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The Blonde Geisha [Paperback]

Jina Bacarr (Author)
3.0 out of 5 stars  See all reviews (22 customer reviews)

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Book Description

August 1, 2006
The early summer of 1892 brought a heavy rainy season that year in Japan. Plum Rain, the Japanese called it, because it comes when the fruit bulges with ripeness and promise. Like a young girl reaching womanhood.

A girl like me.

In the ancient Japanese tradition of beauty and grace, sex and erotic fantasies are hidden secrets that only a select few may learn, and which are forbidden to foreigners. But when a threat to her father's life puts her own in jeopardy, young Kathlene Mallory is sent to live in safety at the Tea House of the Look-Back Tree, where she is allowed to glimpse inside the sensual world of the geisha.

During the years of her training in the art of pleasuring men, Kathlene's desires are awakened by the promise of unending physical delights, and she eagerly prepares for the final ritual that will fulfill her dream of becoming a geisha — the selling of her virginity. The man willing to pay for such an honor, Baron Tonda, is not the man for whom Kathlene carries a secret longing, but he is the man who will bring ruin to the teahouse, and danger to Kathlene, if he is disappointed….


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Editorial Reviews

From Publishers Weekly

Set in Japan in the 1890s, this first novel from Bacarr (The Japanese Art of Sex) reflects the author's affection for Japanese culture, even as she plays to the Western misconception of the geisha as prostitute. As a gaijin (foreigner) in Kyoto, Kathlene Mallory—a 15-year-old green-eyed blonde—implausibly dreams of becoming a sexy geisha. When Kathlene's imperiled father must leave Japan, he persuades his mistress, the owner of the Teahouse of the Look-Back Tree, to take Kathlene on as a maiko (apprentice geisha). Three years later, the nasty Baron Tonda wants to buy Kathlene's virginity before he kills her. After Kathlene falls in love with Reed Cantrell, a handsome young American, the thought of surrendering to the baron becomes even more odious. But if Kathlene doesn't comply, the baron will destroy the reputation—and livelihood—of the teahouse and all its inhabitants. Erotic romance fans should be prepared for lots of teasing and terms like "Buddha-seed," "pleasure bean" and "deepest core of your moon grotto." (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Excerpt. © Reprinted by permission. All rights reserved.

Kioto, Japan

1892

I couldn't tell anyone, not even the gods, but I was scared...really scared. Even before I got to the nunnery, I knew I had to escape. Though I respected the nuns for their piety and servitude, I wanted to be a geisha. Had to be. Didn't nuns shave their heads and their eyebrows, making their eyes bulge big and unnatural in their faces? I held on to my long hair, vowing never to let them cut it. Even more disturbing, nuns wore plain white kimonos. White was the color of death. Why was my father taking me to a nunnery? Why?

Was I being punished?

I didn't do anything wrong. Stroking myself until I found pleasure wasn't wrong, though I was often overcome with a rising desire, a hunger that threatened to explode within me. I wanted to love and be loved. Until then, I had so much sexual energy I had to do something to release it.

But not in a nunnery.

I can't go. Please.

The world of flowers and willows is my destiny, I wanted to tell my father, no other.Didn't the geisha possess the high qualities of heart and spirit? Didn't they inherit a compelling destiny? Didn't Father say I was uprooted from my homeland like a beautiful flower re-planted in uncertain soil? Didn't a geisha also leave her home to find her destiny?

But it was not to be. "Don't dawdle, Kathlene!" my father whispered harshly in my ear, pulling me through the railroad station, my small suitcase banging hard against my thigh. It hurt, but I didn't complain. I'd have a bruise on my leg by morning, but it wouldn't show through my white stockings.

Morning.Where would I be then? Why were we here now? What happened to my peaceful world? The girls' school in Tokio run by the Women's Foreign Missionary.

What happened?

Rain pelted me in the face. I had no time to anguish over what lay ahead of me. I noticed the lack of noise and scurrying all about me, as if everyone had disappeared in the mist. That was strange. Rain never stopped the Japanese from moving about the city as quickly as hungry little mice, seeing everything, nibbling at everything. They never thought of rainy days as bad-weather days, but rather a blessing from the gods because the rain kept their rice baskets full.

As I plodded through the empty train station with my pointy shoes pinching my toes, wishing I were wearing my favorite clogs, with the little bells, the ones my father bought for me in Osaka, my entire body throbbed with the slow, steady beat of the ceremonial drum. No, it was more like a sexual lightning that struck me at the oddest moments. Since I'd reached my fifteenth birthday, more and more often the hint of such pleasures came to me. When I bathed in the large cypress tub, I wiggled with delight when the warm water, smelling of citron and tangerine, swam in and around my vaginal area, teasing me with tiny sparks of pleasure.

And at night when I lay naked in my futon, the smooth silk lining rubbed against the opening between my legs, making me moist. I wished for a man who would fill me up inside so deeply the wave of pleasure would never end. I dreamed of the day I'd feel the strength of a man's arms around me, his muscles bulging, his hands squeezing my breasts and rubbing my nipples with the tips of his fingers. I smiled. I had the feeling the nuns would frown upon me thinking such delicious, sexy thoughts.

I asked, "Where is this nunnery, Father?"

"At Jakkôin Temple, not far from here."

It isn't far enough. "Why did we leave Tokio in such a hurry?"

"Don't ask me so many questions, Kathlene," Father said, popping up his large, black umbrella to keep the rain off us. "We're not out of danger yet."

"Danger?"I whispered in a soft voice, though I was certain my father heard me.

"Yes, my daughter. I couldn't tell you this before, but I've made a powerful enemy in Japan who wishes me great harm."

"Why would someone wish to harm you?"

I played with the torn finger on my glove, ripping it. I couldn't help it. I was worried about my father, terribly worried. A gnawing ache told me something worse than going to a nunnery had taken place.

"If you must know, Kathlene, a great tragedy has occurred," my father said, his voice muffled by the rain. His harsh words shot through me, making me hear the pain in his voice.

I dared to ask, "What do you mean?"

"A man has lost what is most dear to him and he believes I've taken it from him." My father looked around the railroad station, his eyes darting into every corner. "That's all I can tell you."

"What could you have done -- "

"Don't speak about what doesn't concern you, Kathlene. Something you're too young to understand," my father said, never looking at me, only at some hidden enemy I couldn't see. He held my hand so tightly my bones felt as if they would break.

"You're hurting me, Father. Please..." My eyes filled with tears. Not from the pain, but from the fear for my father's safety, making my heart race.

"I'm sorry, Kathlene," he said, loosening his grip. "I didn't mean to hurt you."

"I know," I said in a quiet voice, but the pain in my heart remained.

Father continued to look everywhere, then, satisfied the platform was empty except for the old stationmaster on duty at the wicket, he kept walking. Faster now.

I forced myself to put a skip into my step as I struggled to keep up with my father's long strides. He'd barely spoken to me on the long train trip from Tokio. His head turned right then left, checking to make certain I was at his side. Even now, he dragged me behind him, wet, hungry and tired. He continued to hold on to me tightly, so tightly, as if he feared he'd lose me. He grunted like an unhappy samurai, his head bowed low so no one would see his face.

That was so unlike my father. Edward Mallory was a giant of a man, towering over everyone. He had a booming voice that carried fast and far. Here, voices were as soft as stockinged feet scurrying across wooden floors so sensitive they creaked if a nightingale landed upon them.

My father was also pigheaded, stern, and he didn't understand me. How could he? I didn't see him as often as I wished. He worked for an American bank, he was proud to tell anyone who asked, investing the bank's money in this new land. The English had built the first railway and my father had to work hard to keep up with the competition. Every day more overseas banks were opening up branches, so he told me, and investing in the railway system spreading out over the island. He was often gone for days, meeting with officials from the Japanese government and ruling families, and drinking cup after cup of foaming green tea. Sometimes, he drank the tea with me. It tickled my mouth and made me giggle. Not my father. I doubted he ever laughed at anything.

"Stay close behind me, Kathlene," Father ordered, his voice stern. "The Prince has his devils everywhere."

"The Prince?" My curiosity was piqued. I'd heard my father had many meetings with the foreign minister and other dignitaries, but a prince? My heart quickened, my eyes glowed, then dimmed when I felt my father's body stiffen, his hand go rigid around the umbrella. "Forget what I said about the Prince, Kathlene. The less you know, the better."

I had no time to wonder what he was talking about. My stomach jumped when I saw a young man pulling a jinrikisha, racing out of the shiny blackness of a narrow street.

My father looked pleased, very pleased, to see him.

So was I.

Instead of wearing the cloak made of oiled paper the jinrikisha drivers wore in the rain, he was nearly nude, exposing his sinewy bronze flesh in the most delectable manner, as if he enjoyed showing off his muscular body to the rain goddesses. I imagined being a raindrop and landing upon his lips and tasting the sweetness of his kiss. I giggled. Kissing was very naughty to the Japanese, an intimacy they rarely exchanged, though I was eager to discover its pleasures.

I eyed the bulging muscles on the boy's arms, naked and pleasing to my eye, as were his powerful-looking legs. He ran barefoot with only a bit of rag tied around his big toe. What intrigued me most was the swath of dark blue cotton he wore around his torso. I giggled. It wasn't much bigger than the bit of rag.

Most days, the station was filled with jinrikisha boys waiting for passengers, Father told me, noticing my avid interest in the young man. They were well-informed runners who knew what stranger arrived when, whose house you were passing, what plays were coming out, even when the cherry blossoms would unfold. The station was empty today except for this boy, the only one brave enough to run in the rain.

He stopped in front of us and bowed low.

Dusty, bare-legged coolies, I often heard the English ladies call the jinrikisha drivers. How could that be? Not this boy. I closed my eyes, letting my mind drift through a whispering darkness. An irresistible urge rose up in me that made me yearn for something, something, but I couldn't grab on to it. As if an invisible spirit with cool fingers dropped icy dewdrops upon my naked belly and made me squirm with delight.

I opened my eyes. I couldn't contain my curiosity about the young man who pulled the big two-wheeled baby carriage. I craned my neck to see him better, but his face was hidden from me by a low-brim straw hat. No matter. I knew in my heart he was handsome.

A bigger surprise awaited me. Without a word my father hustled me into the black-hooded conveyance. I drew in my breath, somewhat in awe. Excitement raced through me. Only geisha were allowed to ride in jinrikishas. I swore I could smell the scent of the camellia nut oil from their hair lingering on the seats.

Closing my eyes and resting my head against the seat, I imagined I was a beautiful geisha. What would I do if I found a handsome young man when my frenzied sensations were at a peak, my face flushed, my breasts swollen, my nipples hard, my throat dry?

Would I lie ...


Product Details

  • Paperback: 378 pages
  • Publisher: Spice; Original edition (August 1, 2006)
  • Language: English
  • ISBN-10: 0373605102
  • ISBN-13: 978-0373605101
  • Product Dimensions: 7.8 x 5.1 x 1.1 inches
  • Shipping Weight: 11.4 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Best Sellers Rank: #481,621 in Books (See Top 100 in Books)

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Customer Reviews

22 Reviews
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 (3)
3 star:
 (1)
2 star:
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Average Customer Review
3.0 out of 5 stars (22 customer reviews)
 
 
 
 
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42 of 43 people found the following review helpful:
1.0 out of 5 stars The only book I've ever returned., August 4, 2008
This review is from: The Blonde Geisha (Paperback)
Seriously. I did not enjoy this book. I kept reading hoping it would get better.

You know how sometimes you don't really like a book, or you're not that into it, but you continue to read it because it has a really interesting character, or the idea is great and you are just waiting for it to get better, or you just have to read it for school. Well this book has none of those qualities. All the characters are dull and boring, the idea lost it's charm on like page 4 and if any teacher assigned this book for class, I would drop the class.

The book is about this American girl who is growing up in Japan in the late 1800's. Her father gets in trouble and leaves her at a geisha house. All this girl wants to do is have sex. She is always causing trouble because the okasan won't let her become a geisha and have sex. So after 200 pages of her fantasizing about having sex with just about every guy in the book, a Baron comes along and wants to sleep with her. What does this girl do? SHE SAYS NO!!!!!! She says that she doesn't want sex without love. Well that would have been nice to know 200 pages ago! It's not as if the Baron is old or ugly. He's wicked hot and rich and buddies with the prince. (he also wants to kill her, but she doesn't know that yet)

And It's not as if she is pissed because she is being forced to sell her virginity, like 10 pages before she met the Baron she was all "Oh when will you find someone to buy my virginity? I can't wait to have sex." ~that's not a direct quote. It's actually better than the stuff that is in the book.

It all became too much for me when this handsome stranger is trying to tell her about her dying father and she tries to sleep with him. Enjoy my re-enactment:

"I have come to tell you news from your father."
"Do you have a mirror in your pocket? Cause I can see myself in your pants!"
"Oh you geisha and your coy ways. Seriously, I have news from your dad."
"My dad! Sweet! I haven't seen him since he abandoned me to work as a geisha. I have spent the last 4 years learning various sexual positions and and the 47 ways to pleasure a man. Want me to show you?"
"47!!! Well....I desperately want to have sex, but first I will tell you about you dying father."
"Oh no! My father is dying? Whoops! My kimono fell off!"
"Ah sweet geisha I promised your father I'd bring you to him with your virtue intact....are those real? Screw the old man! Let's get it on!"

This book has no redeeming qualities. I'm not even interested in all the facts about Japanese culture, which I am normally fascinated by. Why? Because there aren't any in here.
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22 of 23 people found the following review helpful:
1.0 out of 5 stars An Inaccurate and Damaging Book about Geisha -- and Not Erotica, May 1, 2009
By 
Z. Marta (Los Angeles, CA) - See all my reviews
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This review is from: The Blonde Geisha (Paperback)
I agree heartily with Mia Leigh who said she would drop the course if a professor assigned this book (ps, just read Mia's excellent rework of the story :-). I live in Tokyo and have an in-depth knowledge of Japanese history and especially the Geisha world. This book bears little accurate knowledge. The main thing is that the word Geisha (as is mentioned only once and incorrectly at best) means "woman of art". (Also, in Kyoto (Kioto), they are called Geiko, not Geisha.) Geisha are performers of classical Japanese dance (there are no pirouettes! I am a nihon buyo dancer), music (shamisen and koto), flower arranging (ikibana), and tea ceremony (chanoyu). Oirans, or concubines, are the lovers and traders in sex. This book contributes to a negative and incorrect stereotype that geisha have been trying to correct and explain to Westerners for years and it is a horrible set-back. Please do not in any way take this as a book about geisha...Now, on to the poor writing. As others have already said, the characters are one-dimensional. The lead, Kathlene, spends hundreds of pages saying the same words about having sex. Only at the end of the book is there a worthwhile discussion of her wanting to be a geisha and what she has learned about duty and sacrifice (sort of). I like good sensual and sexual reads, but I wanted to yell STOP when there was a glimmer of a storyline and they went back to "jade stalks" and "sweet slits". Good erotica happens by contrast, good sex happens by contrast. This book just constantly rubs you the wrong way. And I finished the book only because I am obsessive/compulsive. Please do not spend the money and propogate these thoughts of what a geisha is not. Free the geisha!
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42 of 52 people found the following review helpful:
2.0 out of 5 stars Sex, Lies, and Sushi, September 23, 2006
By 
Ravenova (Washington, DC) - See all my reviews
This review is from: The Blonde Geisha (Paperback)
At the tender age of fifteen, Kathleen secretly dreams of entering the sensual world of the geisha where life is dedicated to beauty, grace, and eroticism. She longs for this exotic world where she believes her serendipitous dreams can be fulfilled and she can gracefully enter womanhood. Little does she suspect that her fantasies will be granted one rainy afternoon as she desperately flees from an unknown assailant with her father. In an attempt to shield Kathleen from this vengeful foe, her father hides her in a geisha house promising faithfully to return one day for his beloved daughter. As the days transform into years, Kathleen continues to await her father's return only to be continually disappointed by his absence. Concealing her bitterness and deep concern over her father's departure, Kathleen slowly discovers the enticing secrets of the geisha world and prepares to one day claim her place in that world; after all the tedious years of longing, she shall finally fulfill her ultimate desire to become a geisha. However, as she joyously approaches this event, ominous clouds loom overhead threatening to blot out her mirthful celebration and replace it with a mournful dirge.

I was originally interested in this novel due to the geisha theme. Having previously read many novels concentrating on geisha as well as indulging in factual books recounting the life of geisha, I was once again ready to embrace this bizarre world where everything is allowed except love and, therefore, happiness. However, despite the numerous interesting aspects inherent in this novel, I was disentranced by many crucial elements and overall was relieved to finally conclude the tale.

The first aspect that I deemed displeasing was the dialogue of the characters. In an attempt to sound oriental and exceptionally evocative of the erotic, the author often employed bizarre phrases causing the characters' dialogue to feel stiff and unrealistic. An example of this overdone phrasing can easily be located on page 273 where a character, describing her deep emotions stated, "If you leave the Teahouse of the Look-Back Tree, my heart will cry like the wail of my lute when a string breaks." Although it requires great talent to author such beautiful phrases, these phrases are not representative of the way in which actual people converse. Rather, the conversation often seemed strange and unrealistic thus detracting from the characters' dramatic emotions and the overall feel of the novel.

Another aspect that I found greatly displeasing was the lack of depth concerning the characters. The main focal point of the story was Kathleen's erotic desires and dreams, however, she did not appear to have any personality beyond this. Each character was afflicted with this same aliment and the author saw fit to leave them uncured. Although it was often stated that the characters' felt deeper more meaningful emotions, this was not displayed through their actions or statements; the characterization remained weak thus causing me to feel as though the characters were puppets, performing the actions the author dictated but not acquiring their own life. They remained static and uninteresting throughout the story.

Also, the main character of Kathleen often proved irritating as she pursued her rebellious teenage ways often becoming dramatically stuck between two worlds, the dutiful world of the geisha and the free spirited world she dreamed of where she was allowed to embrace love. Although this dilemma was intended to hold the readers' empathy and interest, I often found Kathleen's continual indecision annoying and inordinately selfish as her own foolish actions continually placed those around her in imminent peril.

Another heavily detrimental aspect perpetrated throughout this novel was the depth of Kathleen's love for the enigmatic Reed-san. Their love for each other defied the realistic world since they were mostly strangers to one another having only met briefly on occasions. However, they were both automatically spell bound by their supposedly earth shattering love and went through numerous difficult circumstances to reach one another despite the fact that they were still strangers. I did not feel that their love was genuine or deserved. I was unable to become interested in their developing relationship due to this heavily unrealistic quality.

I was also greatly disappointed to note the lack of action contained within this novel despite the dangerous situation concerning Kathleen's merciless pursuant seeking to gain vengeance upon her father via her death. The story barely moved for the first three hundred pages as Kathleen's erotic desires, foolish attempts at rebellion, and general daily activities were detailed in the fullest. After this exorbitantly lengthy presentation of unessential trivia was displayed, the last segment of the novel finally began to present a decipherable storyline as Kathleen and Reed-san's love places them and those they hold dear in dangerous circumstances due to Baron Tonda's demands to claim Kathleen's mizuage (virginity), an event that Reed-san is desperate to ensure will never transpire. Meanwhile, Baron Tonda is plotting Kathleen's death in order to appease Prince Kira. Although this development was interesting, and greatly helped to redeem the original rating I had intended to bestow on this novel, it did not capture my interest to a particularly great degree thus causing me to state quite generously that this novel was only average and contained none of the essential virtues displayed within a great literary piece.

As for the acclaimed eroticism that supposedly peppers this novel, I found that this aspect was greatly overshadowed by Kathleen's ever shifting desires between the world of the geisha and her own inner longings for love and the almost Shakespearian love story in which a young girl pines over her tragically forbidden love despite the unrealistic qualities pertaining to that love. Instead of the gratuitous erotic scenes expected in this voyeuristic genre, the novel was mostly filled with the somewhat detailed ponderings of a teenage girl longing for love and an erotic experience. Only once during the entire novel was there an actual encounter with her lover that was somewhat explicit. Mostly, however, this novel was only R rated and not particularly erotic. I would suggest this story for those whose interests pertain more toward romantic novels with an erotic tinge than toward those seeking a purely erotic novel.

In conclusion, although I perceive that this author has talent, I did not feel that this talent was displayed to the fullest. I found many of the essential elements inherent in the storyline to be severally lacking most notably the characterization and dialogue causing the overall feel of the novel to lack personality and depth. While the conclusion was fairly well executed and managed to draw me into the story for the first time during the novel, this element alone was not sufficient to redeem my overall opinion concerning the story. I feel that a two star rating is the most accurate description of the novel's worth.

Ravenova
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