Amazon.com Review
A cross-cultural meeting between Middle America and Cambodia,
A Blessing Over Ashes is an unusual story that combines classic coming-of-age events with the sad history of a young refugee from the devastated Cambodia of the last decades. Soeuth--the refugee--came to live with the Fifield family at the age of 14. Adam, the family's eldest son, narrates the story in conversational slang; reading this book is like listening to an old friend tell his surprising life story. Beginning chapters alternate between Adam and Soeuth's childhood, and the differences are striking, often disturbing: afternoon shopping trips contrasted with work camps, cultural events with exchange students compared with starvation and severe beatings. As they attend school together (Soeuth tutoring Adam in math) and fish (Soeuth successfully with his bare hands, Adam unsuccessfully with rod and reel), they become somewhat closer, but throughout the book there is a sense of distance from Soeuth, a feeling that he is not communicating deeply with anyone. Both boys move through their lives--Adam as a reporter, Soeuth as a mechanic--experiencing relationship troubles, cross-country moves, career frustrations, a marriage, and other fairly standard events. After years believing his Cambodian family dead, Soeuth discovers many relatives are still alive and struggling, and he is able to establish contact with them, which sadly seems to bring more responsibility and guilt than satisfaction. Ending the book on a humorous note, a conversation about a fortune teller and his prediction for Soeuth's life is a hopeful glimpse into what the future may bring now that his two worlds have been brought together.
--Jill Lightner
--This text refers to the
Hardcover
edition.
From Publishers Weekly
Just after Christmas 1984, Soeuth Saut, a 14-year-old Cambodian refugee, arrived at the Fifield home in windswept Vermont. Much to the puzzlement of Adam Fifield, then 11, his newly adopted big brother was a taciturn boy who eluded his American family's affections and never discussed the country he came from. To dramatize the gaping differences in their backgrounds, Fifield uses short, alternating chapters depicting his carefree life in the lush Champlain Valley and the grim chronicle of Soeuth's coming-of-age under Pol Pot. While Fifield's descriptions are tediously detailed (when the Fifields take Soeuth to see the film The Killing Fields, for example, we learn where they sit in the theater, who sits next to whom and how the popcorn is shared), he provides little historical background for those unschooled in the complexities of Cambodian history. This peculiar approach makes for particularly baffling reading in the sections that report on Soeuth's return to Cambodia when, 14 years after his departure, he learns that his family is alive. Though Fifield was not present, his narration is peppered with phrases that are oddly omniscient: "Soeuth sat next to his mother on the bed, his hands still in his lap. His mother smiled quietly, her weary, wrinkled face, her soft dark eyes, telling him a thousand things." Yet a clear depiction of the political forces behind young Soeuth's life in labor camps and his long searches for his family in Cambodia before his adoption, as well as the tensions that persist and endanger him on his later returns, remain, much like Soeuth is to Fifield, frustratingly elusive. (July)
Copyright 2000 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.