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Black Sabbatical: Poems (Linda Bruckheimer Series in Kentucky Literature)
 
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Black Sabbatical: Poems (Linda Bruckheimer Series in Kentucky Literature) [Paperback]

Brett Eugene Ralph (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

Linda Bruckheimer Series in Kentucky Literature July 1, 2009

“Reading these absolutely terrific poems, with their southern colloquial drawl and sober Buddhist insight, is a bit like having a sage old sleepy tiger purr in your ear while you lie at the edge of the swamp in back of Billy-Joes's pickup truck.”—Dazed & Confused Magazine

“Sustaining, inspiring, even rescuing.”—Will Oldham, musician

“A true beast of a man with insight and beauty to spare.”—Harmony Korine, filmmaker

“Brett Eugene Ralph can look at a woman dancing alone, ‘eyes closed, lips parted, held aloft / in one hand half a mango, / a gigantic butcher knife / clutched in the other,’ and know immediately that she’s praying.”—Andrew Hudgins

Brett Eugene Ralph lives in rural western Kentucky. His country-rock ensemble, Brett Eugene Ralph’s Kentucky Chrome Revue, can be heard in seedy dives throughout the South.


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Editorial Reviews

From Publishers Weekly

Southern gothic meets alt-country twang, and rural hardship meets terse postpunk sophistication in this lively debut. Ralph's troubled characters and dissonant outbursts evoke a self-destructive youth: It's like somebody choking on a car horn, one poem ends, or something metal being born. Ralph's rough free verse—what he calls Impossible Blues—recall the deep Ozark surrealism of Frank Stanford and the early poems of Denis Johnson, though neither precursor takes on quite the same blend of upper South present and past—the bedroom of a punk rock girl called Spooky, a riot/ of tattered magazines and rusted drums, but also the coal beds and tornup slopes where Egypt Mines had an operation/ once. Ralph, who still lives and teaches in Kentucky, plays in alt-country bands now and grew up in Louisville's influential 1980s alternative rock scene, known for such acts as Squirrel Bait, Slint and Rodan: alert readers might compare their sounds to his poems. Less evident in tone and manner—though quoted in epigraphs and cited by name—is Ralph's declared commitment to Buddhism. Detractors may ask if Ralph paints with too broad a brush, if his lines seem too clear or too raw: defenders will say, rightly, that they depict something real.(July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Ralph's work has appeared in Conduit, Mudfish, Willow Springs, The American Poetry Review, The McSweeney's Book of Poets Picking Poets, and Thus Spake the Corpse: An Exquisite Corpse Reader. Currently, he teaches at Hopkinsville Community in rural western Kentucky. His country-rock ensemble, Brett Eugene Ralph's Kentucky Chrome Revue, can be heard in seedy dives throughout the South.

Product Details

  • Paperback: 96 pages
  • Publisher: Sarabande Books; 1 edition (July 1, 2009)
  • Language: English
  • ISBN-10: 1932511733
  • ISBN-13: 978-1932511734
  • Product Dimensions: 8.8 x 5.9 x 0.3 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,012,752 in Books (See Top 100 in Books)

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7 of 7 people found the following review helpful:
5.0 out of 5 stars Brett Eugene Ralph's Astonishing Ballad for Kentucky, Youth, and You., September 9, 2009
This review is from: Black Sabbatical: Poems (Linda Bruckheimer Series in Kentucky Literature) (Paperback)
Brett Eugene Ralph is part of a rare breed. Rather than meander, wander, and ultimately pose an unanswerable question; Ralph draws the line, walks it, and focuses inward the grand task of addressing the world as he sees it. His themes are carefully chosen as if his decisions were the result of some kind of divine intervention; each word a vessel of its own - chiseled, cut, and hammered to fit.

His language is sharp but never unapproachable - it tears through the sloppy seams of convention and establishes, often in a single line, a broad conception with a fine point. Through his eyes, his native Kentucky is a land of disclosed mishaps.

This book is joyfully lethal.

Two veins of history, personal and learned, adopt the same blood and coerce sentiments onto the page unlike any other book of poetry I've ever read. Where other poets bring themselves so greedily centerstage, Brett Eugene Ralph proudly assumes the role of the background, the distant father, the guide. He can wear so many different masks that it is not unlikely you'll see your face stretched across his jaw, only to have him wink through the paper and offer insights that can be easily seen as fact.

The depth of his humanity comes from a down home dedication that is never forced, faked, or explained. It is a part of him, perhaps the biggest part of him: the part through which he writes meritous modern classics without a hint of insincerity.

This poetry flows like it is already dog-eared, roughed up, underlined. It's a postcard found in the glovebox of the first car you ever bought. It's memorabilia with a suggestive soul. Ralph has written a holy text that strangely functions as part-autobiography, part-philosophy, part-manifesto without the high-drawn fist. This is poetry for bus stops, for travel, for you and me from him.

The grace by which he surgically tempers his lines is blunt to the point of mastery. The lines are contagious, like the hook in a classic love song - like the hum of tires on tar or sounds of sleep.

"Black Sabbatical" carries the reader along, taking you further each time. Affecting, gut-pulling, and true. A volume you will never forget or be long without. Go on, follow him.

It's just that damn good.
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