From School Library Journal
Gr 7 Up-Jepperson continues to shed new light on the life and times of a prominent and misunderstood icon of American history. Picking up just after War of the Mormon Cow (String of Beads, 1999), this book focuses on the vision quest and other pivotal events that led the boy Curly to become the young man Crazy Horse. The author also gives ample attention to the title character, Black Robe Woman, reconstructing her life as the girl Little Mouse who eventually became a great Warrior Woman and Crazy Horse's wife. Through this strong protagonist, Jepperson shows the importance of women in Lakota culture, a matriarchal society in which warrior women could be honored as War Chiefs. Except for the last 30 pages, which tell of the treacherous circumstances surrounding Little Mouse's betrothal to Lone Bear in Crazy Horse's absence, the book is written from the first-person perspective of Crazy Horse himself. In his preface, Jepperson states that this and the other books in the series "speak in the meter and structure of the Sioux language, as Crazy Horse would have told it." While only family and friends of the great leader would know how accurate these claims are, the rhythm and tone of the text do lend themselves well to oral presentation. Though many of the details are fictionalized, especially regarding Black Robe Woman, the text is based on extensive research and consultation with Lakota people. Mundie's sketchbook-style illustrations are reminiscent of the traveling artist/writers of the 18th and 19th centuries, giving the impression that he was present to capture the characters and events on paper as they were happening. Pair this series with Russell Freedman's Life and Death of Crazy Horse (Holiday, 1996).
Sean George, St. Charles Parish Library, Luling, LA
Copyright 2001 Cahners Business Information, Inc.
From the Author
"No one ever writes about the women." It was more a challenge than a statement by Winona Johnson, the daughter of Chaske Wicks (Bad Bear) my pathfinder through the labyrinth of the history and legends of The People, we call Sioux. She was right. Though the historical period is fairly recent I had to assemble the story of the women of the Sioux from circumstantial evidence. I then constructed the life experiences of a Lakota girl and woman and imbued them in the girl called Little Mouse and the woman called Black Robe Woman. The Sioux was a matriarchal society that ruled for more than a century over most of the northern Plains. But little is known of the Sioux. What we know of them comes from the memories of old men recorded a half-century after the happenings and we know even less of their women for our patriarchal biased historians thought Sioux women to be but extensions of their men, which is far from true. Ken Mundie's talented pen brings our heroes, their family, friends and enemies to life as if he was there with his sketchbook, recording the happenings as they occurred, where they occurred and how they occurred. Ken is from the "Old" Disney Studios where magic is magical, love is lovable and characters, no matter how fanciful, are believable. The Chronicles is written in the meter and structure of the Sioux language, as Crazy Horse would have told it. It is mostly true but when history and legend conflict I choose legend, where the spirit of the Sioux still lives. I am reminded of the poignant words of Crazy Horse, "I thought again of the string of beads in my vision. There were bright beads and dull beads and plump beads and shriveled beads. There were beads that glowed with life and dark beads that ate the light." And these are the beads of the life of Crazy Horse and Black Robe Woman.
Richard Jepperson