Far from spelling the end of black-and-white photography, digital techniques have made many creative processes easier - this is the book that helps devotees of black-and-white photography move into the digital age.The digital revolution has made the experience of producing prints quicker and cleaner, but tends to assume that you are always dealing with colour photographs. This book explains how black-and-white photography is not only possible using digital technology but actually allows greater flexibility and creativity than ever before. It covers the basics of scanning, manipulation and printing, as well as demonstrating some of the more advanced techniques that can be achieved in the digital darkroom.
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Book Description
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About the Author
Tony Worobiec is the author of several photography books, including Ghosts in the Wilderness: Abandoned America, a collection of his own fine art black-and-white photographs. He lives in Dorset, England.
A photographer, teacher and author, Ray Spence is a recent recipient of the Royal Photographic Society's prestigious Print Exhibition Gold Award.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Comprehensive and Understandable,
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This review is from: Black & White Photography in a Digital Age: Creative Camera, Darkroom and Printing Techniques for the Modern Photographer (Paperback)
Although written primarily for people using digital cameras and Photoshop for post editing, there is also plenty of solid information here for photographers making the the transition from analogue (film) to digital printing via scanned negatives. Users of Photoshop Elements or other photo editing software will also find plenty of useful information - probably more than they need - but may have to check occasionally whether their software has the same features described in this book. Usually there is a similar function but lurking under another name or in a different menu.
Highly recommended as a resource that is neither too basic nor too complex, no matter what level of photographic experience you have and especially if you are wanting to move beyond the basic "point and shoot" stage of digital photography and venture into the challenging but satisfying world of black and white image creation.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
One of the very best overviews for converting to B&W images,
By muzer "muzer" (the prairie) - See all my reviews
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This review is from: Black & White Photography in a Digital Age: Creative Camera, Darkroom and Printing Techniques for the Modern Photographer (Paperback)
This book contains most of the essential techniques for converting color images to B&W and more importantly, shows you how to correct imbalances in lighting, contrast, how to use layers and masks, how to use selective tonal controls. It's filled with helpful hints on every page. You can tell by glancing through it that it is designed for one who wants information on how to get the very best out of a black and white finished print. Very highly recommended.
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Black & White Photography in a Digital Age,
This review is from: Black & White Photography in a Digital Age: Creative Camera, Darkroom and Printing Techniques for the Modern Photographer (Paperback)
Gives a wide variety of information on making your digital images black and white. Increasing ways to create in the computer the same images you make with silver photography in the dark room without the chemicals.
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Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
Inside This Book
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Key Phrases - Statistically Improbable Phrases (SIPs):
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blending mode, layer mask, alpha channel, layer style, brush size, transfer film, color management, monochrome workers, desaturated image, darkroom paper, lith print, dedicated film scanners, colour mode, foreground colour, copy layer, full tonal range, background layer, scanning film, tonal adjustments, watercolour paper, shadow detail Key Phrases - Capitalized Phrases (CAPs): (learn more)
Color Balance, Channel Mixer, Gaussian Blur, Output Levels, Input Levels, Auto Options, Quick Mask, Unsharp Mask, Cancel Load, Soft Light, Bas Relief, Add Noise, Lab Color, Magic Wand, Activate Layer, Fibre Base Gloss, Layers Channels, Layers Normal, Hard Light, Show More Options, Normal Opacity, Color Controls, Rectangular Marquee, Mask Channel, Reflected Gradient Browse Sample Pages:
Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
blending mode, layer mask, alpha channel, layer style, brush size, transfer film, color management, monochrome workers, desaturated image, darkroom paper, lith print, dedicated film scanners, colour mode, foreground colour, copy layer, full tonal range, background layer, scanning film, tonal adjustments, watercolour paper, shadow detail Key Phrases - Capitalized Phrases (CAPs): (learn more)
Color Balance, Channel Mixer, Gaussian Blur, Output Levels, Input Levels, Auto Options, Quick Mask, Unsharp Mask, Cancel Load, Soft Light, Bas Relief, Add Noise, Lab Color, Magic Wand, Activate Layer, Fibre Base Gloss, Layers Channels, Layers Normal, Hard Light, Show More Options, Normal Opacity, Color Controls, Rectangular Marquee, Mask Channel, Reflected Gradient Browse Sample Pages:
Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
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