Customer Reviews

Blind Singer Joe's Blues: A Novel

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More truth in reviewing: I know the author too, and I knew he could make a fiddle sing like God's choir of spring-morning birds -- but I had no idea he could do the same thing with mere words of clay. Blind Singer Joe's Blues sings through hard-bitten characters and hard times; through soul-searching, generosity, orneriness and forgiveness; and through the greenbrier thicket of family ties.

Taylor eases the reader through viewpoint, time and place, just as a tune effortlessly weaves from chorus to verse and back again. The plot unfolds so sparely that you wonder at how he creates such a complex tapestry in such a small space.

His characters -- Hannah Ruth, Pink Miracle, Dudley Crider and his mama Pearlie, Mama Bayless, Emmett and Amelia Holt -- reveal themselves, their stations, their hopes and beliefs through their language, all of it sounding as true as a tuning fork, as when Dudley gives a piece of his mind to the toddler, Singer Joe: "We are Criders and don't have no fear, he told the boy, and he imagined some of O.T., some of Uncle Crockett and Uncle U.S., some of Daddy, some of himself, yes, and then all the Criders before them, grandaddies and grandmamas by the score, crowded up in Singer Joe's veins."

Religious passion and personal passion meet sorrow and self-denial and all of it makes up the blues that are the fabric of Singer Joe's life.

Start this book on Friday night; you'll want the weekend to finish it.

I couldn't put this beautifully-crafted book down once I started it. Robert Love Taylor's masterful handling of perspective and dialogue, his insightful and sympathetic development of characters, and the precise perfection of the language throughout make this a rare gem. You won't find its match in evoking the feel of music. I loved it.

Truth in reviewing: I am acquainted with the author, but haven't seen him in ages. Years ago he promised another novel with the old-time fiddler character Pink Miracle from his earlier book, THE LOST SISTER, and he has finally delivered. It is well worth the wait: it is highly readable and atmospheric, filled with memorable people. It's about souls who may seem kind of marginal in global and universal schemes but who find a way to be heard, to matter in the middle of it all.

Taylor has drawn on family history and legend out of his ancestral territory of Oklahoma and the mountains of eastern Tennessee for his past books. In this new work, in which he is at the top of his powers as a storyteller and fiction stylist, he looks at the early 20th century country folks who poured their lives into the songs that became the modern bluegrass, jazz and folk traditions. The jazz musician of the title and his blues are the legacy of the stories that flow together in this narrative, swirling around a restless songbird teenage mother who deserts him as well as everyone else in her life.

I confess to having been haphazardly acquainted with bluegrass music through occasional street festivals and local arts events. Coincidentally, as I was reading BLIND SINGER JOE'S BLUES, an Alison Krauss concert video was brought into the house. Listening and reading at the same time, I realized just how much Taylor's novel is alive with the music and explains how it got that way; and Krauss, well, she and bluegrass have a new fan.

Blind Singer Joe's Blues is a novel set in the birthplace and time of modern American music. The complex and all-too human characters whose live play out against this backdrop are the musicians who create what we now call blues, rag-time and country music.

The author's deep knowledge of the music of that era is obvious throughout. It complements his ability to draw strong portraits of the characters and an engrossing story line.

I enjoyed this book immensely. Highly recommended.