From Publishers Weekly
In this moving, exhaustive life of one of America's greatest entertainers, Haygood (King of the Cats: The Life and Times of Adam Clayton Powell Jr.) casts Sammy Davis Jr. as a man shifting between identities, between the worlds of black people and white people. Born into vaudeville and raised by his grandmother and vaudevillian father, Davis (1925-1990) never knew the world off the stage, never experienced a loving mother and never experienced racism-until his stint in the army during WWII. Sammy spent most of his life before the army above the Mason-Dixon line in the protective bosom of the Will Mastin Trio (of which he and his father were two-thirds) and experienced his first love with a white woman in Montreal. From here, Haygood makes clear, Sammy wanted to be white-he had mostly white friends and courted ivory-skinned, blond women. As his career-and his determination to be accepted by white America-grew, so did problems with the media, including death threats from angry Southerners and Hollywood moguls not wanting the reputation of their white starlets (e.g., Kim Novak) to be tainted by Davis. Haygood shows how Davis desperately needed love and attention, so much so that he switched allegiances, first backing Kennedy and marching with Martin Luther King Jr. and Jesse Jackson, then, years later, being seen on national TV giving a hug to Archie Bunker (while doing a cameo) and Richard Nixon (while campaigning for him). Haygood's reporting and powerful prose reveal Davis's career against the backdrop of the swinging '60s and the Rat Pack (with Sinatra as a mighty presence in Davis's life) and Davis as a tragically complex man.
Copyright 2003 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Booklist
Sammy Davis Jr. never went to school. His show business career began at age 5, with the Will Mastin Trio, and lasted until his death at 64. Davis' life story is all about the American Dream (he called his autobiography
Yes, I Can!), but as Haygood tells it in this remarkably rich biography, it is dream mixed with nightmare, illusion with reality, the story of a black man "with his face pressed against the white world." Did Davis want to be white? Haygood tackles this politically charged question straight on, delivering answers as complex as the history of race relations. Davis, Haygood argues, knew no world beyond the footlights; he created himself in the image of Hollywood stardom, and yes, that image was unquestionably white: Bogart, Cagney, Cooper (all of whom Davis would later impersonate on stage), and of course, Sinatra, Sammy's idol. (The women were white, too, and usually blonde, a fact not lost on the young Davis, who wooed Kim Novak and married Scandinavian Maei Britt.) While Haygood's psychosexual analysis of Davis' life is unfailingly perceptive, it doesn't overwhelm the book. He vividly re-creates the world of vaudeville, where Davis got his start, and he tracks the performer's career as tap dancer, impressionist, singer, and actor, emphasizing the remarkable talent of this child prodigy turned Vegas headliner. As he follows Davis from one unbridled enthusiasm to another (from black power to Richard Nixon, from Judaism to devil worship), Haygood never loses sight of Sammy the entertainer, indefatigable on stage and insatiable in his craving for adoration. A fascinating American life story, brilliantly told.
Ilene CooperCopyright © American Library Association. All rights reserved
--This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews