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Black & White [Paperback]

Dani Shapiro (Author)
4.1 out of 5 stars  See all reviews (24 customer reviews)

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Book Description

June 10, 2008
Clara Brodeur has spent her entire adult life pulling herself away from her famous mother, the renowned and controversial photographer Ruth Dunne, whose towering reputation rests on the unsettling nude portraits she took of her young daughter.

At age eighteen, sick of her notoriety as “the girl in the pictures,” Clara fled New York City, settling and making her own family in small-town Maine. But years later, when Ruth reaches out from her deathbed, Clara suddenly finds herself drawn back to the past she thought she had escaped. From the beloved author of Family History and Slow Motion, a spellbinding novel that asks: How do we forgive those who failed to protect us?

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Editorial Reviews

Amazon.com Review

In Dani Shapiro's captivating new novel, a mother struggles to protect her young daughter from the dark secrets of her past. Haunting and insightful, Black & White explores the notions of family and motherhood, inspiration and obligation, and is sure to appeal to fans of Jodi Picoult and Anita Shreve. Find out more about Shapiro's artistic practices and influences below. --Daphne Durham


10 Second Interview: A Few Words with Dani Shapiro

Q: What is your writing process like? Has it changed from book to book?
A: As I was doing my usual flailing around before I began to write Black & White, I found that I had some questions in mind that I hoped to explore, if not answer--and those questions very much came out of my preoccupations as a writer and as a mother of a young child: is it possible to be as fully absorbed as one needs to be to produce good, strong art--and be equally fully absorbed in the raising of small children? What happens when that delicate balancing act teeters? And also, as someone who has written quite a bit of personal non-fiction, I wondered: where is the line--or perhaps it's less of a line and more of a murky gray area--when it comes to writing about the personal stuff when there's this little person who's involved, a person who will grow up and read it some day? These ideas began to really preoccupy me, and finally the novel started to form itself around them.

When I begin the first draft of a book, I write longhand. I've become quite attached to these particular spiral-bound notebooks that can only be purchased in my in-laws' hometown, and so whenever they come to visit I ask them to bring me a pile. I think most writers indulge in magical thinking when it comes to the process, and many of us require talismans; mine are these notebooks. I used to only write on the computer, but I've found, in the last number of years, that I feel much freer to have no idea where I'm going when I'm writing by hand. There's something very neat--perhaps too neat--about the blank computer screen, and the ease of cutting and pasting, moving whole blocks of text around. For me, it's infinitely more satisfying to scribble and cross things out and make big sweeping arrows and asterisks as I'm working on drafts. It looks messy and complicated--it looks like what it is. On those early pages I feel like I can see a map, or a diagram, of my process.

Q: What author/s have inspired you?
A: In the big, enduring ways, as a literary backbone: Tolstoy, George Eliot, Virginia Woolf, Philip Roth, Joan Didion, Saul Bellow, Grace Paley. And while I was writing Black & White, Alice Munro's stories in Runaway and Ian McEwan's novel Saturday were immensely important in my grappling with understanding how to create a close third person narrative without losing the periphery.

Q: What are you working on now?
A: I'm trying to start a new novel. Viriginia Woolf wrote this great passage in her diary, after she finished The Waves: "I must hastily provide my mind with something else, or it will again become pecking and wretched." I'm a much nicer person when I'm working on a book. When I begin I have so little to go on--a feeling, a sense, an image or two. It's like coaxing shadows out of the corners.


--This text refers to the Hardcover edition.

From Publishers Weekly

Clara, the protagonist of Shapiro's uneven fifth novel (after Family History), is the youngest daughter and muse of Ruth Dunne, a famous Manhattan photographer who made her name shooting Sally Mann–style (read: nude and provocative) photos of a young Clara. Unable to bear the humiliation of being "the girl in those pictures," Clara runs away from home at 18. Fourteen years later and still estranged from her mother, Clara's living in Maine with her husband and daughter when her older sister calls and tells her Ruth is in failing health. Clara travels back to Manhattan, where she comes to terms with her family and herself. Though Clara's frequent bemoaning of her emotional scars tries the reader's patience, Shapiro's sharp depictions of love and shame go a long way toward putting the self-pity into relief. It's unfortunate that Ruth fails to comes across as anything more than a narcissistic artist, but the novel offers some fine insights into marriage, the making of art and the often difficult mother-daughter dynamic. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 272 pages
  • Publisher: Anchor (June 10, 2008)
  • Language: English
  • ISBN-10: 1400032121
  • ISBN-13: 978-1400032129
  • Product Dimensions: 5.1 x 0.6 x 8 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Best Sellers Rank: #490,726 in Books (See Top 100 in Books)

More About the Author

Dani Shapiro's most recent books include the novels Black & White and Family History and the bestselling memoir Slow Motion. Her short stories and essays have appeared in the New Yorker, Granta, Tin House, Elle, Vogue, Ploughshares, and O, The Oprah Magazine, among other publications. She lives with her husband and son in Litchfield County, Connecticut.

 

Customer Reviews

24 Reviews
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3 star:
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Average Customer Review
4.1 out of 5 stars (24 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

30 of 33 people found the following review helpful:
5.0 out of 5 stars This will be a favorite novel from 2007, April 28, 2007
By 
Ratmammy "The Ratmammy" (Ratmammy's Town, CA USA) - See all my reviews
(VINE VOICE)   
This review is from: Black & White (Hardcover)
BLACK & WHITE by Dana Shapiro

April 28, 2007

Rating ***** (5 Stars)

Clara Brodeur is estranged from her mother and older sister, but her friends and family that have known her since she left home do not know the reason why. Only her husband has some idea what Clara went through as a child, the daughter of a prominent photographer in New York. BLACK & WHITE is the story of a woman's relationship with her famous mother, Ruth Dunne.

Against her better judgment, Clara goes alone to New York to see her mother, who is now ill and is on her deathbed, leaving her children and devoted husband at home. It is Clara's sister Robin that convinces Clara to make this emotionally difficult journey back to her roots, in which memories still haunt her to this day, as she tries to live a life that is totally apart from what she had experienced by the hands of her mother.

Ruth Dunne was a struggling photographer/artist years ago, with two children under the age of 6 and a devoted husband. When Ruth is 'discovered' by a friend of her husband's, she is told that her photographs are good but they lack something. So she tries something different. When she sees her younger daughter Clara, who at the time was three years old, naked in the tub with a plastic frog in her mouth, Ruth takes the photograph, and soon her photography career takes off. Known as the CLARA SERIES, these photographs take New York by storm, and make Ruth a genius in the eyes of the art world.

But there is controversy, as critics and the public argue whether these photographs are art, or on the edge of pornography. From the age of three through fourteen, Clara is Ruth's muse, and is the center of all her most famous and critically acclaimed work.

And underneath it all, Ruth's family is falling apart. Clara struggles with the idea of being the center of such attention, never feeling comfortable with the nude portraits, but never knowing how to say "no" to her mother. Robin feels she's the neglected daughter, and this feeling carries over into adulthood, as the two sisters deal with their relationship to each other and to their dying mother. Their father never approved of the photographs, and tries his best to protect Clara, but Ruth finds ways to sneak out of the house to photograph her, usually when he is away on business.

When Clara finally runs away from home because she's finally had it, she separates herself from her family and makes a new life for herself, eventually moving to a small town with her new husband. In her new life, Ruth Dunne does not exist, and Clara has no plans of telling her daughter Sam about this icon in the world of photography --- that is, until she receives word that her mother is dying.

BLACK & WHITE is told in flashbacks, detailing Clara's childhood and her life with her family growing up. Now that she's reunited with her sister and mother, she needs to decide how to live out the rest of her life, whether to acknowledge her past with Ruth, whether to let her daughter know who she really is. There are many issues that Clara has to deal with before her mother dies, including what happened to her at the hands of her mother and whether she can forgive Ruth. Clara also needs to decide whether to include her mother, on her deathbed, into her life, now that her life includes a husband and a daughter. Conflicts between the two sisters are also at hand. The main theme of the story is that of forgiveness and acceptance. I found BLACK & WHITE a very intense novel, and a fast read. I had enjoyed FAMILY HISTORY by Dani Shapiro a few years ago, and eagerly picked up BLACK & WHITE, expecting to read yet another wonderfully written book about the relationships and intricacies that make up a family. I think I enjoyed BLACK & WHITE even more, which is saying a lot. I highly recommend this book.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars Captivating, April 9, 2007
By 
This review is from: Black & White (Hardcover)
Black & White is incredibly well-written and enjoyable to read. Shapiro's descriptions of the photo shoots, while disturbing, are captivating. The reader can visualize the scenes (and the characters) so easily. In my opinion, the image of Clara's father is the most heart-breaking; all he wanted to do was protect his daughter and her innocence from the masses. While I was surprised by the minimal sympathy I felt for Ruth near the end, I was never entirely convinced that she deserved it. I'm sure the book will leave readers debating Ruth's motives and her love for her children.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Emotional and Riveting, May 10, 2007
Amazon Verified Purchase(What's this?)
This review is from: Black & White (Hardcover)
Black and White is the first of Dani Shapiro's novels I've read, and I found it riveting. The excellent writing is very descriptive, which allowed my mind to be fully transported to the two main settings, an L.L. Bean version of a Maine island in winter and the black-clad gallery world of Manhattan. The rich texture of Shapiro's writing shines through with minute detail. She creates nearly every scene with a 360-degree view. This quality added to my ability to imagine the expensive and much-studied photographs upon which the story revolves: The Clara Series, by Ruth Dunne.

Character driven, this is primarily Clara's story. She's a 32-year old mother of a 9-year-old daughter, Sammy, and wife of jewelry artisan, Jonathan. After 14 years of self-imposed exile from her famous mother, the photographer Ruth Dunne, and her older sister, an uptight attorney named Robin, she's called back to Manhattan because of her mother's grave illness. Clara's relationship with her mother and her struggle as she returns is the central plot. From ages 3-14, Clara had served as Ruth's muse and model and grew up with all eyes upon her, judging, assessing and commenting on the black and white nude photographs that made her mother a star. Ruth never asked permission . . . Clara suffered and at 18, just before she obtained her high school diploma, ran away. Her mother's cancer and her sister's request that she return to help, forces her to come of out hiding. This return to the fold exposes her secrets and her fears. She must not only face her mother and her sister, she must face herself.

It's a quick read, a satisfying story and has fantastic character development of each character, major and minor. Highly recommend.

Michele Cozzens, Author of A Line Between Friends and The Things I Wish I'd Said.
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Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Ruth Dunne, Upper West Side, Ruth Clara, Central Park, Ruth Ruth, West Broadway, Southwest Harbor, Kubovy Weiss, Surely Ruth, New Haven, Sammy Clara, Clara Series
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