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32 of 36 people found the following review helpful:
4.0 out of 5 stars
Better Than I Expected, May 8, 2003
I've been increasingly disappointed in Anne Rice's books. It seems that she, like many authors, is wonderful at starting an engrossing series and less able to continue with it. _Blackwood Farm_, however, harkens back to some of her eariler work lends fresh blood (heh heh) to the Vampire Chronicles. Quinn Blackwood, a young (both in human age and in terms of his "change") vampire, has a problem. As long as he can remember, he's been haunted by a sometimes loving and sometimes malicious spirit whom he calls Goblin. Since Quinn's change, Goblin has become more sinister and more powerful. Quinn seeks out the most famous and powerful vampire he knows of -- Lestat, in quite a good cameo role -- to help him put an end to the spirit who is threatening Quinn's mortal friends and relations. What I liked best about this book is that it's essentially Quinn's tale of growing up among the people and ghosts of a rich southern family -- a family with its own mysteries and legends. The characterization of people, spirits and place is deftly handled. In fact, this is one of the things I think Anne Rice does best: weaving character and setting together into a specific atmosphere, and I was glad to see her get back to it after neglecting the practice in her last few novels. I also liked the way she brought together her two major New Orleans mythologies -- the Vampires and the Mayfairs (although it still seems a bit contrived to me, the way that everyone seems to be a member of one or the other group.) I was glad to see what became of Mona Mayfair, as well as Rowan and Michael. I think, however, that it would be difficult to understand everything that was going on without having read the three Mayfair Witches books; a lot of reference was made to the events in those and I know I would have been confused and distracted had I not read them. Another thing I liked was that in _Blackwood Farm_, Rice relies a lot less on the same old tired vampiric events to move the story along. Not only is Quinn a new vampire completely unrelated to and even (for the most part) unaware of the vampires we know from former books, but also his transformation doesn't take place until relatively late in the story. So there's quite a bit less of the Blood-Hunt-Identity Crisis-Yikes I'm Immortal! flavour of some of the more recent vampire chronicles. We still have the requisite Scholarly Tweedy Englishman of a Certain Age to represent the Talamasca. And we're still dealing with people who, even as mortals, have more money than God, which sometimes makes the story hard to swallow. (I wish sometimes we could follow the adventures of a working class vampire who was not so ready to give up his culture of origin.)The predictable ending gets points for getting rid of a character who never should have existed in the first place but loses some points for transforming yet another interesting mortal. On the whole, though, I liked _Blackwood Farm_. It actually reminded me of _Interview with a Vampire_ more than any of the other books. I think most people who like Anne Rice will enjoy it.
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29 of 34 people found the following review helpful:
1.0 out of 5 stars
It's official: I give up on Anne Rice, February 1, 2003
Long ago, after reading "The Tale of the Body Thief" I pooh-poohed my disappointment with that work by reasoning that every author has her bad novel. I optimistically hoped that book had been the one and only. Alas, her later works have shown me that "Thief" was proof that all Ms. Rice's best tales had already been told and that she is now a dry well. Like another reviewer admitted before me, I was drawn by the first pages of this novel. This powerful fledgling vampire seeks out Lestat for his help, hoping that the Brat Prince won't obliterate him on the spot for his audacity. "Sounds great," I thought. "Will Lestat glower at him, making him fear for his preternatural life? Will he toy with Quinn, allowing him to tell his tale with the promise to spare him if it moves him sufficiently?" No, nothing so interesting occurs. Lestat is instantly drawn to this young creature, declaring himself in love. (As does every other stinkin' character of hers do regarding every other character. Lestat loves Quinn; Lestat loves Aunt Queen; Quinn loves Stirling; Quinn loves Mona; Mona loves Quinn. Doesn't anyone in Rice world ever take an instant dislike to people?!) We are then "treated" to pages and PAGES of Quinn's spoiled brat life story, only to get the sense that Ms. Rice herself got bored with her own tale and slapped a hurried ending onto it to get to the publisher's in time. Whereupon the editors must not have had time to do any cutting, because that had to have been the biggest look-how-many-words-I-can-spew fest she has indulged in to date. So spare yourself the heartbreak. Cling tightly to those early Rice vampire novels and pretend she never wrote anything else. That's my plan.
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13 of 14 people found the following review helpful:
1.0 out of 5 stars
Poor writing. Worse character development. Fool's Gold., January 24, 2003
Okay. Come on people. Don't be blinded by the fact that this book was written by Anne Rice. Not everything she lays her hand to is golden. If anything, this book should prove that she does not have the "Midas Touch." It's obvious by this attempt that Rice believes she has a magic formula, into which she can plug any story, any character, and get positive results This book was a paltry attempt to bring a new character into the realm of the beautiful undead. Quinn is the typical Rice vampire - handsome and beautiful, androgynous in both appearance and sexual preference, educated, loves art, classical music, literature, and culture ... wait a second. Does this sound familiar? Why, Quinn is the modern-day version of Lestat, and Marius, and Armand, ... shall I go on? In short, if you are reading this book to catch a glimpse of a new vampire, you'll be sorely disappointed. He is the same vampire as all of them, with a different name. Obviously Rice has run out of ideas. The main character aside, the story is a great disappointment. Ninety percent of the book is wasted on covering the background of Quinn, which could have been covered in 100 pages or so. It is absolute drudgery through Rice's boring concept of elegance. The story's climax and "resolution" are finally reached in the last 30 pages of the book, but quite honestly even these were a flash in the pan, an absolute waste of energy. I had hoped that "Blood and Gold" was Rice's last failure, but apparently it wasn't.
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