From Publishers Weekly
Waldrop is the author of more than 15 collections of poetry and 20 books of translations (including Edmond Jabs's seminal The Book of Questions) and a professor at Brown University who has mentored an entire generation of poets. She takes her latest title from a neurological condition in which a person sees more than they are aware of-but adds an intersubjective twist. Addressing the various arcs of life and mortality, the book is intricately sectioned, with parts either dedicated to or containing epigraphs from peers and former students such as Charles Bernstein, Mei-mei Berssenbrugge, Cole Swenson, Jennifer Moxley, with individual poems within the sections dedicated to more of Waldrop's poet acquaintances, creating a complex layering of poetic connections and perceptions. "H"lderlin Hybrids" is a sort of tribute to the German master, while the second section of the book, "As Were," experimentally recreates lives of figures such as da Vinci, Goethe and Mallarm. Waldrop also draws from contemporaries to create collaged poems indelibly marked with her own philosophical, and often deeply beautiful, language, infused with doubt: "taking your hand, or someone's/ for fear that writing/ though waiting for it, would/ make me a shadow,/ or from fatigue, worthy/ of the dark."
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Review
A distinctly American voicequick-witted, conversational, and visually concrete...a poetry that pleases no less than it puzzles. --
VLSRosmarie Waldrop is one of America's finest formalists. ...Waldrop's poems enact what most poets only describe. --
Ben Lerner, NO: A Journal of the Arts, 26 June, 2005Rosmarie Waldrop is true to her exploration....the new surprise around the bend of the next line propels us on. --
Thomas F. Dillingham, American Book Review, September/October 2004The book has a density that most poetry today does not come near achieving. Go out and buy it. Now. --
Tony Fraser, Shearsman, Summer 2004Waldrop's sparse, twisted, and wrenched language is a precise and original tool for rendering...intimate emotions, graphic images, and philosophical speculation. --
Michigan Quarterly Review, John Taylor, Spring 2005Waldrop...create[s] collaged poems indelibly marked with her own philosophical, and often deeply beautiful, language. --
Publishers Weekly, 27 October 2003Waldrop...demonstrates how vital a prose poem can be in the hands of someone who fully understands it. --
William Doreski, Harvard Review[Waldrop's] verse swerves, varies, comes back to itself, and...delights in a very human quirkiness. --
Laura Wright, Poetry Project Newsletter, Feb/March 2004