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The Blacker the Berry (Dover Books on Literature & Drama) Paperback – May 19, 2008

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Product Details

  • Series: Dover Books on Literature & Drama
  • Paperback: 160 pages
  • Publisher: Dover Publications; Dover Ed edition (May 19, 2008)
  • Language: English
  • ISBN-10: 0486461343
  • ISBN-13: 978-0486461342
  • Product Dimensions: 8.7 x 7.2 x 0.3 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (39 customer reviews)
  • Amazon Best Sellers Rank: #358,046 in Books (See Top 100 in Books)

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About the Author

Wallace Thurman is the author of Harlem, a play, and two other novels, Infants of the Spring and Interne. He died in 1934. --This text refers to an out of print or unavailable edition of this title.

Excerpt. © Reprinted by permission. All rights reserved.



More acutely than ever before Emma Lou began to feel that her luscious black complexion was somewhat of a liability, and that her marked color variation from the other people in her environment was a decided curse. Not that she minded being black, being a Negro necessitated having a colored skin, but she did mind being too black. She couldn't understand why such should be the case, couldn't comprehend the cruelty of the natal attenders who had allowed her to be dipped, as it were, in indigo ink when there were so many more pleasing colors on nature's palette. Biologically, it wasn't necessary either; her mother was quite fair, so was her mother's mother, and her mother's brother, and her mother's brother's son; but then none of them had had a black man for a father. Why had her mother married a black man? Surely there had been some eligible brown-skin men around. She didn't particularly desire to have had a "high yaller" father, but for her sake certainly some more happy medium could have been found.

She wasn't the only person who regretted her darkness either. It was an acquired family characteristic, this moaning and grieving over the color of her skin. Everything possible had been done to alleviate the unhappy condition, every suggested agent had been employed, but her skin, despite bleachings, scourgings, and powderings, had remained black -- fast black -- as nature had planned and effected.

She should have been a boy, then color of skin wouldn't have mattered so much, for wasn't her mother always saying that a black boy could get along, but that a black girl would never know anything but sorrow and disappointment? But she wasn't a boy; she was a girl, and color did matter, mattered so much that she would rather have missed receiving her high school diploma than have to sit as she now sat, the only odd and conspicuous figure on the auditorium platform of the Boise high school. Why had she allowed them to place her in the center of the first row, and why had they insisted upon her dressing entirely in white so that surrounded as she was by similarly attired pale-faced fellow graduates she resembled, not at all remotely, that comic picture her Uncle Joe had hung in his bedroom? The picture wherein the black, kinky head of a little red-lipped pickaninny lay like a fly in a pan of milk amid a white expanse of bedclothes.

But of course she couldn't have worn blue or black when the call was for the wearing of white, even if white was not complementary to her complexion. She would have been odd-looking anyway no matter what she wore and she would also have been conspicuous, for not only was she the only dark-skinned person on the platform, she was also the only Negro pupil in the entire school, and had been for the past four years. Well, thank goodness, the principal would soon be through with his monotonous farewell address, and she and the other members of her class would advance to the platform center as their names were called and receive the documents which would signify their unconditional release from public school.

As she thought of these things, Emma Lou glanced at those who sat to the right and to the left of her. She envied them their obvious elation, yet felt a strange sense of superiority because of her immunity for the moment from an ephemeral mob emotion. Get a diploma? -- What did it mean to her? College? -- Perhaps. A job? -- Perhaps again. She was going to have a high school diploma, but it would mean nothing to her whatsoever. The tragedy of her life was that she was too black. Her face and not a slender roll of ribbon-bound parchment was to be her future identification tag in society. High school diploma indeed! What she needed was an efficient bleaching agent, a magic cream that would remove this unwelcome black mask from her face and make her more like her fellow men.

"Emma Lou Morgan."

She came to with a start. The principal had called her name and stood smiling down at her benevolently. Some one -- she knew it was her Cousin Buddie, stupid imp -- applauded, very faintly, very provokingly. Some one else snickered.

"Emma Lou Morgan."

The principal had called her name again, more sharply than before and his smile was less benevolent. The girl who sat to the left of her nudged her. There was nothing else for her to do but to get out of that anchoring chair and march forward to receive her diploma. But why did the people in the audience have to stare so? Didn't they all know that Emma Lou Morgan was Boise high school's only nigger student? Didn't they all know -- but what was the use. She had to go get that diploma, so summoning her most insouciant manner, she advanced to the platform center, brought every muscle of her lithe limbs into play, haughtily extended her shiny black arm to receive the proffered diploma, bowed a chilly thanks, then holding her arms stiffly at her sides, insolently returned to her seat in that foreboding white line, insolently returned once more to splotch its pale purity and to mock it with her dark, outlandish difference.

Emma Lou had been born in a semi-white world, totally surrounded by an all-white one, and those few dark elements that had forced their way in had either been shooed away or else greeted with derisive laughter. It was the custom always of those with whom she came into most frequent contact to ridicule or revile any black person or object. A black cat was a harbinger of bad luck, black crepe was the insignia of mourning, and black people were either evil niggers with poisonous blue gums or else typical vaudeville darkies. It seemed as if the people in her world never went halfway in their recognition or reception of things black, for these things seemed always to call forth only the most extreme emotional reactions. They never provoked mere smiles or mere melancholy, rather they were the signal either for boisterous guffaws or pain-induced and tear-attended grief.

Emma Lou had been becoming increasingly aware of this for a long time, but her immature mind had never completely grasped its full, and to her tragic, significance. First there had been the case of her father, old black Jim Morgan they called him, and Emma Lou had often wondered why it was that he of all the people she heard discussed by her family should always be referred to as if his very blackness condemned him to receive no respect from his fellow men.

She had also begun to wonder if it was because of his blackness that he had never been in evidence as far as she knew. Inquiries netted very unsatisfactory answers. "Your father is no good." "He left your mother, deserted her shortly after you were born." And these statements were always prefixed or followed by some epithet such as "dirty black no-gooder" or "durn his onery black hide." There was in fact only one member of the family who did not speak of her father in this manner, and that was her Uncle Joe, who was also the only person in the family to whom she really felt akin, because he alone never seemed to regret, to bemoan, or to ridicule her blackness of skin. It was her grandmother who did all the regretting, her mother who did the bemoaning, her Cousin Buddie and her playmates, both white and colored, who did the ridiculing.

Emma Lou's maternal grandparents, Samuel and Maria Lightfoot, were both mulatto products of slave-day promiscuity between male masters and female chattel. Neither had been slaves, their own parents having been granted their freedom because of their close connections with the white branch of the family tree. These freedmen had migrated into Kansas with their children, and when these children had grown up they in turn had joined the westward-ho parade of that current era, and finally settled in Boise, Idaho.

Samuel and Maria, like many others of their kind and antecedents, had had only one compelling desire, which motivated their every activity and dictated their every thought. They wished to put as much physical and mental space between them and the former home of their parents as was possible. That was why they had left Kansas, for in Kansas there were too many reminders of that which their parents had escaped and from which they wished to flee. Kansas was too near the former slave belt, too accessible to disgruntled southerners, who, deprived of their slaves, were inculcated with an easily communicable virus, nigger hatred. Then, too, in Kansas all Negroes were considered as belonging to one class. It didn't matter if you and your parents had been freedmen before the Emancipation Proclamation, nor did it matter that you were almost three-quarters white. You were, nevertheless, classed with those hordes of hungry, ragged, ignorant black folk arriving from the South in such great numbers, packed like so many stampeding cattle in dirty, manure-littered box cars.

From all of this these maternal grandparents of Emma Lou fled, fled to the Rocky Mountain states which were too far away for the recently freed slaves to reach, especially since most of them believed that the world ended just a few miles north of the Mason-Dixon line. Then, too, not only were the Rocky Mountain states beyond the reach of this raucous and smelly rabble of recently freed cotton pickers and plantation hands, but they were also peopled by pioneers, sturdy land and gold seekers from the East, marching westward, always westward in search of El Dorado, and being too busy in this respect to be violently aroused by problems of race unless economic factors precipitated matters.

So Samuel and Maria went into the fast farness of a little known Rocky Mountain territory and settled in Boise, at the time nothing more than a trading station for the Indians and whites, and a red light center for the cowboys and sheepherders and miners in the neighboring vicinity. Samuel went into the saloon business and grew prosperous. Maria raised a family and began to mother nuclear elements for a future select Negro social group.

There was of course in such a small and haphazardly populated community some social intermixture between whites and blacks. White and black ga... --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

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I read the first few pages and was hooked.
David Daniels
She realizes that she can't change things and that she will just have to accept it and love herself for the way she is.
For me it was an heartfelt and also tragic story in many ways for the main character Emma Lou!

Most Helpful Customer Reviews

19 of 19 people found the following review helpful By EarlRandy on August 26, 1999
Format: Paperback
It is a real shame this book is a "lost" classic. The characters in this book are so real I feel I might see them walking down the street.
The only flaw I can spot in Thurman's book is an over reliance on exposition. I understand he probably wished to keep the story moving and he had a lot of ground to cover, but this story just screamed for more conversation between the characters. Besides, Thurman, also a playwright, is a master at conversation.
If you are reading this, then you obviously have some sort of interest in the theme. If that's true, you owe it to yourself to read this book. I read it over a 24-hour span. I bought it for my fiance, but when I opened the box and read the first few pages, I was hooked. I told my fiance that she would have to wait until I finished it before she could get it. Luckily, it was so engrossing, I finished it the next day.
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26 of 28 people found the following review helpful By Journey on May 25, 2005
Format: Paperback
I am not afraid to look the reality of colorism in the eye and acknowledge that it does exist within the black community. It is my greatest hope and dream that someday the dark skinned black and the light skinned black will be seen as the one family in the future. I want so much to love the lightskinned sister and brother as my own reflection and not be divided from them or made to feel that one is treated better than the other, but sadly, that day is not here and this book bravely and powerfully illustrates that point to the fullest.

I am a medium brown colored woman, my mother was very dark skinned and I have witnessed the evils of skin color prejudice all my life. In most situations, it was Black Men who were prejudiced against myself and the women around me beccause of our coloring. These men felt no shame or limit in their racist intra-family prejudice and measured their entire lives by how many light skinned or white women they could attain and how light brite their children could come out. It's everywhere and anyone who denies it is both a fool and a liar.

That is why I highly recommend THE BLACKER THE BERRY by Wallace Thurman. There is no truer portrait of the self-hatred among our people than the one extolled in this book, and what makes it even sadder is that this book was written in the 1920's. So that only shows how deep this kind of evil runs.

Lately, I have become very interested in this subject and I have searched for other books that explore this subject with intelligence, honest, beauty and wisdom and I have found several that I consider to be classics on the subject of Colorism.

(1) MARITA GOLDEN'S book "Don't Play In the Sun" is definitely the most modern up to date book of the bunch.
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13 of 14 people found the following review helpful By Corris Williams ( on July 5, 1998
Format: Paperback
The Blacker the Berry is a truly classic novel and one from a great time period - the Harlem Renaissance. Wallace Thurman weaves an unfamiliar tale of a African American woman who struggles with her skin color, the acceptance of family members and racism within the black community.
At the time "The Blacker the Berry" was written, it was the first novel of its kind to address issues widely known among the black community, but never discussed.
It's about a young woman, Emma Lou, who's darker skin tone brings anguish and breeds hatred not only for herself but from her lighter skinned relatives. Set in the 1920s, the main character travels from Boise, Idaho to Harlem, New York in hopes of escaping her problems back home. However, she only runs into deeper problems in a new city.
The "Blacker the Berry" shares with us her journey for self love and social equality. Every woman of any race or background can relate to this book in some manner. After reading the novel, I encouraged all of my friends to examine their own views on skin color and share them with others in hopes of breaking down barriers and unwanted stereotypes. It was a wonderful book and I enjoyed reading it because it was very descriptive about Harlem - my original home town.
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7 of 7 people found the following review helpful By A Customer on November 30, 2000
Format: Paperback
I've read this book several times and as an African-American who has dealt with this issue as a teenager, let me say that Black readers must beware! If you are among those looking for escapism, "positive images," and bourgeois fantasies, then read Ebony magazine- this is NOT the book for you. If you are looking for RAW reality that may cause you some discomfort but will AT LEAST make you think about your subconscious beliefs and bring about some serious self-examination, then GO for it! This and Carter G. Woodson's "Miseducation of the Negro" should be in every black person's home!
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4 of 4 people found the following review helpful By Erren Geraud Kelly on August 18, 2001
Format: Paperback
black people can be as cruel to their own as the white man, if not worse...this novel does an excellent job of pointing out racism between blacks of different shades, african-americans against africans, and upperclass blacks against lowerclass blacks.... by making emma a snob, wallace made her a believeable character instead of a martyr...also check out the way he send up the leading figures of the harlem renaissance ( langston hughes, zora neale hurston ) he shows harlem for the magical black mecca it is, and he doesnt have to exaggerate on it...i couldn't find anything wrong with it.
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