholars of African American fiction, but her greatest contribution is in showing how white postmodernism has excluded them as well, failing to note how supposedly failed, rejected, or abandoned agendas for metafiction are actually being fulfilled by Reed, Major, and others." -- American Literary Scholarship
"This excellent, cogent, erudite book has profound implications for narratology, African American literature, popular fiction', and metafiction." -- Choice --This text refers to the Paperback edition.
"Here the critic offers brilliant analyses of the full range of black innovators too often overlooked by scholars of African American fiction, but her greatest contribution is in showing how white postmodernism has excluded them as well, failing to note how supposedly failed, rejected, or abandoned agendas for metafiction are actually being fulfilled by Reed, Major, and others." -- American Literary Scholarship
"This excellent, cogent, erudite book has profound implications for narratology, African American literature, popular fiction', and metafiction." -- Choice --This text refers to the Paperback edition.
About the Author
Madelyn Jablon is an independent scholar living in Philadelphia.
--This text refers to the
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