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Black Tickets: Stories
 
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Black Tickets: Stories (Paperback)

by Jayne Anne Phillips (Author)
3.4 out of 5 stars See all reviews (10 customer reviews)

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Editorial Reviews

Review
"Brilliant... Phillips is a virtuoso."
--Chicago Tribune Book World

"Extraordinary... Phillips shines brightly... This is a sweetheart of a book."
--John Irving, The New York Times Book Review

"[Phillips] knows how to write about the way dreams live with us... Genius is the word for her."
--The Boston Globe -- Review

Review
"Brilliant... Phillips is a virtuoso."
--Chicago Tribune Book World

"Extraordinary... Phillips shines brightly... This is a sweetheart of a book."
--John Irving, The New York Times Book Review

"[Phillips] knows how to write about the way dreams live with us... Genius is the word for her."
--The Boston Globe

See all Editorial Reviews

Product Details

  • Paperback: 288 pages
  • Publisher: Vintage; Reprint edition (September 11, 2001)
  • Language: English
  • ISBN-10: 0375727353
  • ISBN-13: 978-0375727351
  • Product Dimensions: 8 x 5.2 x 0.7 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.4 out of 5 stars See all reviews (10 customer reviews)
  • Amazon.com Sales Rank: #170,788 in Books (See Bestsellers in Books)


What Do Customers Ultimately Buy After Viewing This Item?

Black Tickets: Stories
83% buy the item featured on this page:
Black Tickets: Stories 3.4 out of 5 stars (10)
$11.90
Lark and Termite
12% buy
Lark and Termite 4.0 out of 5 stars (50)
$16.32
Machine Dreams
2% buy
Machine Dreams 4.0 out of 5 stars (5)
$10.17
Fast Lanes
2% buy
Fast Lanes 4.0 out of 5 stars (3)
$9.35

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Customer Reviews

10 Reviews
5 star:
 (4)
4 star:
 (2)
3 star:    (0)
2 star:
 (2)
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 (2)
 
 
 
 
 
Average Customer Review
3.4 out of 5 stars (10 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
13 of 15 people found the following review helpful:
5.0 out of 5 stars A jaw-dropping debut, June 30, 1999
By A Customer
This review is from: Black Tickets (Paperback)
These are staggeringly assured pieces and, as wonderful as her subsequent work has been, in some ways I don't think she's been able to top them. Marred only by an occasional tendency to use shocking subject matter for its own sake, these stories are punch-drunk on the precision and lush beauty of their own language. I don't think there is anyone currently writing in English whose prose is this gorgeous, or this gorgeously controlled. For me, she's like a female equivalent of Michael Ondaatje. Language to get lost in, but that never loses sight of the very human characters who use it, or whom it concerns.
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10 of 11 people found the following review helpful:
5.0 out of 5 stars An extraordinary, evocative book, August 21, 2003
By "pietro25744" (San Francisco) - See all my reviews
This review is from: Black Tickets (Hardcover)
I read this book the first time in 1979 when it was published. I had never read anything like it. The young characters were all from my generation, did the things I did, and took the risks I took. I was very moved by this book. The prose evoked the rather disoriented late 1970s perfectly.

I went back and read "Black Tickets" again last summer and was pleasantly surprised to discover how evocative the book still is and how moving the language is. This book is a masterpiece.

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4 of 5 people found the following review helpful:
2.0 out of 5 stars love/hate, December 20, 2008
I love and hate these stories, but mostly..I hate them. Maybe "hate" is putting too fine a point on it. I know Raymond Carver's wife gushed that "Black Tickets" was the "unmistakable work of early genius" but she and I must have read different books. These stories are, for the most point, pretentious and awkward. Come on--"the snowy Bible hums?" "Her breasts balloon, the sky opens inside them?" What the hell does that mean? I can't even visualize it. Kudos to Phillips for experimentation, but it doesn't work. I have to say that I do like "Lechery" and evidently so do many others, because it is heavily anthologized. "Black Tickets" is also compelling: bleak, black worlds these. Yet in the end these stories feel thin and undeveloped: abstractions rather than gritty experience.
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