Blank Generation [Extra tracks]

Richard Hell, Richard Hell and The Voidoids | Format: Audio CD

Product Details

• Audio CD (May 18, 1990)
• Number of Discs: 1
• Format: Extra tracks
• Label: Sire / Warner
• ASIN: B000005JB1
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (53 customer reviews)
• Amazon Best Sellers Rank: #10,257 in Music (See Top 100 in Music)
  • #16 in Music > Indie Music > Alternative Rock > Hardcore & Punk
  • #45 in Music > Indie Music > Alternative Rock > General
  • #49 in Music > Alternative Rock > Hardcore & Punk > American Punk

Editorial Reviews

No Description Available
No Track Information Available
Media Type: CD
Artist: HELL,RICHARD & VOIDOIDS
Title: BLANK GENERATION
Street Release Date: 05/29/1990
Domestic
Genre: ROCK/POP

Customer Reviews

Most Helpful Customer Reviews

29 of 31 people found the following review helpful:

5.0 out of 5 stars Only 2 bleeding albums in 25 years, December 7, 1999

By 

Tom (Cambridge, England) - See all my reviews

This review is from: Blank Generation (Audio CD)

As the most bone idle feckless self-absorbed pretentious drug sponge of the CBGBs mid-70s scene except possibly for Tom Verlaine, Hell's records should have been dreadful. Jazz-punk, French Decadent poetry, sixth-form nihilism - it should be Sting on skag, that bad. But almost all of the Voidoid's exceedingly limited output is fantastic, particularly this his first record. He swings with existential angst, on "Blank Generation". He screams smuttily, on "Love Comes in Spurts". He gurgles, entreats, and howls, before choking his guts up, on "Another World". And then he croons "All The Way" as the last drunks get carried out of the downtown dropout disco at dawn. The Voidoids (Ivan Julian, Bob Quine and Marc Bell) are not what you expect of punk pioneers. They crank out a racket when required, but then turn off at right angles. Even when they make a real row it's angular and jazzy. They could have backed Julie London, James Brown or Iggy without a second thought, and that gives Hell absolute freedom to make whatever noise he likes. Everyone goes on and on and on about Quine, but he is quite an amazing player. He flips about between hideous noise, classic Rock'n'Roll, 50s swing, bebop, jazz-funk and whatever else within the space of an 8 bar break. Every picture you ever see of him he looks like someone's dad but he is the business.

Like Marquee Moon, Blank Generation is not what you expect punk rock to be, not if you've been used to the UK Subs, or the Damned, or Nirvana, or Green Day. It's trickier, sharper, funnier and more surprising in any way you can think of. And it swings. So it's a crying bloody shame Richard Hell only made one and a half other blasted records, the lazy get.

16 of 17 people found the following review helpful:

4.0 out of 5 stars One of punk's best debuts, July 25, 2005

By 

TimothyFarrell22 (Massachusetts) - See all my reviews

This review is from: Blank Generation (Audio CD)

Before the Sex Pistols came along, the Punk movement was very different. It wasn't about nihilism or politics, it was created to prove that no matter who you are, you can still create a damn good rock 'n' roll record. Hence, Iggy & the Stooges, the Ramones, Patti Smith, Richard Hell, and others were given a chance to shine that wouldn't have happened in almost any other movement. Aside from Patti Smith, NY's punk poet laureate was Richard Hell. Like many other bands from the CBGBs, Hell knew how to blend intelligent and witty lyrics with strait ahead rock 'n' roll. He even gave a name for the movement, crowning it the "Blank Generation". His lyrics were unique at the time, and perfectly painted a portrait of the scene at the time - a group of aimless misfits who decided to begin their own counterculture that embraced both the Beats and pre-Beatles rock 'n' roll. While they were revolutionary and mavericks, it was a different kind of revolution than what would take place a few years later with the British punk rock scene. Anyone who claims the Sex Pistols invented punk is incredibly misguided.

10 of 10 people found the following review helpful:

4.0 out of 5 stars essential 70s punk rock, November 30, 1999

By A Customer

This review is from: Blank Generation (Audio CD)

Richard Hell and the Voidoids produced a sound which was uniquely punk and yet unlike anything else around at the time. In a sense, they sounded like they looked; the album cover photos show them as having been pioneers of a punk visual style - a kind of torn apart look. Hell's vocals consisted of a nasely sneer; his singing range is limited, yet it is somehow appropriate to his skronky yet poppish, detachedly nihilistic tunes. The sound of the Voidoid was the sound of simple Ramones-like rhythms (though slower), Hell's yelping vocals, and dual lead guitars producing a wide variety of sometimes tuneful, sometimes atonal, noises. The overall result is somehow catchier than it ought to be. Blank Generation's title song, something of a punk anthem, is one of the standout tracks. Love Comes in Spurts, Who Says (it's Good to be Alive), Down at the Club, and New Pleasure are also among the great tunes on an important and still cool sounding record.