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8 of 9 people found the following review helpful:
4.0 out of 5 stars
I like Frank Corso, warts and all..., August 4, 2002
I read a lot of books. I wish there were more writers like G. M. Ford, who take real people and put them into ambiguous situations and let them struggle with the consequences of their decisions and behavior. Frank Corso is one of those flawed characters who finds himself in the middle of a huge jigsaw puzzle involving corrupt contractors, inspectors, jurors and more than enough bad guys to fill out the mix. Corso's a Seattle-based writer with some mistakes in his past, a huge financial settlement in his bank account, and a reclusive lifestyle. Corso is the only invited guest to the murder trial of Nicholas Balagula, a bad-to-the-bone mobster who is responsible for the deaths of 63 people when the hospital he built collapses. This is Balagula's third trial and the prosecution is looking pretty secure. Corso is taking notes and gathering material for his new book when his world is rocked by the savage attack on his former girlfriend, a photojournalist who believes there's a link between the seemingly insignificant death of a school district's maintenance man and the Balagula trial. After the assault, Corso's thrown into a whirlwind of plot twists, bad guys, and paper trails. There's even some Cambodian culture thrown in for good measure (maybe the beginnings of a new book?). I like Frank Corso and found myself drawn into the plot lines, even though the tidy Hollywood-like ending was a bit too predictable. Enjoy!
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Buried in Concrete, August 1, 2003
One of the pleasures of reading Ford's books is the sheer strength of his writing. This is true whether he is being deadly serious or wryly humorous, as he was in his previous series. While he is a 'no frills' writer, he accomplishes his goal by having an unerring sense of the proper word or construct. In this story, the sequel to Fury, we again meet up with Frank Corso, a journalist who lost his cachet when he wrote a story based on falsified evidence. Since that time he has moved to Seattle where his determination has found him a new job and let him reestablish himself as a newsman and a writer. He has been allowed to sit in on the trial of Nicholas Balagula, a ruthless crime boss who has never been brought to justice. But when photojournalist Meg Dougherty, Corso's closest friend is suddenly attacked and very nearly killed a different kind of trial emerges, with Corso sitting in the judge's seat. A tangled web of loose connections sends Corso down the dark side of the city, tracking down hired killers, builders, and janitors to find what Meg saw that put her in a hospital. Corso isn't a genius, but a determined seeker who can eventually work his was through the toughest knot. Although this time what he doesn't know very nearly kills him. As always, Ford's characters a gem-like. While the bad guys are 'bad,' the good guys aren't angels, and individual idiosyncrasies bring them all to life. The main characters do develop, but slowly. It has taken Corso two novels to move from his initial bitterness to a dark cynicism. For all that Meg is unconscious for most of the book, she has changed the most, which brings out the best and the worst of Corso's character. Like a typical shallow fan, I wasn't all that comfortable when Ford switched from Leo Waterman. I had gotten used to the humorous antics of the alcoholic bums who made up Waterman's investigatory team. But Corso is a compelling character, and this new series may very well be closer to what Ford really wanted to accomplish. In any case, I think you will find Black River great entertainment.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Dark and Deep!, July 23, 2003
While better known for his Leo Waterman series, G. M. Ford has begun an interesting new series featuring the reclusive Frank Corso. First seen in Fury, Frank Corso is back and as dark as ever. Since this novel picks up approximately seven months after events depicted in Fury and refers to those events repeatedly throughout this novel, I would strongly urge prospective readers to read Fury first before reading this novel. It simply isn't possible to review this novel without giving away a few details, which would be better covered in their entirety in Fury. Having said that, I am simplifying greatly the plot and storyline to keep out as much as possible for those unfamiliar with the previous novel. For years, the government has chased the Russian mobster Nicholas Balagula through one trial after another with no success. Balagula sees United States justice as a game-a game where he has always won by jury tampering, violent intimidation and the murder of witnesses. Now, he is on trial once again. This time, he is being tried for the deaths of 63 people who lost their lives in a hospital building collapse. The trail has been moved from California up to Seattle and extraordinary measures are being taken to protect the safety and integrity of the jury and the case. Frank Corso is the only non-participant allowed to attend the murder trial of Balagula. His well-publicized notoriety and connections gets him unlimited access and he hopes to turn the project into another one of his true crime books. While he wants another success on his hands, he also wants the government to win. At the same time, with a grandstanding golden boy of the United States Attorney's Office in charge, Warren Klein, he has his doubts whether they can do the job. It looks like his suspicions are correct as from the beginning the trial things begin to go wrong and like most golden boys of one stripe or another, Klein blames everyone else for his mistakes. While his suspicions concerning the case have been initially confirmed, Corso isn't really paying attention. His old flame and very special friend, Meg Dougherty, is in intensive care in the hospital. Apparently in her occupation as a photojournalist, she witnessed something so horrendous that she drove her car under a parked semi in a desperate attempt to get away that nearly resulted in her death. Corso wants to find out what she saw as well as clearing himself from the suspect list as the police seemed convinced that he had some hand in her near death. Frank Corso is an interesting and hard to define character. This novel reveals a little more about his personality and what drives him while at the same time managing to hide a tremendous amount behind his darkly complex personae. As in his other books, a certain sense of darkness and moral decay pervades the work. Full of interesting complex characters, tight writing and multiple themes make this another good read. Once again, he provides a journey where justice is not an absolute black and white stereotype, but shades of gray. G. M. Ford's books are never simplistic stories with two-dimensional characters but complicated stories featuring multidimensional characters and shades of moral nuance. As always, this is another one of his books well worth reading.
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