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Black Tickets [Paperback]

Jayne Anne Phillips (Author)
3.3 out of 5 stars  See all reviews (10 customer reviews)


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Book Description

August 15, 1979
Jayne Anne Phillips's reputation-making debut collection paved the way for a new generation of writers. Raved about by reviewers and embraced by the likes of Raymond Carver, Frank Conroy, Annie Dillard, and Nadine Gordimer, Black Tickets now stands as a classic.

With an uncanny ability to depict the lives of men and women who rarely register in our literature, Phillips writes stories that lay bare their suffering and joy. Here are the abused and the abandoned, the violent and the passive, the impoverished and the disenfranchised who populate the small towns and rural byways of the country. A patron of the arts reserves his fondest feeling for the one man who wants it least. A stripper, the daughter of a witch, escapes from poverty into another kind of violence. A young girl during the Depression is caught between the love of her crazy father and the no less powerful love of her sorrowful mother. These are great American stories that have earned a privileged place in our literature.

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Editorial Reviews

Review

"Brilliant... Phillips is a virtuoso."
--Chicago Tribune Book World

"Extraordinary... Phillips shines brightly... This is a sweetheart of a book."
--John Irving, The New York Times Book Review

"[Phillips] knows how to write about the way dreams live with us... Genius is the word for her."
--The Boston Globe

From the Inside Flap

Jayne Anne Phillips's reputation-making debut collection paved the way for a new generation of writers. Raved about by reviewers and embraced by the likes of Raymond Carver, Frank Conroy, Annie Dillard, and Nadine Gordimer, Black Tickets now stands as a classic.

With an uncanny ability to depict the lives of men and women who rarely register in our literature, Phillips writes stories that lay bare their suffering and joy. Here are the abused and the abandoned, the violent and the passive, the impoverished and the disenfranchised who populate the small towns and rural byways of the country. A patron of the arts reserves his fondest feeling for the one man who wants it least. A stripper, the daughter of a witch, escapes from poverty into another kind of violence. A young girl during the Depression is caught between the love of her crazy father and the no less powerful love of her sorrowful mother. These are great American stories that have earned a privileged place in our literature.

Product Details

  • Paperback
  • Publisher: Delta (August 15, 1979)
  • Language: English
  • ISBN-10: 0385280882
  • ISBN-13: 978-0385280884
  • Product Dimensions: 7.9 x 5.3 x 0.7 inches
  • Shipping Weight: 8.8 ounces
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #632,001 in Books (See Top 100 in Books)

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Customer Reviews

10 Reviews
5 star:
 (4)
4 star:
 (1)
3 star:
 (1)
2 star:
 (2)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
3.3 out of 5 stars (10 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

13 of 15 people found the following review helpful:
5.0 out of 5 stars An extraordinary, evocative book, August 21, 2003
By 
This review is from: Black Tickets (Hardcover)
I read this book the first time in 1979 when it was published. I had never read anything like it. The young characters were all from my generation, did the things I did, and took the risks I took. I was very moved by this book. The prose evoked the rather disoriented late 1970s perfectly.

I went back and read "Black Tickets" again last summer and was pleasantly surprised to discover how evocative the book still is and how moving the language is. This book is a masterpiece.

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15 of 18 people found the following review helpful:
5.0 out of 5 stars A jaw-dropping debut, June 30, 1999
By A Customer
This review is from: Black Tickets (Paperback)
These are staggeringly assured pieces and, as wonderful as her subsequent work has been, in some ways I don't think she's been able to top them. Marred only by an occasional tendency to use shocking subject matter for its own sake, these stories are punch-drunk on the precision and lush beauty of their own language. I don't think there is anyone currently writing in English whose prose is this gorgeous, or this gorgeously controlled. For me, she's like a female equivalent of Michael Ondaatje. Language to get lost in, but that never loses sight of the very human characters who use it, or whom it concerns.
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17 of 27 people found the following review helpful:
1.0 out of 5 stars "I suck you up like erasers"?????, May 28, 2006
This review is from: Black Tickets: Stories (Paperback)
This book hasn't aged well. There is very little plot, very little dialogue, and very few verbs. (Seriously, there are stretches of five or six "sentences" in a row with nary a verb to be seen.) There are some beautiful gems compacted into the dense prose, but for the most part Phillips crafted chewy, chunky, unwieldy sentences that don't give much pay-off for all the work you've done to decipher them. I have a Masters in literature, I have read and understood Ulysses, but I had to give up on many of the incomprehensible lines here. "I suck you up like erasers"? What?
The subject matter has aged poorly, too. In 2006, I'm neither shocked nor intrigued by Phillips's thinly veiled alter-ego's confrontation with her mother over birth control.
I can see why reviewers at the time were struck by the promise and poetry of her work; the story "1934" has the most plot in the collection, and is quite lovely. But is she, as Nadine Gordimer wrote, "the best short-story writer since Eudora Welty"?
Umm, no.
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