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Black Radio

February 28, 2012

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Product Details

  • Original Release Date: February 24, 2012
  • Release Date: February 24, 2012
  • Label: Blue Note Records
  • Copyright: (C) 2012 Blue Note Records
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:05:10
  • Genres:
  • ASIN: B0075PYG1M
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (204 customer reviews)
  • Amazon Best Sellers Rank: #16,428 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

This album is definitely one of my favorites.
Jbeast
Glasper works with some well respected Hip-Hop and R&B artist to create a very fresh jazz infused music experience, that truly captivates the music soul.
A_Designer
Definately one you can ride to and/or relax on a sunday and listen to.
Diesel1906

Most Helpful Customer Reviews

42 of 46 people found the following review helpful By Capital K on March 3, 2012
Format: MP3 Music Verified Purchase
Jazz for the new millennium - excellently done! Someone here said their mother was 55 and didn't think the drumbeats appropriate for jazz. Well I'm 56 and I think everything about this cd is slammin! It harkens back to the progressive jazz days when guys like Lonnie Listen Smith, Roy Ayers, and George Duke were doing some amazing things. There's always been a dispute between jazz purists and jazz progressives. Miles Davis made a progressive album (Man With The Horn) and you would've thought the universe had turned upside down. Good music is good music, and this cd is some seriously good music.
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34 of 38 people found the following review helpful By LuKasAV6 on February 28, 2012
Format: Audio CD Verified Purchase
There was wonderful renaissance of neo-soul music that peaked in the 90s and was a wonderful soundtrack for the lives of urban contemporary music lovers. Robert Glasper is undoubtedly and purely inspired by the music of that era. A hybrid of soft jazz, hip-hop, and R&B, Black Radio is the soul music lover's 'Hearts of Space' odyssey. It is the F.M. dial to beautiful music that I could not recommend more highly.

He has drawn in some of the most respected musicians (Lalah Hathaway, Lupe Fiasco, Erykah Badu, Ledisi, Bilal to name a few) to contribute their talents to what will be one of my favorite albums this year. I hate to highlight any songs in particular because the entire album is consistently wonderful from beginning to end - so I won't.

It's intriguing that two of my favorite musicians, Robert Glasper and Esperanza Spalding, are releasing CDs this year with the word 'radio' in the albums' titles. (Esperanza's CD is entitled 'Radio Music Society'). With so much music becoming popular based on spectacle and ridiculous antics (as he touches upon at the end of "Gonna Be Alright"), it's refreshing and reassuring that artists like these are keeping the focus on musicianship. Black Radio is Robert Glasper at his best!
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33 of 37 people found the following review helpful By Q. Pair on February 28, 2012
Format: Audio CD
I've always had an admiration of artists who attempt to cross the boundaries of their genre and venture out of their comfort zone to indulge in something new and exciting, not only for them but for their audience as well. This admiration is punctuated by the fact that not everyone who does this is successful at it. In fact, in my experience I've seen more failures and mediocre offerings then I have anything else (see The Hip Hop Violinist [Explicit]). That being said, Robert Glasper's Black Radio has definitely taken its place among the ranks of high quality music.

Being new to Robert Glasper, I admit that I was drawn in by the promise of the plethora of guest appearances by familiar faces, such as Musiq Soul Child, Lela Hathaway, Lupe Fiasco, Yassin Bey (aka Mos Def), Erykah Badu, Ledisi, and Bilal. Fortunately, I found that Glasper's ability to tastefully spread out the various talents found on this project is worthy of praise. With twelve different guest artists on an album, it can easily start to feel crowded like there's too much going on at once. Instead, what we're given as the final product is a euphoric blend of Jazz, Neo-Soul and Hip Hop that I can cool out to in the car with my speakers up, or vibe to at a live performance.

Each song seemed to be tailored (and most likely was) to the individual artists that appeared on them, but still making it very clear in its sound that this was Robert Glasper's album, not a compilation of sounds taken from different places. The integrity of Glasper's work is never compromised of overshadowed by any of the guest artists, only accentuated by energy their voices bring to each track. From beginning to end, it feels like listening to a live set that you don't want to leave your seat for.
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9 of 10 people found the following review helpful By TJL on February 28, 2012
Format: MP3 Music
I received a review copy of this album a while ago, and have been highly recommending it ever since!

Robert Glasper is one of those rare musicians with the uncanny ability to see beyond what has been done and get straight to the heart of what is possible. He was once described as "one of the most promising Jazz pianists for a generation", and this album sees him enter a class of his own!

'Black Radio' represents a "a true crossover record", as Glasper himself put it. It's an amalgam of all the Jazz, Gospel, Soul, and Hip Hop traditions Glasper was raised in. With his Experiment band Casey Benjamin (Sax), Derrick Hodge (Bass), and Chris Dave (Drums), Glasper's `Black Radio' represents a clear progression from his fragmented 2009 offering `Double Booked', which saw half an album dedicated to Jazz and half to Hip Hop. These half-hearted attempts to incorporate Hip Hop into his music appear to be a thing of the past as he embraces all of his influences for his third Blue Note offering, which is sure to serve as an example of how Jazz/Hip Hop crossover should be done.

Glasper and his cohort are individuals pigeon-holed as `Jazz Musicians' that have now proven their reach beyond that or any other Genre. Tasteful isn't a word that can be used to describe many cross-over albums, but it is perfect in this case. Concessions are made in all the right places to ensure that perceptions and expectations are thrown out of the window in favor of the only thing that matters - The quality of The Music.

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