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Black Rain
 
 

Black Rain

Black RainAudio CD
4.7 out of 5 stars  See all reviews (21 customer reviews)


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Formats

Amazon Price New from Used from
Audio CD, Import, Soundtrack, 1995 $14.62  
Audio CD, 1989 --  
Vinyl, 1989 --  
Audio Cassette, 1989 --  

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Product Details

  • Audio CD (October 3, 1989)
  • Number of Discs: 1
  • Label: Atlantic / Wea
  • ASIN: B00000DP7B
  • Also Available in: Audio CD  |  Audio Cassette  |  Vinyl
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Best Sellers Rank: #286,756 in Music (See Top 100 in Music)

 
1. Livin' on the Edge of the Night
2. The Way You Do the Things You Do
3. Back to Life [Jam on the Groove Mix]
4. Laserman
5. Singing in the Shower
6. I'll Be Holding On
7. Black Rain Suite: Sato
8. Black Rain Suite: Charlie Loses His Head
9. Black Rain Suite: Sugal
10. Black Rain Suite: Nick and Masa

 

Customer Reviews

21 Reviews
5 star:
 (15)
4 star:
 (5)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (21 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

11 of 11 people found the following review helpful:
5.0 out of 5 stars Zimmer's First Action Score, November 26, 2000
By 
Ben Riddle (Cuyahoga Falls, OH USA) - See all my reviews
(REAL NAME)   
This review is from: Black Rain (Audio CD)
My choice of title for this review comes from the fact that "Black Rain", evidently is the first major action movie scored by Hans Zimmer. Here is a quote from Daniel Schweiger, who wrote most of the liner notes for the "Broken Arrow" soundtrack CD (also composed by Zimmer), "Zimmer's work on A World Apart called him to the attention of director Barry Levinson, who offered the composer "Rain Man". Since then Zimmer has scored such diverse films as "A League of Their Own", "Driving Miss Daisy", "Beyond Rangoon" and the Oscar-winning "Lion King". But perhaps none of his music had the effect of "Black Rain", a soundtrack that combined Japanese rhythms with percussive computers and lush melodies."

The sound of Black Rain is, to use Schweiger's words again, "caught somewhere between the electronic and symphonic worlds." This becomes apparent when you listen to the suite at the end of the disc, which is a combination of the score's main themes.

But I can't do a review of this one without talking about the songs. They're just great! Almost all of them are used in the night club scenes except for "I'll Be Holdin' On"; this version is played at the end of the film.

Only Hans Zimmer could have scored this movie; so suspenseful is it.

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4 of 4 people found the following review helpful:
5.0 out of 5 stars 'New York is one big gray area', July 29, 2004
This review is from: Black Rain (Audio CD)
This is a solid disc for fans of Ridley Scott's tough, violent, and cynical 1989 cop thriller, Black Rain.

The film has a lot of appeal: a major star, great support, lots and lots of style (Scott, of course), an intriguing story, action, etc, etc. It also has a pretty good Hans Zimmer score, combining some contemplative, Japanese flare with a few pounding, electronic elements, and a very good theme.

This disc mostly features the songs in the film. If you're a soundtrack addict, and you love tracking down random songs from films you love, this is a great disc. Shame it's out of print in the US, though it's a fairly priced import (about the same cost of a regular disc at retail in America now).

Greg Allman's song I'll Be Holding On differs here from the version in the opening credits, but it's still a decent tune, especially for the film. The other songs are pretty fun, and most of them appear in the night club outing scene in the film (before the inevitable karaoke bit). Iggy Pop contributes a poppy number that sums up his Brick By Brick sound. The bright UB40 cover of the famous tune The Way You Do the Things You Do is well placed in the film. The remix of Back to Life is a lot dancier, and better than the original, and it also appears during the nightclub scene in the film. Ryuichi Sakamoto's track is not entirely typical of his output, but it's very good, and memorable as well (the shot of Michael Douglas glaring at the Yakuza heavies as they pass him in the club). There's also the Sparks track Singing in the Shower, a loose, giggly dance number, exactly what you might expect from 1989. Most of the songs bring back images of Scott's Tokyo: lots of neon, rain-slicked streets, sleek nightclubs, grays and blues and blacks, etc.

Unfortunately, we only get one track from the actual score, and that's the Black Rain suite. Why do they always do this? We have a very talented composer, and his work for this popular film is reduced to one, long track. It's still very good, and fun to listen to in the 'suite' form (it's more or less in sequence from the film), though I imagine Zimmer fanatcis will want the whole score, which has never been released. I don't believe any bootlegs of it are around, though I could be wrong.

Recommended for fans of the film who love all of the associated music, and for those soundtrack fanatics--you know who you are!
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6 of 7 people found the following review helpful:
5.0 out of 5 stars The C.D./Soundtrack I Almost Foolishly Passed Up..., December 1, 2000
This review is from: Black Rain (Audio CD)
I'm elated that I purchased my copy of Black Rain several years ago before it made it to the extinction list;as an import no less ! Not just the score of Zimmer captures the feel and moody atmosphere of the film, but also the individual various pop artists' tracks as well. Even for the late 80's the selection of tracks showed that even Japan had been influenced by Western pop culture (musically speaking).Yet, tracks from U.K.'s Soul II Soul and UB40 typified the club sound for back then.The only quirky track is Singing in the Shower with Sparks.The opening track Living on the Edge of the Night by Iggy Pop is a great soft-rock almost blues-like number. Greg Allman's soulful and throaty ballad I'll Be Holding On is a dramatic and emotionally serious track !

The only other Hans Zimmer score to come close with as much strong conviction and "action" would be the score for the Americanized version of La Femme Nikita entitled The Point of No Return. He combines his synthesizer wizadry with symphonic and classical elements and then gives the soundtrack a workout with some rock,electric guitar riffs ! On the Black Rain Suite he takes the listener on a thrilling and menacing roller coaster ride with his excellent synthesizer work and Japanese instrumental atmosphere. The result is (for anyone who has seen the film)Hans Zimmer takes you back to Japan with Michael Douglas and Andy Garcia. The listener ventures into the city's neon, futuristic, smoke filled and wet pavement nightlife.It's a city resembling Bladerunner with a more contemporary look (Maybe due to the fact director Ridley Scott directed both films)...

If any avid collector of soundtrack or eclectic music sees this one in a used c.d. shop, grab it ! It's a rare out-of-print title.Just don't let this fact alone make you want to buy it; it's all about the exceptional music and artists on it !...Also, there is another out of print soundtrack by other various artists for the 1987 Harrison Ford/Roman Polanski film Frantic. It also contained eclectic styles of music and artists (Ennio Morricone,Grace Jones, Simply Red, and David Sanborn). Like Black Rain, the music was moody and atmospheric with a strong pop-French feel versus Japanese. Part of the disc had various artists and the rest was music by composer Morricone...

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