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Aptly described by critic Roger Ebert as "a vomitorium of viscera,"
Blade II takes the express route to sequel success. So if you enjoyed
Blade, you'll probably drool over this monster mash, which is anything but boring. Set (and filmed) in Prague, the plot finds a new crop of "Reaper" vampires threatening to implement a viral breeding program, and they're nearly impervious to attacks by Blade (Wesley Snipes), his now-revived mentor Whistler (Kris Kristofferson), and a small army of "normal" vampires who routinely combust in a constant conflagration of spectacular special effects. It's up to Blade to conquer the
über-vamps, and both Snipes and director Guillermo del Toro (
Mimic) serve up a nonstop smorgasbord of intensely choreographed action, creepy makeup, and graphic ultraviolence. It's sadistic, juvenile, numbing, and--for those who dig this kind of thing--undeniably impressive. With the ever-imposing Ron Perlman as a vampire villain.
--Jeff Shannon
Guillermo del Toro, whose last project was the near-perfect ghost story "The Devil's Backbone," returns with this giddily absurd comic-book extravaganza, which is darker and displays more devilish wit than the original. The action scenes brim with bravura camera movements that seem influenced by the great Japanese
anime directors; Wesley Snipes, as Blade, shows up for some razor-sharp swordplay and throws his spectacular body around like a pumped-on-steroids Baryshnikov. The story is pulpy nonsense about vampires fighting super-vampires, but the film's anything-goes pop carnage is a horror fan's delight. -Bruce Diones
Copyright © 2006
The New Yorker