The Blind Assassin [Deckle Edge] [Hardcover]

Margaret Atwood (Author)

Book Description

Publication Date: September 5, 2000

Margaret Atwood takes the art of storytelling to new heights in a dazzling new novel that unfolds layer by astonishing layer and concludes in a brilliant and wonderfully satisfying twist.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious.

The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura's story, Atwood introduces a novel-within-a- novel. Entitled The Blind Assassin, it is a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. When we return to Iris, it is through a 1947 newspaper article announcing the discovery of a sailboat carrying the dead body of her husband, a distinguished industrialist.

Told in a style that magnificently captures the colloquialisms and clichés of the 1930s and 1940s, The Blind Assassin is a richly layered and uniquely rewarding experience. The novel has many threads and a series of events that follow one another at a breathtaking pace. As everything comes together, readers will discover that the story Atwood is telling is not only what it seems to be--but, in fact, much more.

The Blind Assassin proves once again that Atwood is one of the most talented, daring, and exciting writers of our time. Like The Handmaid's Tale, it is destined to become a classic.

Editorial Reviews

Amazon.com Review

The Blind Assassin is a tale of two sisters, one of whom dies under ambiguous circumstances in the opening pages. The survivor, Iris Chase Griffen, initially seems a little cold-blooded about this death in the family. But as Margaret Atwood's most ambitious work unfolds--a tricky process, in fact, with several nested narratives and even an entire novel-within-a-novel--we're reminded of just how complicated the familial game of hide-and-seek can be:

What had she been thinking of as the car sailed off the bridge, then hung suspended in the afternoon sunlight, glinting like a dragonfly, for that one instant of held breath before the plummet? Of Alex, of Richard, of bad faith, of our father and his wreckage; of God, perhaps, and her fatal, triangular bargain.

Meanwhile, Atwood immediately launches into an excerpt from Laura Chase's novel, The Blind Assassin, posthumously published in 1947. In this double-decker concoction, a wealthy woman dabbles in blue-collar passion, even as her lover regales her with a series of science-fictional parables. Complicated? You bet. But the author puts all this variegation to good use, taking expert measure of our capacity for self-delusion and complicity, not to mention desolation. Almost everybody in her sprawling narrative manages to--or prefers to--overlook what's in plain sight. And memory isn't much of a salve either, as Iris points out: "Nothing is more difficult than to understand the dead, I've found; but nothing is more dangerous than to ignore them." Yet Atwood never succumbs to postmodern cynicism, or modish contempt for her characters. On the contrary, she's capable of great tenderness, and as we immerse ourselves in Iris's spliced-in memoir, it's clear that this buttoned-up socialite has been anything but blind to the chaos surrounding her. --Darya Silver

From Publishers Weekly

Family secrets, sibling rivalry, political chicanery and social unrest, promises and betrayals, "loss and regret and memory and yearning" are the themes of Atwood's brilliant new novel, whose subtitle might read: The Fall of the House of Chase. Justly praised for her ability to suggest the complexity of individual lives against the backdrop of Canadian history, Atwood here plays out a spellbinding family saga intimately affected by WWI, the Depression and Communist witch-hunts, but the final tragedy is equally the result of human frailty, greed and passion. Octogenarian narrator Iris Chase Griffen is moribund from a heart ailment as she reflects on the events following the suicide in 1945 of her fey, unworldly 25-year-old sister, Laura, and of the posthumous publication of Laura's novel, called "The Blind Assassin." Iris's voiceDacerbic, irreverent, witty and cynicalDis mesmerizingly immediate. When her narration gives way to conversations between two people collaborating on a science fiction novel, we assume that we are reading the genesis of Laura's tale. The voices are those of an unidentified young woman from a wealthy family and her lover, a hack writer and socialist agitator on the run from the law; the lurid fantasy they concoct between bouts of lovemaking constitutes a novel-within-a-novel. Issues of sexual obsession, political tyranny, social justice and class disparity are addressed within the potboiler SF, which features gruesome sacrifices, mutilated body parts and corrupt, barbaric leaders. Despite subtle clues, the reader is more than halfway through Atwood's tour de force before it becomes clear that things are not what they seem. Meanwhile, flashbacks illuminate the Chase family history. In addition to being psychically burdened at age nine by her mother's deathbed adjuration to take care of her younger sibling, na ve Iris at age 18 is literally sold into marriage to a ruthless 35-year-old industrialist by her father, a woolly-minded idealist who thinks more about saving the family name and protecting the workers in his button factories than his daughter's happiness. Atwood's pungent social commentary rings chords on the ways women are used by men, and how the power that wealth confers can be used as a deadly weapon. Her microscopic observation transforms details into arresting metaphors, often infused with wry, pithy humor. As she adroitly juggles three plot lines, Atwood's inventiveness achieves a tensile energy. The alternating stories never slacken the pace; on the contrary, one reads each segment breathlessly, eager to get back to the other. In sheer storytelling bravado, Atwood here surpasses even The Handmaid's Tale and Alias Grace. BOMC main selection; author tour.
Copyright 2000 Reed Business Information, Inc.

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Product Details

• Hardcover: 544 pages
• Publisher: Nan A. Talese; First American Edition edition (September 5, 2000)
• Language: English
• ISBN-10: 0385475721
• ISBN-13: 978-0385475723
• Product Dimensions: 9.4 x 6.6 x 1.7 inches
• Shipping Weight: 2.2 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (432 customer reviews)
• Amazon Best Sellers Rank: #208,742 in Books (See Top 100 in Books)

More About the Author

MARGARET ATWOOD, whose work has been published in over thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid's Tale, her novels include Cat's Eye, shortlisted for the Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; and her most recent, Oryx and Crake, shortlisted for the 2003 Booker Prize. She lives in Toronto with writer Graeme Gibson.

Customer Reviews

Most Helpful Customer Reviews

64 of 67 people found the following review helpful:

5.0 out of 5 stars If this book doesn't win the Booker Prize...., October 23, 2000

By 

Mary Whipple (New England) - See all my reviews
(COMMUNITY FORUM 04)    (TOP 100 REVIEWER)    (HALL OF FAME REVIEWER)   

This review is from: The Blind Assassin (Hardcover)

If this book doesn't win the Booker Prize, then Margaret Atwood will never get to give Thomas Mallon his much-deserved comeuppance for the snide review he wrote of it for the New York Times Book Review. Because I respect Mallon and have enjoyed more than one of his books, I took this review to heart (fool that I am), wasting several weeks before discovering for myself how much fun I've been missing out on! Perhaps, however, Mallon was just playing the role of "The Blind Assassin" when he wrote it.

Because of the number of excellent plot summaries already posted here, I'll save the space and not repeat them. Atwood's female characters here are as complex and intriguing as they are in Cat's Eye. Her descriptions are so specific that every aspect of the setting comes vibrantly to life, and it is easy to imagine every detail (yes, even the much maligned simile of a loaf of bread as bland-tasting "as an angel's buttock").

The plot evolves on three distinct, but parallel, plains, giving a triple whammy to Atwood's themes, while several different time frames keep the story full of mystery and excitement. Best of all, Atwood brings all the threads of the story together for a truly thrilling, rock 'em, sock 'em grand finale. If you've been wondering why the odds are so good that Atwood will win the Booker, read the book. This will certainly NOT be a consolation prize! Mary Whipple

98 of 106 people found the following review helpful:

5.0 out of 5 stars Bleakly Beautiful, September 12, 2000

By A Customer

This review is from: The Blind Assassin (Hardcover)

I admit to being an Atwoodaholic--I wrote my master's thesis on Surfacing and paid double the price to have Alias Grace shipped to me from Canada in advance of its US publication date. As such, I devoured her newest novel in two sittings, despite its 500+ page length. It has left me feeling bleak and, in the words of the book's narrator "scraped clean inside." This is a beautifully structured book, involving three (perhaps even four) narrative layers that play off of each other to build a terrifying commentary on love, passion, sisterhood (both the biological and, by extension, emotional kinds), and betrayal. The book contains the closest thing to a love story Atwood has ever written, and it's a harrowing one that will sneak up on you and devastate you in the end. With the primary action being set between WW I and WWII, the novel also offers a final comment on the twentieth century: humanity's culpability in creating, destroying, and creating again, and on the quiet moments of beauty that are possible (temporarily) among the rubble.

This is a great book, a worthy successor to the wonderful Alias Grace. Read it at your own emotional risk, but READ IT.

82 of 88 people found the following review helpful:

5.0 out of 5 stars Atwood's Booker is no 'blind attempt'!, November 8, 2000

By 

Billy J. Hobbs "Bill Hobbs" (Tyler, TX USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: The Blind Assassin (Hardcover)

Not having read the other nominees, I can't compare, but the announcement that "The Blind Assassin" by Margaret Atwood has won this year's Booker Prize, I am not surprised. Atwood, having already written over a dozen novels, poetry, children's books, and some non-ficition, comes through with her latest in grand manner. A prolific writer she is indeed. That said, "The Blind Assassin" is an adventure--not to mention quite an ambitious undertaking--to read. Included in her convoluted plot line is a "novel within a novel" (see Reginald Hill's "Arms and the Women"!)--so be prepared to pay attention. Atwood's style of writing, however, is anything but convoluted; it is straight forward, but complicated, with expertly created characters.

The book is told by Iris who recounts her sister's death in Toronto in 1945, when she drives her car off a bridge. The inquest indicates that the death is accidental. Then Atwood introduces us to her "novel within a novel" entitled "The Blind Assassin." Told by a pair of anonymous lovers, the book stretches into science fiction--absorbing on its own as an intriguing story! What seems amazing about this work is the expert craftsmanship that Atwood possesses (and presemts), although, given her reputation, that is not surprising. She also captures the 1930s-40s atmosphere quite well, too! The novel is tiered, and the author explores each level, one by one, until the final pages.

With her themes of greed, love, and (inevitably) revenge, the story is right out of the Greek tragedies (well, actually, not, as "tragic" is not really exploited!). Be prepared to spend some time with this work--but it will be time well spent. What an intriguing novel! ([e-mail])